“I have a name, but I still can’t explain it. Actually, I’ll be able to explain very few things.” Thus narrates Pepe, the first and only hippopotamus to be killed in the Americas, his name given to him by the Colombian press. One of four hippos kept by notorious drug lord Pablo Escobar in his private zoo, Pepe and his companions took to wandering the Magdalena River, eventually becoming a dangerous nuisance to the locals. In this unclassifiable feature, Pepe tells us his side of the story.
Directed by Dominican director Nelson Carlos de Los Santos Arias, winner of this year’s Silver Bear for Best Director at the Berlin Film Festival, Pepe is a wild, unpredictable foray into this unlikely history. Formally audacious, it mixes multiple formats and celluloid stocks, archival audio, and news footage, as well as an extended, almost Jaws-like drama of a small village gearing up to face the threat of the hippos. It’s a wry, humorous look at what history would be like if everyone were given a voice.
Silver Bear for Best Director, Berlin 2024
Community Partner
Jhon Narváez, Sor María Ríos, Fareed Matjila, Harmony Ahalwa, Jorge Puntillón García, Shifafure Faustinus
Dominican Republic/Namibia/
Germany/France
2024
In Spanish, Mbukushu, Afrikaans and German with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pablo Lozano, Tanya Valette, Nelson Carlo de los Santos Arias
Screenwriter
Nelson Carlo de los Santos Arias
Cinematography
Camilo Soratti, Roman Lechapelier, Nelson Carlo de los Santos Arias
ANIM
Manuel Barenboim
Editor
Nelson Carlo de los Santos Arias
Original Music
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias is a Dominican director who studied film in Buenos Aires and Edinburgh and has an MFA from the California Institute of the Arts. His first short film SheSaid HeWalks HeSaid SheWalks (2009) won a BAFTA Scotland while his documentary Pareces una carreta… (2013) was part of the major Latin America art exhibition at the Guggenheim Museum in New York. His graduation film Santa Teresa & Otras Historias (2015) won the Prix Georges De Beauregard at FidMarseille and Cocote (2017) won the Signs of Life Award at Locarno. He developed Pepe (2024) while participating in the DAAD artists-in-Berlin program.
Filmography: You Look Like a Carriage That Not Even the Oxen Can Stop (2013); Santa Teresa & Other Stories (2015); Cocote (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
