Canadian Premiere
Tensions rise in the community, days before the little known 1976 Majunga massacre.
Supported by
Community Partner
Soeuf Elbadawi, Hatia Ali, Moindjoumoi Ahmed Assoumani, T. Syldio Cristophe, Habib Cesar Marson
Belgium/France/Qatar
2024
In Comorian, Malagasy and French with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jérémy van der Haegen, Manon Coubia, Nicolas RinconGille
Screenwriter
Ahamada Hachimiya
Cinematography
Charlotte Michel
Editor
Thibaut Verly
Original Music
Nawal Mlanao
Hachimiya Ahamada
Hachimiya Ahamada studied directing at INSAS, Belgium. She directed her first short fiction film Residence Ylang-Ylang (2008), presented at the Cannes International Critic’s Week in 2008. Later, she made a more intimate film called Ashes of Dreams (2011) which featured a filmed letter addressed to her father. Zanatany (2024) is Hachimiya’s second fiction film. With this project, she continues her work on the trajectories of the Comorian diaspora to which she belongs. Between fiction and observation of reality, she builds a universe whose narrative deepens her relationship to her roots.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...