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MODES 2

MODES

Image: Grandmamauntsistercat

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Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.

 

This short film program includes the following films:

Freak
Claire Barnett, USA (14 min)

Confronted via home video by her partner to reveal her deepest, darkest fantasy, Laine is left questioning the limits of their relationship.

 


Dreams Like Paper Boats
Samuel Suffren, Haiti (19 min)

Since his wife left for the United States, Edouardo and his daughter subsist on recorded tapes she sends to fill the void of her absence with her voice. Given the distance, they cling to a future filled with love and family.

 


She Stays
Marinthia Gutiérrez, Mexico (10 min)

Recently accepted to a dance master’s program abroad, Laura must decide if she’s ready to walk away from Tijuana and her ex. Tonight she is watched by a coven lurking in the shadows.

 


We Were No Desert
Agustina Comedi, Chiachio & Giannone, Argentina (12 min)

Taking an installation by Argentine textilsts Chiachio & Giannone as a point of departure, director Agustina Comedi (Playback, MODES ‘19) stages a queered rendition of a strict national folk dance, the “Pericón.”

 


Grandmamauntsistercat
Zuza Banasinska, Poland (23 min)

A dazzling array of materials compiled from the educational archive in Łódź, reveals the often sexist images that were first used as a didactic means of power in Communist era Poland. The footage is repurposed to form a new portrait of the female condition through the lens of a fictional non-binary child.

 


Razeh-del
Maryam Tafakory, Iran/UK/Italy (28 min)

In 1998, two schoolgirls sent a letter to Iran’s first-ever women’s newspaper. While they waited to be published, they considered making an impossible film. Using citations and image intervention, Razeh-del journeys through parallel histories of war on images of women. Tafakory’s previous film (Mast-del, MODES ’23) was named among the top ten short films of the year by Film Comment magazine.

 

Community Partner

Director

Various

Country of Origin

Various

Year

2024

Language

Various with English subtitles

Content Warning

Flashing/strobing lights

18+
106 min
Comedy Documentary Experimental & Avant Garde Human Rights & Social Justice LGBTQIA2S+ Shorts Women Directors

Book Tickets

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The Secret Agent

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Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.

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Wisdom of Happiness

Dir. Philip Delaquis & Barbara Miller
90 min

An audience with the Dalai Lama, who, at 90, looks back on his life and shares the tenets of Buddhism as a practical guide to surviving the 21st Century with joy and compassion.

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The Tale of Silyan

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81 min

From Oscar-nominee Tamara Kotevska (Honeyland), this is a poetic, curious and enchanting non-fiction fable about a farmer's son who turns into a stork.

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Cutting Through Rocks
Cutting Through Rocks film image; person riding a motorcycle backlit by a sunset

Cutting Through Rocks

Dir. Sara Khaki & Mohammadreza Eyni
95 min

Winner of Sundance's World Cinema Documentary Grand Jury Prize, Cutting Through Rocks follows Sara Shahverdi — motorcyclist, midwife, and first-ever councilwoman elected in her Iranian village. A vérité triumph by Sara Khaki & Mohammadreza Eyni.

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The Nutcracker at Wethersfield

Dir. Annie Sundberg
83 min

Back in the long, dark Covid winter of 2020, there was no way the New York City Ballet could mount their traditional Christmas production of Tchaikovsky's fairytale. But choreographer Troy Schumacher had a dream to save the show -- reimagining a classic.

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Pictures of Ghosts

Dir. Kleber Mendonça Filho
93 min

A companion piece to Mendonça Filho's The Secret Agent, Pictures of Ghosts is a lovely, relaxed, ruminative riff on movies, memory, the imaginative space conferred by that place we call Cinema, seasoned with love and boundless anecdotes.

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