Canadian Premiere
Councilwoman Sandy James (Karen Pittman) aspires to a more compassionate New York. But when a woman from her past, Elsa (Michelle Veintimilla), is released from prison, Sandy worries her detractors will uncover her involvement in Elsa’s crime. Sixteen years ago, Sandy and her then-fling, corporate lawyer Paul (Corey Stoll), loaned $500 to a teenage Elsa who sought protection from her abusive father—not realizing they were buying her a gun with which to kill him.
To protect Sandy’s career, she and Paul ask Elsa to lie to a journalist about the source of the funds. But one lie opens the door to blackmail, and when Elsa’s parole is violated, she asks Sandy and Paul to corroborate another lie—forcing them to walk the razor’s edge between their morals and the standard judicial process. Writer/director Stephen Belber’s heart-wrenching dramatic three-hander provides incisive commentary on gun control, racial and class biases, the nature of trauma, and the failures of the U.S. justice system to protect the most vulnerable.
Q&A Sept 30 & Oct 2
Corey Stoll, Karen Pittman, Michelle Veintimilla
USA
2022
English
Domestic Violence, Sexual Violence, Child Abuse, Self Harm, Incest
At International Village
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.
Credits
Executive Producer
Brian Tanke, Stephen Belber, Matt Bronson
Producer
Chris Mangano, Merry-Kay Poe, Max Neace
Screenwriter
Stephen Belber
Cinematography
Garrette Rose
Editor
Justin Chan
Production Design
Christelle Matou
Original Music
Paul Brill
Director
Stephen Belber
Stephen Belber’s plays have been produced on Broadway and in over 25 countries. They include Tape (2000), Match (2004), The Power of Duff (2012), and The Muscles In Our Toes (2014). He was an associate writer for Tape (2001) and a writer for The Laramie Project (2002). He also wrote and directed Management (2008), and Match (2014), which starred Jennifer Aniston and Patrick Stewart, respectively. His television credits include Rescue Me, Law & Order SVU, and pilots for F/X, FTVS, and HBO.
Filmography: Management (2008); Match (2014)