Using pinscreen animation, an instance of institutionalized incest in art history is examined through the portrait of Queen Mariana of Austria, who was 14 when she married her uncle.
Supported by
Community Partner
Canada
2024
In English and French with English subtitles
Incest
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Christine Noël, Julie Roy
Screenwriter
Michèle Lemieux
ANIM
Michèle Lemieux
Editor
Annie Jean
Original Music
Robert Marcel Lepage
Michèle Lemieux
Michèle Lemieux is an illustrator and animation filmmaker who has taught at UQAM’s School of Design for over 30 years. Since the late 1970s, she has worked on 15 illustrated books for young people, including Stormy Night (1997) which was adapted to the screen in 2003 at the NFB. In 2006, during a workshop given by Jacques Drouin, Lemieux was introduced to Alexeïeff-Parker’s pinscreen, subsequently becoming the artistic heir to this unique animation technique. She has made two short films using the pinscreen: Here and the Great Elsewhere (2012), which won several awards, and most recently, The Painting (2024).
Missing VIFF? Check out what's playing at the VIFF Centre
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
Auction
Inspired by a true story, writer-director Pascal Bonitzer has crafted an inquiring, witty drama about the art market. When a long-lost Egon Schiele masterpiece reemerges, art appraiser Alex is initially skeptical. And yet...
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
