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The Painting film image; painting of an arm with ribbon around wrist

The Painting

Le Tableau

VIFF Short Forum

Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.

 

Supported by

    

Community Partner

Director
Credits
Country of Origin

Canada

Year

2024

Language

In English and French with English subtitles

Film Contact
Content Warning

Incest

18+
11 min
Animation Art, Music & Photography Family Relations Shorts Women Directors
The National Film Board of Canada

Credits & Director

Producer

Christine Noël, Julie Roy

Screenwriter

Michèle Lemieux

ANIM

Michèle Lemieux

Editor

Annie Jean

Original Music

Robert Marcel Lepage

Michèle Lemieux headshot; The Painting director

Michèle Lemieux

Michèle Lemieux is an illustrator and animation filmmaker who has taught at UQAM’s School of Design for over 30 years. Since the late 1970s, she has worked on 15 illustrated books for young people, including Stormy Night (1997) which was adapted to the screen in 2003 at the NFB. In 2006, during a workshop given by Jacques Drouin, Lemieux was introduced to Alexeïeff-Parker’s pinscreen, subsequently becoming the artistic heir to this unique animation technique. She has made two short films using the pinscreen: Here and the Great Elsewhere (2012), which won several awards, and most recently, The Painting (2024).

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