“Good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
Against all odds, Ziki and Kena fall in love in Nairobi. In doing so, they must deal with the scrutiny of their community as they come into their sexuality, and navigate the forces that refuse to recognize their relationship. Director Wanuri Kahiu celebrates queer existence in Kenya, while also acknowledging the oppressive realities of queerness. Rafiki, a word that also means ‘friend’ in Swahili, is seminal in the inquiry of queer lives in Africa. It sets the stage and establishes the language and required audacity for these stories as they continue to emerge.
Kika Memeh & Ogheneofegor Obuwoma, FOCUS Curators
Presented by
Samantha Mugatsia, Sheila Munyiva, Jimmi Gathu, Nini Wacera, Dennis Musyoka, Patricia Amira
Kenya
2018
In English and Swahili with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Tim Headington
Producer
Steven Markovitz
Screenwriter
Wanuri Kahiu, Jenna Bass
Cinematography
Christopher Wessels
Editor
Isabelle Dedieu
Production Design
Arya Lalloo
Wanuri Kahiu
Born in Nairobi, Wanuri is part of the new generation of African storytellers. Her stories and films have received international acclaim. Her films screened in numerous film festivals around the world. Rafiki (2018) is her second feature film and was the first Kenyan film to screen at the Cannes Film Festival. She is the co-founder of AFROBUBBLEGUM, a media company that supports, creates and commissions fun, fierce and frivolous African art.
Filmography: From a Whisper (2008); Pumzi (2009); Look Both Ways (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
Hear the Yellow
Suna returns to her native Anatolian village for her nephew’s wedding, where the mystery of her sister’s disappearance still looms over the small community. Determined to finally get to the bottom of it, she must reckon with complicated circumstances.
Image: © Anagraffilm
Everybody Digs Bill Evans
After taping two of the greatest jazz records in a single day, legendary pianist Bill Evans (Anders Danielsen Lie) stops playing for the first time since childhood. This is the story of what happened next for this incredibly influential and gifted artist.
Image: © Shane O’Connor 2026 Cowtown Pictures, Hot Property
Heysel 85
This harrowing drama recreates the 1985 European Cup Final in Belgium, when rival football fans clashed before a ball had even been kicked. Teodora Mihal's film captures the hubris, incompetence, and politicking that compounded the escalating chaos.
Jim Queen
When far-right activists infect gay influencer Jim Queen with a drug that turns him straight, he must join forces with a closeted follower to cure his ailment. Jim Queen is a film unafraid to skewer gay “body fascism” and bigoted conservatism alike.
The Guest
This drama explores the conflict between a son and his mentally ill mother, who unexpectedly shows up at his child’s christening party. Full of vivid performances and desperate catharses, The Guest takes us to the point of explosion and beyond.
Image: © Henrik Ohsten
Jaripeo
Efraín Mojica and Rebecca Zweig set their sights on Penjamillo, Michoacán, where the annual Jaripeo — a rodeo of bull riding, drinking, and dust that serves as the town’s public theatre of masculinity — becomes a stage for queer desire.
