“I have a name, but I still can’t explain it. Actually, I’ll be able to explain very few things.” Thus narrates Pepe, the first and only hippopotamus to be killed in the Americas, his name given to him by the Colombian press. One of four hippos kept by notorious drug lord Pablo Escobar in his private zoo, Pepe and his companions took to wandering the Magdalena River, eventually becoming a dangerous nuisance to the locals. In this unclassifiable feature, Pepe tells us his side of the story.
Directed by Dominican director Nelson Carlos de Los Santos Arias, winner of this year’s Silver Bear for Best Director at the Berlin Film Festival, Pepe is a wild, unpredictable foray into this unlikely history. Formally audacious, it mixes multiple formats and celluloid stocks, archival audio, and news footage, as well as an extended, almost Jaws-like drama of a small village gearing up to face the threat of the hippos. It’s a wry, humorous look at what history would be like if everyone were given a voice.
Silver Bear for Best Director, Berlin 2024
Community Partner
Jhon Narváez, Sor María Ríos, Fareed Matjila, Harmony Ahalwa, Jorge Puntillón García, Shifafure Faustinus
Dominican Republic/Namibia/
Germany/France
2024
In Spanish, Mbukushu, Afrikaans and German with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Pablo Lozano, Tanya Valette, Nelson Carlo de los Santos Arias
Screenwriter
Nelson Carlo de los Santos Arias
Cinematography
Camilo Soratti, Roman Lechapelier, Nelson Carlo de los Santos Arias
ANIM
Manuel Barenboim
Editor
Nelson Carlo de los Santos Arias
Original Music
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias
Nelson Carlo de los Santos Arias is a Dominican director who studied film in Buenos Aires and Edinburgh and has an MFA from the California Institute of the Arts. His first short film SheSaid HeWalks HeSaid SheWalks (2009) won a BAFTA Scotland while his documentary Pareces una carreta… (2013) was part of the major Latin America art exhibition at the Guggenheim Museum in New York. His graduation film Santa Teresa & Otras Historias (2015) won the Prix Georges De Beauregard at FidMarseille and Cocote (2017) won the Signs of Life Award at Locarno. He developed Pepe (2024) while participating in the DAAD artists-in-Berlin program.
Filmography: You Look Like a Carriage That Not Even the Oxen Can Stop (2013); Santa Teresa & Other Stories (2015); Cocote (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.
