Sama Idreesi, Kamel El Basha
France/Jordan
2023
In Arabic with English subtitles
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Credits & Director
Executive Producer
Made in Palestine Project – Rashid Abdelhammid
Producer
Topshot Films Bastien Daret, Arthur Goisset, Robin Robles
Screenwriter
Nour Ben Salem, Julien Menanteau
Cinematography
Éric Devin
Editor
Manon Falise
Production Design
Ayoub Nahhas
Original Music
Jack Bartman
Nour Ben Salem
After a master’s degree in cinema at the Sorbonne and a TV series course at La Fémis, Nour Ben Salem worked as a scriptwriter for television and cinema. She co-wrote the feature film Hard Shell, Soft Shell (2021) directed by Emma Benestan, as well as several episodes of the series Reign Supreme for Arte/Netflix. Palestine Islands is her first work as a director.
Julien Menanteau
After studying cinema in Montreal and at the Sorbonne, Julien Menanteau directed his first short film Rikishi (2017), followed by Samaritan (2018), a creative documentary shot over two years in Palestine. Broadcasted on Arte, the film won a star from the SCAM. Lads, his upcoming debut fiction feature, received support from the CNC.
Missing VIFF? Check out what's playing at the VIFF Centre
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
The Colour of Pomegranates + The House Is Black
This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.
Köln 75
The true story behind the greatest solo concert in jazz history, this is Keith Jarrett's legendary 1975 Köln Concert — as organized by 18-year-old rebel music promoter Vera Brandes. Fun, inventive and feminist, it's the Bend It Like Beckham of jazz films.


