Canadian Premiere
Tensions rise in the community, days before the little known 1976 Majunga massacre.
Supported by
Community Partner
Soeuf Elbadawi, Hatia Ali, Moindjoumoi Ahmed Assoumani, T. Syldio Cristophe, Habib Cesar Marson
Belgium/France/Qatar
2024
In Comorian, Malagasy and French with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jérémy van der Haegen, Manon Coubia, Nicolas RinconGille
Screenwriter
Ahamada Hachimiya
Cinematography
Charlotte Michel
Editor
Thibaut Verly
Original Music
Nawal Mlanao
Hachimiya Ahamada
Hachimiya Ahamada studied directing at INSAS, Belgium. She directed her first short fiction film Residence Ylang-Ylang (2008), presented at the Cannes International Critic’s Week in 2008. Later, she made a more intimate film called Ashes of Dreams (2011) which featured a filmed letter addressed to her father. Zanatany (2024) is Hachimiya’s second fiction film. With this project, she continues her work on the trajectories of the Comorian diaspora to which she belongs. Between fiction and observation of reality, she builds a universe whose narrative deepens her relationship to her roots.
Missing VIFF? Check out what's playing at the VIFF Centre
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.
Islands
In this sly, engrossing mystery, a dissolute English tennis coach in a Canary Islands holiday resort falls under suspicion when the husband of a beautiful guest disappears after a night of heavy drinking...
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.