Mathyas (Félix-Antoine Duval) abruptly quits his marketing job in Montreal, abandoning his urban life for the south of France with the vague notion of becoming a shepherd -– all without knowing a single thing about this ancient profession. Ever the romantic, he is clouded by bucolic visions and dreams of writing a book in untroubled pastoral repose. What he finds is very different: the brutal life-and-death realities of sheep farming and the viciousness and cruelty of isolated men. Mathyas confronts a number of harrowing trials, including the perilous power of nature, along with the harsh economics of industrialized farming and the effects of climate change.
Adapted from a semi-autobiographical novel by Mathyas Lefebure and set in the breathtaking French Alps, Sophie Deraspe’s film feels both elemental and intimate, evoking the rhythms of land and nature. Shepherds is an epic of personal growth, posing questions about how best to live in order to feel free.
Community Partner
Félix-Antoine Duval, Solène Rigot
Canada/France
2024
In French with English subtitles
At SFU Woodwards
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Kim McCraw, Luc Déry, Élaine Hébert, Caroline Bonmarchand, Xenia Sulyma
Screenwriter
Sophie Deraspe, Mathyas Lefebure
Cinematography
Vincent Gonneville
Editor
Stéphane Lafleur
Production Design
André-Line Beauparlant
Original Music
Philippe Brault
Sophie Deraspe
Sophie Deraspe is a director from Rivière-du-Loup, Quebec who discovered her passion for film through Visual Arts in Austria and Literature studies in Ottawa and Montreal. Starting with documentaries, she made her feature debut with Missing Victor Pellerin (2006) and later Vital Signs (2009). Her documentary A Gay Girl in Damascus: The Amina Profile (2015) won awards at Sundance and Hot Docs. Her film Antigone (2019) was named Best Canadian Feature at TIFF and was selected as the Canadian entry for Best International Feature Film at the Oscars.
Filmography: Missing Victor Pellerin (2006); Vital Signs (2009); Le loups (2014); A Gay Girl in Damascus: The Amina Profile (2015); Antigone (2019)
Photo by Julie Gauthier
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
