Soeuf Elbadawi, Hatia Ali, Moindjoumoi Ahmed Assoumani, T. Syldio Cristophe, Habib Cesar Marson
Belgium/France/Qatar
2024
In Comorian, Malagasy and French with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jérémy van der Haegen, Manon Coubia, Nicolas RinconGille
Screenwriter
Ahamada Hachimiya
Cinematography
Charlotte Michel
Editor
Thibaut Verly
Original Music
Nawal Mlanao
Hachimiya Ahamada
Hachimiya Ahamada studied directing at INSAS, Belgium. She directed her first short fiction film Residence Ylang-Ylang (2008), presented at the Cannes International Critic’s Week in 2008. Later, she made a more intimate film called Ashes of Dreams (2011) which featured a filmed letter addressed to her father. Zanatany (2024) is Hachimiya’s second fiction film. With this project, she continues her work on the trajectories of the Comorian diaspora to which she belongs. Between fiction and observation of reality, she builds a universe whose narrative deepens her relationship to her roots.
Missing VIFF? Check out what's playing at the VIFF Centre
Peter Hujar's Day
Ben Whishaw is extraordinary in this conjuring trick of a movie from Ira Sachs (Passages), a minimalist masterpiece recreating a conversation between New York photographer Hujar and writer Linda Rosenkrantz in 1974.
Jay Kelly
In Noah Baumbach's wise and witty comedy, George Clooney plays Jay Kelly, a world-famous movie star touring Europe with his friend and manager, Ron (Adam Sandler). Faced with nagging dissatisfaction, Jay starts to ask himself some tough questions.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Orwell: 2+2=5
Oscar-nominated director Raoul Peck reimagines 1984 in this urgent essay on power, language, and control. With narration by Damian Lewis, it’s a chilling portrait of how Orwell’s warnings became our reality.


