Canadian Premiere
Councilwoman Sandy James (Karen Pittman) aspires to a more compassionate New York. But when a woman from her past, Elsa (Michelle Veintimilla), is released from prison, Sandy worries her detractors will uncover her involvement in Elsa’s crime. Sixteen years ago, Sandy and her then-fling, corporate lawyer Paul (Corey Stoll), loaned $500 to a teenage Elsa who sought protection from her abusive father—not realizing they were buying her a gun with which to kill him.
To protect Sandy’s career, she and Paul ask Elsa to lie to a journalist about the source of the funds. But one lie opens the door to blackmail, and when Elsa’s parole is violated, she asks Sandy and Paul to corroborate another lie—forcing them to walk the razor’s edge between their morals and the standard judicial process. Writer/director Stephen Belber’s heart-wrenching dramatic three-hander provides incisive commentary on gun control, racial and class biases, the nature of trauma, and the failures of the U.S. justice system to protect the most vulnerable.
Q&A Sept 30 & Oct 2
Corey Stoll, Karen Pittman, Michelle Veintimilla
USA
2022
English
Domestic Violence, Sexual Violence, Child Abuse, Self Harm, Incest
At International Village
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
Coffee House Folk + Inside Llewyn Davis
The Coens' catty portrait of the 60s Greenwich Village scene is the best movie about folk music, bar none. Before the movie, enjoy solo sets from four local singer-songwriters: Rodney DeCroo, Tim Readman, LJ Mounteney and Andy Hillhouse.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
Credits
Executive Producer
Brian Tanke, Stephen Belber, Matt Bronson
Producer
Chris Mangano, Merry-Kay Poe, Max Neace
Screenwriter
Stephen Belber
Cinematography
Garrette Rose
Editor
Justin Chan
Production Design
Christelle Matou
Original Music
Paul Brill
Director
Stephen Belber
Stephen Belber’s plays have been produced on Broadway and in over 25 countries. They include Tape (2000), Match (2004), The Power of Duff (2012), and The Muscles In Our Toes (2014). He was an associate writer for Tape (2001) and a writer for The Laramie Project (2002). He also wrote and directed Management (2008), and Match (2014), which starred Jennifer Aniston and Patrick Stewart, respectively. His television credits include Rescue Me, Law & Order SVU, and pilots for F/X, FTVS, and HBO.
Filmography: Management (2008); Match (2014)