Inspired by David Wojnarowicz’s text, this story of the same name follows the quiet struggle for acceptance between Afghan-Canadian Hamed and his father.
Supported by
Media Partner
Community Partner
Elyas Rahimi, Mahan Mohammadinasab, Massey Ahmar
Canada
2024
In Dari, Farsi and English with English subtitles
Indigenous & Community Access
Credits & Director
Executive Producer
Martin Glegg, Shelby Manton, Sebastien Galina, Kristoff Duxbury, Geoff Manton, Mojean Aria
Producer
Joaquin Cardoner
Screenwriter
Alexander Farah
Cinematography
Farhad Ghaderi
Editor
Alexander Farah
Production Design
Adriana Marchand
Original Music
Cyrus Reynolds
Alexander Farah
Alexander Farah is an Afghan-Canadian writer, director and editor whose projects have screened at Berlinale, Telluride, and Clermont-Ferrand. His first short film Sahar produced at the Emily Carr University of Art & Design, premiered at TIFF in 2014. Notably, Alex’s recently directed Meet You At The Light won both the Grand Jury Prize and Audience Choice Award at SXSW in 2022. After nearly a decade of editing, One Day This Kid marks his return to directing narrative work.
Missing VIFF? Check out what's playing at the VIFF Centre
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Sugarcane
"Deeply impactful", Sugarcane is an important contribution to the ongoing process of Truth & Reconciliation in this country, a compassionate, sensitive account of the investigation into residential school abuse at Williams Lake, BC.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
Housewife of the Year
This gently mind-blowing doc revisits the glory days of the long-running Irish TV show Housewife of the Year, where women proudly showed off their capacity to keep multiple kiddies fed and clothed, usually with minimal help from their hubbies.