Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.
This short film program includes the following films:
Freak
Claire Barnett, USA (14 min)
Confronted via home video by her partner to reveal her deepest, darkest fantasy, Laine is left questioning the limits of their relationship.
Dreams Like Paper Boats
Samuel Suffren, Haiti (19 min)
Since his wife left for the United States, Edouardo and his daughter subsist on recorded tapes she sends to fill the void of her absence with her voice. Given the distance, they cling to a future filled with love and family.
She Stays
Marinthia Gutiérrez, Mexico (10 min)
Recently accepted to a dance master’s program abroad, Laura must decide if she’s ready to walk away from Tijuana and her ex. Tonight she is watched by a coven lurking in the shadows.
We Were No Desert
Agustina Comedi, Chiachio & Giannone, Argentina (12 min)
Taking an installation by Argentine textilsts Chiachio & Giannone as a point of departure, director Agustina Comedi (Playback, MODES ‘19) stages a queered rendition of a strict national folk dance, the “Pericón.”
Grandmamauntsistercat
Zuza Banasinska, Poland (23 min)
A dazzling array of materials compiled from the educational archive in Łódź, reveals the often sexist images that were first used as a didactic means of power in Communist era Poland. The footage is repurposed to form a new portrait of the female condition through the lens of a fictional non-binary child.
Razeh-del
Maryam Tafakory, Iran/UK/Italy (28 min)
In 1998, two schoolgirls sent a letter to Iran’s first-ever women’s newspaper. While they waited to be published, they considered making an impossible film. Using citations and image intervention, Razeh-del journeys through parallel histories of war on images of women. Tafakory’s previous film (Mast-del, MODES ’23) was named among the top ten short films of the year by Film Comment magazine.
Community Partner
Various
Various
2024
Various with English subtitles
Flashing/strobing lights
Book Tickets
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Kikuyu Land
Kikuyu Land follows Mr. Mungai’s struggle to reclaim family land taken during the colonial era. Through personal stories and archival research, the film explores the enduring impact of land dispossession in Kenya.
Crocodile
In Crocodile, a group of young, self-taught filmmakers turn Kaduna's streets, homes, and residents into the raw materials of sci-fi cinema. This Tribeca Viewpoints winner examines filmmaking as a means to overcome a city's constraints.
The Only Living Pickpocket in New York
A career thief’s circumstances grow desperate when he fences valuable merchandise stolen from a vengeful crime family. John Turturro is exquisite as a wiseacre who is typically one step ahead of everyone but now finds himself behind the eight ball.
Yo (Love Is a Rebellious Bird)
Winner of the Silver Bear for Outstanding Artistic Contribution at this year's Berlinale, Anna Fitch and Banker White’s exuberant documentary combines vérité interviews with a playful mix of puppetry, collage, and insect actors to memorialize a friend.
Image: © Mirabel Pictures
Ceremony
Powerful and evocative, Ceremony follows the disappearance of the ooligan in Bella Coola, revealing a story of cultural survival, environmental stewardship, and the enduring relationship between the Nuxalk Nation and the land.
No Good Men
Naru, the sole camerawoman at a major Kabul newsroom, is convinced that there are “no good men” left in Afghanistan. But partnered with the station’s star reporter in the leadup to the Taliban’s return to power in 2021, her outlook starts to shift.