Canadian Premiere
Councilwoman Sandy James (Karen Pittman) aspires to a more compassionate New York. But when a woman from her past, Elsa (Michelle Veintimilla), is released from prison, Sandy worries her detractors will uncover her involvement in Elsa’s crime. Sixteen years ago, Sandy and her then-fling, corporate lawyer Paul (Corey Stoll), loaned $500 to a teenage Elsa who sought protection from her abusive father—not realizing they were buying her a gun with which to kill him.
To protect Sandy’s career, she and Paul ask Elsa to lie to a journalist about the source of the funds. But one lie opens the door to blackmail, and when Elsa’s parole is violated, she asks Sandy and Paul to corroborate another lie—forcing them to walk the razor’s edge between their morals and the standard judicial process. Writer/director Stephen Belber’s heart-wrenching dramatic three-hander provides incisive commentary on gun control, racial and class biases, the nature of trauma, and the failures of the U.S. justice system to protect the most vulnerable.
Q&A Sept 30 & Oct 2
Corey Stoll, Karen Pittman, Michelle Veintimilla
USA
2022
English
Domestic Violence, Sexual Violence, Child Abuse, Self Harm, Incest
At International Village
At The Rio
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Credits
Executive Producer
Brian Tanke, Stephen Belber, Matt Bronson
Producer
Chris Mangano, Merry-Kay Poe, Max Neace
Screenwriter
Stephen Belber
Cinematography
Garrette Rose
Editor
Justin Chan
Production Design
Christelle Matou
Original Music
Paul Brill
Director
Stephen Belber
Stephen Belber’s plays have been produced on Broadway and in over 25 countries. They include Tape (2000), Match (2004), The Power of Duff (2012), and The Muscles In Our Toes (2014). He was an associate writer for Tape (2001) and a writer for The Laramie Project (2002). He also wrote and directed Management (2008), and Match (2014), which starred Jennifer Aniston and Patrick Stewart, respectively. His television credits include Rescue Me, Law & Order SVU, and pilots for F/X, FTVS, and HBO.
Filmography: Management (2008); Match (2014)