Skip to main content
We Were No Desert film image; man with arm resting on his head

We Were No Desert

Nunca fuimos un desierto

MODES

North American Premiere

Taking an installation by Argentine textilsts Chiachio & Giannone as a point of departure, director Agustina Comedi (Playback, MODES ‘19) stages a queered rendition of a strict national folk dance, the “Pericón.” This new choreography opposes its traditional steps and resists the inherent ideology of conquest baked into the notion of ‘homeland’.

 

Community Partner

Directors
Credits
Country of Origin

Argentina

Year

2024

Language

In Spanish with English subtitles

Film Contact
18+
12 min
Experimental & Avant Garde Human Rights & Social Justice LGBTQIA2S+ Shorts Women Directors
PAN Contenidos

Credits & Director

Producer

Sandra Rojas

Screenwriter

Agustina Comedi

Cinematography

Benjamín Ellenberger

Editor

Ezequiel Salinas

Original Music

Violeta García

Agustina Comedi headshot; We Were No Desert director

Agustina Comedi

Agustina Comedi (1986, Argentina). Scriptwriter and filmmaker. She holds a degree in Literature. In 2017, her debut film Silence is a Falling Body (2017) premiered at IDFA. Her short film, Playback (2019) was part of the Berlinale Shorts Competition in 2020, where it won the Teddy Award. It was also awarded Best Short Film in the Mar del Plata Film Festival and Entrevues Belfort. She is currently working on her second and third films.

Photo by Catalina Bartolomé

 

Chiachio & Giannone joint headshot; We Were No Desert directors

Chiachio & Giannone

Chiachio & Giannone are Argentine visual artists. Leo Chiachio (1969, Buenos Aires) and Daniel Giannone (1964, Córdoba). Their work translates the knowledge of painting into the field of textile arts and it is framed within political debates about new family models and LGBTQ+ issues. Their work has been part of national and international exhibitions. Among these, The Emilio Caraffa Fine Arts Museum (Córdoba, 2014), the Museum of Art and Design (NY, 2014), Victoria and Albert Museum (London, 2015), Cité International de la Tapisserie d’Aubusson (2016) MOLAA, California (2019) and Antre Peaux, Bourges (2022) among others.

 

Missing VIFF? Check out what's playing at the VIFF Centre

Palestine '36

Dir. Annemarie Jacir
118 min

An epic historical drama from director Annemarie Jacir that follows an ensemble of rural villagers who face off against British colonial forces during the 1936 Palestinian revolt.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

Kensington Market: Heart of the City

Dir. Stuart Clarfield
104 min

Stuart Clarfield's DIY doc is both an oral history of the character-full working class Toronto neighbourhood and a sobering story about the economic forces that spell its likely demise.

VIFF Centre - Lochmaddy Studio Theatre

The Art of Adventure

Dir. Alison Reid
90 min

The unbelievable adventure story of how painter Robert Bateman and ecologist Bristol Foster drove a Land Rover from Africa to Australia in 1957, developing a love of nature to last a lifetime. An inspirational love letter to the adventure of life itself.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

Agatha's Almanac

Dir. Amalie Atkins
86 min

Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.

VIFF Centre - Lochmaddy Studio Theatre VIFF Centre - VIFF Cinema

Follies

Dir. Eric K. Boulianne
101 min

After two kids and 16 years of marriage, François and Julie decide to open up their relationship in a bid to rekindle their dwindling sex life. A painfully hilarious and brutally honest depiction of love, sex, and intimacy in the age of the internet.

VIFF Centre - Lochmaddy Studio Theatre

Paying for It

Dir. Sook-Yin Lee
85 min

Talk about a hall of mirrors! Sook-Yin Lee wittily adapts the graphic novel of the same name by her ex-boyfriend, Canadian cartoonist Chester Brown, about the end of their relationship and Brown's subsequent decision to start paying for sex.

VIFF Centre - VIFF Cinema