This tender coming-of-age drama, set in a Jehovah’s Witness congregation in the 90s, explores the themes of first love, sexual awakenings, and the clash of personal desires with the sense of community. The film follows Jamie as she moves in with her aunt and uncle who are part of the group. Initially wary of their close-knit community, things start to shift when she meets Marike, a charming young Witness tasked with welcoming Jamie into the fold. The two instantly hit it off and develop a strong bond that ultimately results in widespread tension, challenging the young lovers’ own principles.
Marking the feature directing debut for Sarah Watts and Mark Slutsky, the film taps beautifully into the whirlwind of emotion caused by forbidden teenage infatuation within the rigid constraints of religious conditioning. Sharply written, shot, and acted, You Can Live Forever is ultimately carried by Anwen O’Driscoll, whose nuanced, naturalistic performance gives the film its heartbeat.
Q&A Sept 30
Presented by
Media Partner
Anwen O’Driscoll, June Laporte, Liane Balaban, Deragh Campbell, Antoine Yared, Hasani Freeman, Tim Campbell
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
Laura Crema Sings Lorenz Hart
For this unique show, leading jazz vocalist Laura Crema has put together a set of some of Lorenz Hart's most memorable songs. Afterwards, enjoy Ethan Hawke's portrait of the legendary lyricist in Richard Linklater's new movie, Blue Moon.
Islands
In this sly, engrossing mystery, a dissolute English tennis coach in a Canary Islands holiday resort falls under suspicion when the husband of a beautiful guest disappears after a night of heavy drinking...
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Credits
Executive Producer
John Christou
Producer
Robert Vroom
Screenwriter
Sarah Watts, Mark Slutsky
Cinematography
Gayle Ye
Editor
Amélie Labrèche
Production Design
André Chamberland
Original Music
CFCF
Directors
Photo by EK Bowell
Mark Slutsky
Mark Slutsky is an award-winning writer and director based in Montreal. His shorts Never Happened (2015) and Sorry, Rabbi (2011) both premiered at the Toronto International Film Festival. In 2013, he co-directed and produced the animated short I’m One, Too! for the 44th season of Sesame Street. He also writes for video games, winning the 2021 Canadian Screen Award for Best Video Game Narrative for his work on Compulsion Games’ We Happy Few. You Can Live Forever (2022), co-written and co-directed with Sarah Watts, is his first feature.
Photo by Kayleigh Choiniere
Sarah Watts
Sarah Watts is a writer/director from Montreal. Her previous work has been shown at Slamdance. When not making films, she works as a sports writer and editor.