Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.
Supported by
Community Partner
Canada
2024
In English and French with English subtitles
Incest
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Christine Noël, Julie Roy
Screenwriter
Michèle Lemieux
ANIM
Michèle Lemieux
Editor
Annie Jean
Original Music
Robert Marcel Lepage
Michèle Lemieux
Michèle Lemieux is an illustrator and animation filmmaker who has taught at UQAM’s School of Design for over 30 years. Since the late 1970s, she has worked on 15 illustrated books for young people, including Stormy Night (1997) which was adapted to the screen in 2003 at the NFB. In 2006, during a workshop given by Jacques Drouin, Lemieux was introduced to Alexeïeff-Parker’s pinscreen, subsequently becoming the artistic heir to this unique animation technique. She has made two short films using the pinscreen: Here and the Great Elsewhere (2012), which won several awards, and most recently, The Painting (2024).
Missing VIFF? Check out what's playing at the VIFF Centre
The Company of Strangers
In this Canadian gem, seven elderly women find themselves stranded when their bus breaks down in the wilderness. With only their wits, memories and some roasted frogs' legs to sustain them, this remarkable group of strangers share their life stories.
Madonna: Truth or Dare
A year in the life of Madonna at the height of her fame, touring Blonde Ambition through 1990. There's concert footage, but the movie is also daringly truthful about life behind the scenes — not that Madonna is every really off-stage.
The Leopard
Lampedusa's elegiac account of a 19th century Sicilian aristocrat, Prince Salina, fading into history is one of the pinnacles of Italian cinema, an epic which influenced the tempo and gravitas of The Godfather, Age of Innocence and The Deer Hunter.
