Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.
Supported by
Community Partner
Canada
2024
In English and French with English subtitles
Incest
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Christine Noël, Julie Roy
Screenwriter
Michèle Lemieux
ANIM
Michèle Lemieux
Editor
Annie Jean
Original Music
Robert Marcel Lepage
Michèle Lemieux
Michèle Lemieux is an illustrator and animation filmmaker who has taught at UQAM’s School of Design for over 30 years. Since the late 1970s, she has worked on 15 illustrated books for young people, including Stormy Night (1997) which was adapted to the screen in 2003 at the NFB. In 2006, during a workshop given by Jacques Drouin, Lemieux was introduced to Alexeïeff-Parker’s pinscreen, subsequently becoming the artistic heir to this unique animation technique. She has made two short films using the pinscreen: Here and the Great Elsewhere (2012), which won several awards, and most recently, The Painting (2024).
Missing VIFF? Check Out What's Playing at the VIFF Centre
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."