Elyas Rahimi, Mahan Mohammadinasab, Massey Ahmar
Canada
2024
In Dari, Farsi and English with English subtitles
Indigenous & Community Access
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Credits & Director
Executive Producer
Martin Glegg, Shelby Manton, Sebastien Galina, Kristoff Duxbury, Geoff Manton, Mojean Aria
Producer
Joaquin Cardoner
Screenwriter
Alexander Farah
Cinematography
Farhad Ghaderi
Editor
Alexander Farah
Production Design
Adriana Marchand
Original Music
Cyrus Reynolds
Alexander Farah
Alexander Farah is an Afghan-Canadian writer, director and editor whose projects have screened at Berlinale, Telluride, and Clermont-Ferrand. His first short film Sahar produced at the Emily Carr University of Art & Design, premiered at TIFF in 2014. Notably, Alex’s recently directed Meet You At The Light won both the Grand Jury Prize and Audience Choice Award at SXSW in 2022. After nearly a decade of editing, One Day This Kid marks his return to directing narrative work.
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Standby tickets will be available at the door for this event.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.


