“Good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
Against all odds, Ziki and Kena fall in love in Nairobi. In doing so, they must deal with the scrutiny of their community as they come into their sexuality, and navigate the forces that refuse to recognize their relationship. Director Wanuri Kahiu celebrates queer existence in Kenya, while also acknowledging the oppressive realities of queerness. Rafiki, a word that also means ‘friend’ in Swahili, is seminal in the inquiry of queer lives in Africa. It sets the stage and establishes the language and required audacity for these stories as they continue to emerge.
Kika Memeh & Ogheneofegor Obuwoma, FOCUS Curators
Presented by
Samantha Mugatsia, Sheila Munyiva, Jimmi Gathu, Nini Wacera, Dennis Musyoka, Patricia Amira
Kenya
2018
In English and Swahili with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Tim Headington
Producer
Steven Markovitz
Screenwriter
Wanuri Kahiu, Jenna Bass
Cinematography
Christopher Wessels
Editor
Isabelle Dedieu
Production Design
Arya Lalloo
Wanuri Kahiu
Born in Nairobi, Wanuri is part of the new generation of African storytellers. Her stories and films have received international acclaim. Her films screened in numerous film festivals around the world. Rafiki (2018) is her second feature film and was the first Kenyan film to screen at the Cannes Film Festival. She is the co-founder of AFROBUBBLEGUM, a media company that supports, creates and commissions fun, fierce and frivolous African art.
Filmography: From a Whisper (2008); Pumzi (2009); Look Both Ways (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
The Big Lebowski
The Coens' whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back...
The Thin Red Line
After a 20-year hiatus, Terrence Malick re-emerged with this earching adaptation of James Jones's autobiographical novel about the WWII battle of Guadalcanal. The Thin Red Line is a lyrical, meditative war movie, a philosophical discourse on war itself.
Out of Sight
Adapted from Elmore Leonard's novel about the mutual attraction between an escaped bank robber and the FBI agent on his tail, Out of Sight is sexy and romantic, cosmopolitan, and full of Soderbergh's sleight of hand, shuffling time like a card sharp.
Memory of Princess Mumbi
In 2093, a filmmaker arrives in the African village of Umata, where he meets Princess Mumbi, a woman torn between love, legacy, and the future of storytelling. It's a fabulous genre-blending fable about memory, invention and cinematic resistance.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.