North American Premiere
Taking an installation by Argentine textilsts Chiachio & Giannone as a point of departure, director Agustina Comedi (Playback, MODES ‘19) stages a queered rendition of a strict national folk dance, the “Pericón.” This new choreography opposes its traditional steps and resists the inherent ideology of conquest baked into the notion of ‘homeland’.
Community Partner
Argentina
2024
In Spanish with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Sandra Rojas
Screenwriter
Agustina Comedi
Cinematography
Benjamín Ellenberger
Editor
Ezequiel Salinas
Original Music
Violeta García
Agustina Comedi
Agustina Comedi (1986, Argentina). Scriptwriter and filmmaker. She holds a degree in Literature. In 2017, her debut film Silence is a Falling Body (2017) premiered at IDFA. Her short film, Playback (2019) was part of the Berlinale Shorts Competition in 2020, where it won the Teddy Award. It was also awarded Best Short Film in the Mar del Plata Film Festival and Entrevues Belfort. She is currently working on her second and third films.
Photo by Catalina Bartolomé
Chiachio & Giannone
Chiachio & Giannone are Argentine visual artists. Leo Chiachio (1969, Buenos Aires) and Daniel Giannone (1964, Córdoba). Their work translates the knowledge of painting into the field of textile arts and it is framed within political debates about new family models and LGBTQ+ issues. Their work has been part of national and international exhibitions. Among these, The Emilio Caraffa Fine Arts Museum (Córdoba, 2014), the Museum of Art and Design (NY, 2014), Victoria and Albert Museum (London, 2015), Cité International de la Tapisserie d’Aubusson (2016) MOLAA, California (2019) and Antre Peaux, Bourges (2022) among others.
Missing VIFF? Check out what's playing at the VIFF Centre
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
The Nutcracker at Wethersfield
Back in the long, dark Covid winter of 2020, there was no way the New York City Ballet could mount their traditional Christmas production of Tchaikovsky's fairytale. But choreographer Troy Schumacher had a dream to save the show -- reimagining a classic.
