Shorts from Canada, Finland, Japan, and the Netherlands.
Sept 28 & 29: Q&A with filmmakers
This short film program includes the following films:
You Can’t Get What You Want but You Can Get Me
Samira Elagoz & Z Walsh, Netherlands/Finland (13 min)
A slideshow of personal photographs and correspondence document two long-haired trans men falling in love.
Colors Under the Streetlights
Yoshimi Joya, Japan (23 min)
Late one night, two women who work at a hostess bar are approached by police.
Candle
Jérémi Roy, Canada (9 min)
David and Leonard are ex-lovers who reunite one autumn evening during a power outage.
Delta Dawn
Asia Youngman, Canada (26 min)
This documentary follows Dawn Murphy, or “Princess Delta Dawn”, who rose to fame in the 1980s and early 1990s and became the first Indigenous woman wrestler and the first Canadian woman wrestler to compete in Japan.
The Death of James
Sam Chou, Canada (14 min)
Two friends grapple with mortality as they are confronted with a dying pet ferret.
Pena’s Special Hauling
Anssi Kasitonni, Finland (12 min)
Perhaps he shouldn’t still be driving at his advanced age, but veteran truck driver Pena cannot help but get behind the wheel of his custom truck.
Salem on the Road
Étienne Galloy, Canada (20 min)
While experiencing a major depersonalization episode, Salem embarks on a solo cycling journey across the Gaspé Peninsula with the intent of ending her life.
Supported by
Community Partner
Various
Various
2023-2024
Various with English subtitles
Self harm
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
