“I have a name, but I still can’t explain it. Actually, I’ll be able to explain very few things.” Thus narrates Pepe, the first and only hippopotamus to be killed in the Americas, his name given to him by the Colombian press. One of four hippos kept by notorious drug lord Pablo Escobar in his private zoo, Pepe and his companions took to wandering the Magdalena River, eventually becoming a dangerous nuisance to the locals. In this unclassifiable feature, Pepe tells us his side of the story.
Directed by Dominican director Nelson Carlos de Los Santos Arias, winner of this year’s Silver Bear for Best Director at the Berlin Film Festival, Pepe is a wild, unpredictable foray into this unlikely history. Formally audacious, it mixes multiple formats and celluloid stocks, archival audio, and news footage, as well as an extended, almost Jaws-like drama of a small village gearing up to face the threat of the hippos. It’s a wry, humorous look at what history would be like if everyone were given a voice.
Silver Bear for Best Director, Berlin 2024
Community Partner
Jhon Narváez, Sor María Ríos, Fareed Matjila, Harmony Ahalwa, Jorge Puntillón García, Shifafure Faustinus
Dominican Republic/Namibia/
Germany/France
2024
In Spanish, Mbukushu, Afrikaans and German with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pablo Lozano, Tanya Valette, Nelson Carlo de los Santos Arias
Screenwriter
Nelson Carlo de los Santos Arias
Cinematography
Camilo Soratti, Roman Lechapelier, Nelson Carlo de los Santos Arias
ANIM
Manuel Barenboim
Editor
Nelson Carlo de los Santos Arias
Original Music
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias is a Dominican director who studied film in Buenos Aires and Edinburgh and has an MFA from the California Institute of the Arts. His first short film SheSaid HeWalks HeSaid SheWalks (2009) won a BAFTA Scotland while his documentary Pareces una carreta… (2013) was part of the major Latin America art exhibition at the Guggenheim Museum in New York. His graduation film Santa Teresa & Otras Historias (2015) won the Prix Georges De Beauregard at FidMarseille and Cocote (2017) won the Signs of Life Award at Locarno. He developed Pepe (2024) while participating in the DAAD artists-in-Berlin program.
Filmography: You Look Like a Carriage That Not Even the Oxen Can Stop (2013); Santa Teresa & Other Stories (2015); Cocote (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
The Art of Adventure
The unbelievable adventure story of how painter Robert Bateman and ecologist Bristol Foster drove a Land Rover from Africa to Australia in 1957, developing a love of nature to last a lifetime. An inspirational love letter to the adventure of life itself.
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Follies
After two kids and 16 years of marriage, François and Julie decide to open up their relationship in a bid to rekindle their dwindling sex life. A painfully hilarious and brutally honest depiction of love, sex, and intimacy in the age of the internet.
Castration Movie Anthology 1: Traps
Louise Weard's underground movie is a talk-a-thon in two chapters and four hours: a sex worker contemplates having her testicles removed, and a movie production assistant pitches himself right out of a job, and other misadventures in Vancouver life.
