North American Premiere
In Kohei Igarashi’s haunting, mysterious film, Sano (Hiroshi Sano) and his friend Miyata (Yoshinori Miyata) return to the seaside town where Sano met his wife Nagi (Nairu Yamamoto) five years ago. Nagi is now deceased, and the trip is part of an attempt to exorcise Sano’s grief. Eventually, the director takes us back in time, showing the couple’s first meeting…
Kohei shoots in long takes, portraying the action in a cool, distanced manner that allows for contemplation even as the story remains engrossing. Sano and Nagi’s strange, felicitous first meeting is key to the film’s themes of chance, personality, and the strange and often cruel ways they intersect. Hiroshi Sano gives a fine performance, exuding dazed grief in the film’s opening section and altering his technique with the leap back to happier times. Super Happy Forever is a deceptively casual film: beneath the placid surface lies something dark and unnameable yet somehow recognizable.
Supported by
Media Partner
Community Partner
Hiroshi Sano, Yoshinori Miyata, Nairu Yamamoto, Hoang Nhu Quynh
Japan/France
2024
In Japanese with English subtitles
At SFU Woodwards
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Kohei Igarashi, Kenshi Otaka, Misaki Kawamura, Satoshi Takata, Go Kitahara, Takashi Omatsu
Producer
Makoto Oki, Yusaku Emoto
Screenwriter
Kohei Igarashi, Koichi Kubodera
Cinematography
Wataru Takahashi
Editor
Keiko Okawa, Kohei Igarashi, Damien Manivel
Production Design
Masato Nunobe
Original Music
Daigo Sakuragi
Kohei Igarashi 五十嵐耕平
Born in 1983 in Shizuoka Prefecture, Kohei Igarashi directed his first feature film Voice of Rain That Comes at Night (2008) while studying at Tokyo’s Zokei University and went on to win the Korean Critics’ Prize at Cinema Digital Seoul 2008. His second feature film Hold Your Breath Like a Lover (2014), his final work at the Graduate School of Cinema and New Media at the Tokyo University of the Arts, competed at the 67th Locarno International Film Festival. Takara, La nuit ou j’ai nagé (2017), co-directed with French filmmaker Damien Manivel, was selected at the 74th Venice International Film Festival. In 2023, he presented the short film Two of Us at the San Sebastian Film Festival, a sort of prequel to Super Happy Forever.
Filmography: Voice of Rain That Comes at Night (2008); Hold Your Breath Like a Lover (2014); Takara, La nuit ou j’ai nagé (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
Two Strangers Trying Not to Kill Each Other
This intimate and candid film by a younger husband and wife artist team is a delicate and immensely moving dual portrait of two artists, husband and wife, together and apart, at that point in life when the end casts a shadow over even the sunniest day.
Image: © Manon et Jacob and Final Cut For Real
Lingua Franca
Lingua Franca is a tender portrait of intimacy shaped by migration, vulnerability, and the quiet negotiations of belonging. Centered on an undocumented Filipina trans woman living in New York, the film moves with delicate restraint.
Erupcja
Charli xcx headlines this indie gem about a young English couple coming unmoored over a few days in Warsaw. Will means to propose. Beth has cold feet -- and an escape hatch she has barely admitted to herself... Think Before Sunrise 2025.
Everyone Is Lying to You for Money
In which former OC star Ben McKenzie brushes off his economics degree and digs into the cryptocurrency conundrum. If bitcoin is truly all about transparency, how come no one can explain it?
