
VIFF Catalyst is an intimate cohort-based program designed to support the growth of local emerging filmmakers. Each year, a committee selects 15 directors for placement in the program. Through a cohort-based approach, Catalyst seeks to create peer-to-peer and peer-to-mentor conversations, while facilitating an environment free of barriers and hierarchies. Catalyst participants leave the program with a new network of collaborators and a stronger connection to the local film community.

The Catalyst program is a space for local filmmakers to connect and dive into craft-based conversations. The cohort moves through the festival with a tailored experience that includes curated conversations, screenings, labs, and direct access to industry guests.
An alumni of the program, it’s a huge joy to curate for Catalyst this year. My biggest takeaway as a participant was community and empowerment. I remember I arrived eager to connect with decision makers, but left with a new spark having discovered the possibilities already here with each other.
Mariam Barry, Catalyst Program Curator and Industry Associate Programmer
Highlights
Inclusive Approach
The program actively seeks participants from underrepresented backgrounds, fostering a diverse and enriching peer mentorship environment.
Cohort Experience
Participants become part of a diverse cohort, enabling balanced and insightful discussions that contribute to each participant’s growth.
Dedicated Sessions
The program explores various aspects of filmmaking, including festival strategy, distribution, ethical filmmaking, and more, through roundtable discussions and case studies.
Financial Support
Selected participants receive a full festival pass and a professional stipend to help mitigate any financial barriers associated with attending the program.
Meet the 2025 Cohort

Audrey Kerridge (she/her)
Audrey Kerridge is a queer, independent filmmaker born and raised in Vancouver, BC and has recently graduated from Simon Fraser University with a BFA in Film and a Minor in Archaeology. As a child, Audrey began making short stop-motion animations on YouTube, which later progressed into a passion for filmmaking. Undoubtedly influenced by her background in skateboarding, her films embody a distinctive sense of joy, spontaneity and rebellious youthful energy.

Bianca Cheung (they/them)
Bianca is a queer Canadian Hong Kong filmmaker based in Vancouver. An emerging director, their short films and music videos blend surrealism, emotional depth, and offbeat humour, exploring themes of identity, memory, and connection. In addition to filmmaking, they are self-taught in 3-D animation and experiment with analogue film processing and thermal printing. Their grad film is an official selection of the Vancouver International Film Festival 2025.

Dustin McGladrey (he/him)
Dustin McGladrey is an emerging cisgender IndigiQueer Producer/Director/Writer from the Nisga’a Nation. Dustin is a co-owner of his own film company, House of Copper Films, which was started in 2022 with his partner Rosie Johnnie-Mills. He aspires to bring Indigenous futurisms and identity on screen.

Felicia Simone (she/her)
Felicia Simone is a Canadian actor, writer, and filmmaker whose work explores difficult subjects through comedy and thriller. She created the dramedy series Dating App Chronicles, later producing its pilot with Canada Council support. A 2025 BSO Access Canada Summit delegate, she was mentored by Anthony Q. Farrell and co-stars in the romance series, Providence Falls. Felicia also has a slate of projects in development with her production company, YesLove Media.

Jacob Alcala (he/him)
Jacob Alcala is a Filipino filmmaker based in Vancouver, BC. Raised between the Philippines and the UAE, he graduated cum laude in Audiovisual Design from the Willem de Kooning Academy in the Netherlands. Rooted in his experiences as a first-generation immigrant, his work explores cultural dysphoria and the intersections of memory, identity, and migration. His debut short, Until Then (2023), has received international recognition. His creative practice spans directing, producing, cinematography, and post-production.

Joshua Brad-Lee Garrido (they/he)
Joshua Brad-Lee Garrido is a Filipino-Canadian filmmaker and interdisciplinary artist from Mohkinstsis (Calgary), now based in Vancouver. A graduate of UCalgary (BComm) and UBC (BFA Film Production), their work explores human connection through an impressionistic lens. Their film Chrome (2024) screened at festivals including NYU Sports, Cannes Indie Shorts, and F-O-R-M, earning a CSC Student Cinematography nomination. Their next project, Amor Eterno (2025), is dedicated to their friends, family, and partner Kathleen.

Khánh Nguyễn (she/her)
Vietnam-born and Vancouver-based, Khánh is a versatile filmmaker passionate about creating fantasy and sci-fi series exploring real human conditions. She wrote and directed NEPO BABY, nominated for Best Short Film at the Toronto International Nollywood Film Festival. She is now developing her second proof-of-concept short, Jade, inspired by real domestic violence experiences. Beyond directing, she script supervises, leads the Southeast Asian Cultural Heritage Society (SEACHS), and writes and performs original music.

Leen Issa (she/her)
Leen Issa is a Palestinian-Syrian filmmaker and editor, currently based in Vancouver. Her work is featured on platforms like VICE and NOWNESS, and screened at prominent film festivals. For several years, she served as a senior video editor and producer at VICE Arabia, creating documentaries that push cultural boundaries and showcase the region’s richness and diversity. She co-produced the award-winning short Rupture (2016), which premiered at TIFF and is streaming on The Criterion Channel.

Malka Martz-Oberlander (she/they)
Malka is a writer, director, and producer with a BA in film from Capilano University. Her work has screened at festivals including Whistler, HollyShorts Comedy, Toronto International Women’s, and Santa Barbara Jewish Film Festival. She aims to explore how comedy can address uncomfortable subjects. Driven by curiosity and creative thinking, Malka has a unique passion for storytelling — and a playful habit of speaking about herself in the third person.

Mimi Dejene (she/her)
Mimi is a versatile filmmaker with over a decade of experience in the film and television industry. Her exploration of different roles, from development to post-production, shaped her distinct skills as a storyteller. Growing up in Canada as a child of Ethiopian immigrants, Mimi brings a unique lens to her work, crafting narratives that explore identity, heritage, and the complexity of being human.

Omar Gonzalez Bustos
Mexican writer-director based in Vancouver with experience in feature films, documentaries, and short films as an assistant director and editor. His work focuses on character-driven stories exploring identity, belonging, and human connection. He has written and directed three shorts: the documentary What Time Doesn’t Forgive (2013) and narrative films, The Sound of the Wind (2018), and The Story Hammer (2024), the latter supported by Mexico’s national film fund. He is now developing his debut feature.

Parmis Rouhina (she/her)
Parmis Rouhina is a filmmaker and the co-founder of Zukaro Media, a media production agency based in Vancouver, BC. She makes films that are queer, raw, authentic, and sometimes unhinged and weird. You can see her Iranian roots in her art and an unbridled approach in her filmmaking. She likes all art forms and aspires to rap, improvise, act, dance, and do performance art.

Rachel Kwan (they/them)
Rachel Kwan is a writer, director, and production designer, who strives to bring QTBIPOC stories to the forefront. Wanting to be the influence they needed growing up closeted and isolated in a small town, their films challenge tradition — exploring the complex intersections of mental illness, identity, and grief (but swear they’re fun at parties!). Rachel’s films act as comfort and catharsis for those who remain, and anyone who feels in between.

Soo Min Park (she/her)
Soo Min Park is a Korean writer, director, artist in Vancouver, exploring nuanced human connections through language and identity. A BFA Film Production graduate from UBC, she’s been a translator, AD, coordinator on acclaimed projects including Okja, Pachinko, Percy Jackson. As a filmmaker, she strives to bridge cultures and perspectives while championing authentic, diverse voices and pushing creative boundaries. She’s currently directing a short film, The Great Wall, as a recipient of VAFF Film Fund.

Tibet Karayazgan (he/him)
Tibet is a UBC Cognitive Systems graduate, screenwriter, and director. He intertwines philosophical and psychological ideas with intimate, human stories rooted in personal experience. With each project, he refines his voice in narrative fiction, gravitating toward sci-fi as a lens for exploring the worlds built.
Success Stories

I made incredible, long-lasting friendships through the cohort and appreciate the access to more experienced filmmakers and contacts in the industry. The sessions felt personal and I felt like everyone had an opportunity to ask questions.

I don’t think I’ve ever had the confidence to introduce myself as a filmmaker before Catalyst. I do now! I definitely feel like I’ve got my footing better now than I did before.

Being recognized/selected for this program was very validating as a new filmmaker. The combination of practical advice and industry info, along with being with and learning from other creatives has made me feel more confident to make bold artistic choices as well as navigate my career and this industry.

Definitely increased my confidence and competence. I also learned that I know more than I think I do and that I deserve to take up space and call myself a filmmaker. I definitely feel that this has played an invaluable part of my career to make me eligible and ready for new opportunities that will further my career.