Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.
Supported by
Community Partner
Canada
2024
In English and French with English subtitles
Incest
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Christine Noël, Julie Roy
Screenwriter
Michèle Lemieux
ANIM
Michèle Lemieux
Editor
Annie Jean
Original Music
Robert Marcel Lepage
Michèle Lemieux
Michèle Lemieux is an illustrator and animation filmmaker who has taught at UQAM’s School of Design for over 30 years. Since the late 1970s, she has worked on 15 illustrated books for young people, including Stormy Night (1997) which was adapted to the screen in 2003 at the NFB. In 2006, during a workshop given by Jacques Drouin, Lemieux was introduced to Alexeïeff-Parker’s pinscreen, subsequently becoming the artistic heir to this unique animation technique. She has made two short films using the pinscreen: Here and the Great Elsewhere (2012), which won several awards, and most recently, The Painting (2024).
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
But I'm a Cheerleader
Megan (Natasha Lyonne) is the perfect All-American Girl, or so she thinks. That is until she’s shipped off to conversion therapy. This pitch black comedy is wrapped in a saccharine bow, featuring the icon herself, RuPaul, as a conversion counsellor.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.