Canada
2024
In English and French with English subtitles
Incest
Indigenous & Community Access
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Credits & Director
Producer
Christine Noël, Julie Roy
Screenwriter
Michèle Lemieux
ANIM
Michèle Lemieux
Editor
Annie Jean
Original Music
Robert Marcel Lepage
Michèle Lemieux
Michèle Lemieux is an illustrator and animation filmmaker who has taught at UQAM’s School of Design for over 30 years. Since the late 1970s, she has worked on 15 illustrated books for young people, including Stormy Night (1997) which was adapted to the screen in 2003 at the NFB. In 2006, during a workshop given by Jacques Drouin, Lemieux was introduced to Alexeïeff-Parker’s pinscreen, subsequently becoming the artistic heir to this unique animation technique. She has made two short films using the pinscreen: Here and the Great Elsewhere (2012), which won several awards, and most recently, The Painting (2024).
Missing VIFF? Check out what's playing at the VIFF Centre
The Matrix
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Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
The Sixth Sense
"I see dead people." Does 10-year-old Cole (Haley Joel Osment) have the sixth sense, as he claims — or is this sensitive, unusual child responding to stress, as his mother (Toni Collette) would like to believe? Psychologist Bruce Willis finds out.
Office Space
This razor sharp comedy from Mike Judge (King of the Hill) captures the indignities of life as a wage slave with rare acumen and caustic wit. Evidently the impending millennial bug weighed heavily on people's minds back in 1999.


