Soeuf Elbadawi, Hatia Ali, Moindjoumoi Ahmed Assoumani, T. Syldio Cristophe, Habib Cesar Marson
Belgium/France/Qatar
2024
In Comorian, Malagasy and French with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Jérémy van der Haegen, Manon Coubia, Nicolas RinconGille
Screenwriter
Ahamada Hachimiya
Cinematography
Charlotte Michel
Editor
Thibaut Verly
Original Music
Nawal Mlanao
Hachimiya Ahamada
Hachimiya Ahamada studied directing at INSAS, Belgium. She directed her first short fiction film Residence Ylang-Ylang (2008), presented at the Cannes International Critic’s Week in 2008. Later, she made a more intimate film called Ashes of Dreams (2011) which featured a filmed letter addressed to her father. Zanatany (2024) is Hachimiya’s second fiction film. With this project, she continues her work on the trajectories of the Comorian diaspora to which she belongs. Between fiction and observation of reality, she builds a universe whose narrative deepens her relationship to her roots.
Missing VIFF? Check out what's playing at the VIFF Centre
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Sansho the Bailiff
The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
Fucktoys Advance Screening + Annapurna Sriram Q&A
Bold, irreverent, and fiercely queer, Fucktoys plunges into a world where pleasure, performance, and identity collide. This special advance screening comes with a Q&A with filmmaker Annapurna Sriram.


