“I have a name, but I still can’t explain it. Actually, I’ll be able to explain very few things.” Thus narrates Pepe, the first and only hippopotamus to be killed in the Americas, his name given to him by the Colombian press. One of four hippos kept by notorious drug lord Pablo Escobar in his private zoo, Pepe and his companions took to wandering the Magdalena River, eventually becoming a dangerous nuisance to the locals. In this unclassifiable feature, Pepe tells us his side of the story.
Directed by Dominican director Nelson Carlos de Los Santos Arias, winner of this year’s Silver Bear for Best Director at the Berlin Film Festival, Pepe is a wild, unpredictable foray into this unlikely history. Formally audacious, it mixes multiple formats and celluloid stocks, archival audio, and news footage, as well as an extended, almost Jaws-like drama of a small village gearing up to face the threat of the hippos. It’s a wry, humorous look at what history would be like if everyone were given a voice.
Silver Bear for Best Director, Berlin 2024
Community Partner
Jhon Narváez, Sor María Ríos, Fareed Matjila, Harmony Ahalwa, Jorge Puntillón García, Shifafure Faustinus
Dominican Republic/Namibia/
Germany/France
2024
In Spanish, Mbukushu, Afrikaans and German with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pablo Lozano, Tanya Valette, Nelson Carlo de los Santos Arias
Screenwriter
Nelson Carlo de los Santos Arias
Cinematography
Camilo Soratti, Roman Lechapelier, Nelson Carlo de los Santos Arias
ANIM
Manuel Barenboim
Editor
Nelson Carlo de los Santos Arias
Original Music
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias is a Dominican director who studied film in Buenos Aires and Edinburgh and has an MFA from the California Institute of the Arts. His first short film SheSaid HeWalks HeSaid SheWalks (2009) won a BAFTA Scotland while his documentary Pareces una carreta… (2013) was part of the major Latin America art exhibition at the Guggenheim Museum in New York. His graduation film Santa Teresa & Otras Historias (2015) won the Prix Georges De Beauregard at FidMarseille and Cocote (2017) won the Signs of Life Award at Locarno. He developed Pepe (2024) while participating in the DAAD artists-in-Berlin program.
Filmography: You Look Like a Carriage That Not Even the Oxen Can Stop (2013); Santa Teresa & Other Stories (2015); Cocote (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
Blue Road - The Edna O'Brien Story
Judging by this candid, funny, passionate biographical documentary, it would have been a wild ride to have been Irish novelist Edna O'Brien, or even to have been in her circle of friends and lovers. Well, for an hour and a half we can pretend we were.
Two Strangers Trying Not to Kill Each Other
This intimate and candid film by a younger husband and wife artist team is a delicate and immensely moving dual portrait of two artists, husband and wife, together and apart, at that point in life when the end casts a shadow over even the sunniest day.
Image: © Manon et Jacob and Final Cut For Real
Erupcja
Charli xcx headlines this indie gem about a young English couple coming unmoored over a few days in Warsaw. Will means to propose. Beth has cold feet -- and an escape hatch she has barely admitted to herself... Think Before Sunrise 2025.
Tony Wilson's The Homeless Project
Combining music, text, still photography, and film to shine a sympathetic light on Canada's urban dispossessed, The Homeless Project is the third in composer, guitarist Tony Wilson's series of multimedia projects addressing pressing social issues.
FernGully: The Last Rainforest
VIFF Kids Club is our monthly family series with films, crafts and more! Doors at 11 am for activities, film at 12. FernGully is a magical adventure where fairy Crysta and her friends seek to protect their rainforest home.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.