North American Premiere
Taking an installation by Argentine textilsts Chiachio & Giannone as a point of departure, director Agustina Comedi (Playback, MODES ‘19) stages a queered rendition of a strict national folk dance, the “Pericón.” This new choreography opposes its traditional steps and resists the inherent ideology of conquest baked into the notion of ‘homeland’.
Community Partner
Argentina
2024
In Spanish with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Sandra Rojas
Screenwriter
Agustina Comedi
Cinematography
Benjamín Ellenberger
Editor
Ezequiel Salinas
Original Music
Violeta García
Agustina Comedi
Agustina Comedi (1986, Argentina). Scriptwriter and filmmaker. She holds a degree in Literature. In 2017, her debut film Silence is a Falling Body (2017) premiered at IDFA. Her short film, Playback (2019) was part of the Berlinale Shorts Competition in 2020, where it won the Teddy Award. It was also awarded Best Short Film in the Mar del Plata Film Festival and Entrevues Belfort. She is currently working on her second and third films.
Photo by Catalina Bartolomé
Chiachio & Giannone
Chiachio & Giannone are Argentine visual artists. Leo Chiachio (1969, Buenos Aires) and Daniel Giannone (1964, Córdoba). Their work translates the knowledge of painting into the field of textile arts and it is framed within political debates about new family models and LGBTQ+ issues. Their work has been part of national and international exhibitions. Among these, The Emilio Caraffa Fine Arts Museum (Córdoba, 2014), the Museum of Art and Design (NY, 2014), Victoria and Albert Museum (London, 2015), Cité International de la Tapisserie d’Aubusson (2016) MOLAA, California (2019) and Antre Peaux, Bourges (2022) among others.
Missing VIFF? Check out what's playing at the VIFF Centre
Cookie Queens
A documentary about the annual Girl Scouts' cookie sale is probably not high on your list of must-sees, but don't be too sure — this movie is a delight, a rare celebration of girlhood, supportive family relations, and the art of salesmanship.
A Simple Machine
Cutting costs, swapping four wheels for two, Nick is downsizing to pay off his student debt. It's a path which leads to savings he had not anticipated, even if his girlfriend thinks he's losing it (and she may be right). A lean, low budget gem.
Gummo
Harmony Korine was just 24 when he made Gummo. It's become a cult favourite as much for its singularity as anything else: it's a strange, misshapen beast, a slice of beat poetry translated into experimental film.
