Skip to main content
Zanatany, When Soulless Shrouds Whisper film image; people walking through street

Zanatany, When Soulless Shrouds Whisper

Zanatany, L’empreinte des linceuls esseulés

VIFF Short Forum

Canadian Premiere

Tensions rise in the community, days before the little known 1976 Majunga massacre.

 

Supported by

    

Community Partner

Director
Cast

Soeuf Elbadawi, Hatia Ali, Moindjoumoi Ahmed Assoumani, T. Syldio Cristophe, Habib Cesar Marson

Credits
Country of Origin

Belgium/France/Qatar

Year

2024

Language

In Comorian, Malagasy and French with English subtitles

Film Contact
18+
27 min
Black Cinema Human Rights & Social Justice Shorts
The Blue Raincoat

Credits & Director

Producer

Jérémy van der Haegen, Manon Coubia, Nicolas RinconGille

Screenwriter

Ahamada Hachimiya

Cinematography

Charlotte Michel

Editor

Thibaut Verly

Original Music

Nawal Mlanao

Hachimiya Ahamada headshot; Zanatany director

Hachimiya Ahamada

Hachimiya Ahamada studied directing at INSAS, Belgium. She directed her first short fiction film Residence Ylang-Ylang (2008), presented at the Cannes International Critic’s Week in 2008. Later, she made a more intimate film called Ashes of Dreams (2011) which featured a filmed letter addressed to her father. Zanatany (2024) is Hachimiya’s second fiction film. With this project, she continues her work on the trajectories of the Comorian diaspora to which she belongs. Between fiction and observation of reality, she builds a universe whose narrative deepens her relationship to her roots.

Missing VIFF? Check out what's playing at the VIFF Centre

Clarissa
Clarissa film image; a woman peering out an open door

Clarissa

Dir. Arie Esiri, Chuko Esiri
134 min

Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.

Image: © Courtesy of Elevation Pictures

The Park Theatre
How We Stand
How We Stand film image; woman holding up a lit lighter

How We Stand

Dir. Marie Clements
110 min

How We Stand follows three Indigenous sisters separated after their family relocates to Los Angeles under Native American Relocation Program in the 1950s. Twenty years later, they navigate identity, trauma, and very different lives.

The Rio Theatre Lindsay Family Stage at Granville Island
Hearing
Hearing film image; man massaging a woman's leg

Hearing

Dir. Bảo Lê
128 min

Bảo Lê makes a notable entrance with this lush, meticulously composed feature debut that unfolds as a series of film tableaux drawing on moments in the life of a middle-aged mechanic whose work involves installing decibel meters across public spaces.

VIFF Centre - VIFF Cinema
In the Heart of the South
In the Heart of the South film image; two women looking at one another with a projector between them

In the Heart of the South

Dir. Nyla Innuksuk
95 min

In the Heart of the South, from the director of Slash/Back, brings North of North co-stars Anna Lambe and Zorga Qaunaq together for a propulsive, psychological meta-thriller about an Inuk multimedia writer possessed by her own narrative.

International Village 9
Take Me Home
Take Me Home film image; two women with their heads pressed together

Take Me Home

Dir. Liz Sargent
91 min

Liz Sargent’s film stars her sister Anna, who plays a woman quite like her real self: thirty something, cognitively disabled, and utterly vivacious. Exploring one unique family and the hardships it faces, this is a film of deep empathy and subtle beauty.

Image: © Farhad Ahmed Dehlvi

Lindsay Family Stage at Granville Island

The Ballad From Wednesday to Thursday

Dir. Christoph Otto
79 min

As evening approaches, residents of Cologne gather in bars, cafes, and clubs, talking about everything from immigration, war in the Middle East, feminism, and racial profiling. As the alcohol flows, conversations get louder and opinions looser.

Image: © Montell Taraschewski_Monte Kalk Film

The Cinematheque