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MODES 2

MODES

Image: Grandmamauntsistercat

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Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.

 

This short film program includes the following films:

Freak
Claire Barnett, USA (14 min)

Confronted via home video by her partner to reveal her deepest, darkest fantasy, Laine is left questioning the limits of their relationship.

 


Dreams Like Paper Boats
Samuel Suffren, Haiti (19 min)

Since his wife left for the United States, Edouardo and his daughter subsist on recorded tapes she sends to fill the void of her absence with her voice. Given the distance, they cling to a future filled with love and family.

 


She Stays
Marinthia Gutiérrez, Mexico (10 min)

Recently accepted to a dance master’s program abroad, Laura must decide if she’s ready to walk away from Tijuana and her ex. Tonight she is watched by a coven lurking in the shadows.

 


We Were No Desert
Agustina Comedi, Chiachio & Giannone, Argentina (12 min)

Taking an installation by Argentine textilsts Chiachio & Giannone as a point of departure, director Agustina Comedi (Playback, MODES ‘19) stages a queered rendition of a strict national folk dance, the “Pericón.”

 


Grandmamauntsistercat
Zuza Banasinska, Poland (23 min)

A dazzling array of materials compiled from the educational archive in Łódź, reveals the often sexist images that were first used as a didactic means of power in Communist era Poland. The footage is repurposed to form a new portrait of the female condition through the lens of a fictional non-binary child.

 


Razeh-del
Maryam Tafakory, Iran/UK/Italy (28 min)

In 1998, two schoolgirls sent a letter to Iran’s first-ever women’s newspaper. While they waited to be published, they considered making an impossible film. Using citations and image intervention, Razeh-del journeys through parallel histories of war on images of women. Tafakory’s previous film (Mast-del, MODES ’23) was named among the top ten short films of the year by Film Comment magazine.

 

Community Partner

Director

Various

Country of Origin

Various

Year

2024

Language

Various with English subtitles

Content Warning

Flashing/strobing lights

18+
106 min
Comedy Documentary Experimental & Avant Garde Human Rights & Social Justice LGBTQIA2S+ Shorts Women Directors

Book Tickets

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Vivaldi and Me

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111 min

Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.

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Rear Window

Dir. Alfred Hitchcock
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James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).

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Rose of Nevada

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To Die For

Dir. Gus Van Sant
106 min

Buck Henry (The Graduate) wrote this acidic black comedy about a ruthless weather girl on the make (Nicole Kidman in her breakout role). A young Joaquin Phoenix is the dim teen she seduces on her way to achieving stardom.

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Camp

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111 min

Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...

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Chungking Express

Dir. Wong Kar-Wai
102 min

Chungking Express is a fluid, poetic, almost throwaway film set in Hong Kong's edgy Chungking Mansions district, and comprising two simple, short story-like through-lines, both involving forlorn cops.

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