North American Premiere
In Kohei Igarashi’s haunting, mysterious film, Sano (Hiroshi Sano) and his friend Miyata (Yoshinori Miyata) return to the seaside town where Sano met his wife Nagi (Nairu Yamamoto) five years ago. Nagi is now deceased, and the trip is part of an attempt to exorcise Sano’s grief. Eventually, the director takes us back in time, showing the couple’s first meeting…
Kohei shoots in long takes, portraying the action in a cool, distanced manner that allows for contemplation even as the story remains engrossing. Sano and Nagi’s strange, felicitous first meeting is key to the film’s themes of chance, personality, and the strange and often cruel ways they intersect. Hiroshi Sano gives a fine performance, exuding dazed grief in the film’s opening section and altering his technique with the leap back to happier times. Super Happy Forever is a deceptively casual film: beneath the placid surface lies something dark and unnameable yet somehow recognizable.
Supported by
Media Partner
Community Partner
Hiroshi Sano, Yoshinori Miyata, Nairu Yamamoto, Hoang Nhu Quynh
Japan/France
2024
In Japanese with English subtitles
At SFU Woodwards
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Credits & Director
Executive Producer
Kohei Igarashi, Kenshi Otaka, Misaki Kawamura, Satoshi Takata, Go Kitahara, Takashi Omatsu
Producer
Makoto Oki, Yusaku Emoto
Screenwriter
Kohei Igarashi, Koichi Kubodera
Cinematography
Wataru Takahashi
Editor
Keiko Okawa, Kohei Igarashi, Damien Manivel
Production Design
Masato Nunobe
Original Music
Daigo Sakuragi
Kohei Igarashi 五十嵐耕平
Born in 1983 in Shizuoka Prefecture, Kohei Igarashi directed his first feature film Voice of Rain That Comes at Night (2008) while studying at Tokyo’s Zokei University and went on to win the Korean Critics’ Prize at Cinema Digital Seoul 2008. His second feature film Hold Your Breath Like a Lover (2014), his final work at the Graduate School of Cinema and New Media at the Tokyo University of the Arts, competed at the 67th Locarno International Film Festival. Takara, La nuit ou j’ai nagé (2017), co-directed with French filmmaker Damien Manivel, was selected at the 74th Venice International Film Festival. In 2023, he presented the short film Two of Us at the San Sebastian Film Festival, a sort of prequel to Super Happy Forever.
Filmography: Voice of Rain That Comes at Night (2008); Hold Your Breath Like a Lover (2014); Takara, La nuit ou j’ai nagé (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
The Chef & the Daruma
The inventor of the California Roll, chef Hidekazu Tojo helped bring sushi to mainstream popularity through his renowned Vancouver restaurant, Tojo's. The Chef & the Daruma is a mouthwatering film touching on immigration, identity, and reinvention.
Rumours
Guy Maddin and the Johnson brothers are back with an audacious and fantastical political satire about a G7 meeting descending into supernatural chaos and disaster. Luckily Canada's PM (Roy Dupuis) is on hand to save the day...
All We Imagine as Light
What Wong Kar-wai did for Hong Kong, Payal Kapadia does for Mumbai: the Cannes Grand Prix winner is a romantic heartbreaker about three nurses at different stages of life. It's a future classic.
Let's Get Lost
One of the essential jazz films, this is an achingly tender record of jazz icon Chet Baker shortly before he died, still playing beautiful music and looking back on a life of might-have-beens. A love letter to a lost soul.
Bird
In Andrea Arnold's latest, 12-year-old Bailey (Nykiya Adams) lives in a squat near the English seaside. Neglected by her chaotic father (Barry Keoghan), she pursues an adventure with a magnetic stranger named Bird (Franz Rogowski).