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In the first of our new Film Studies series, Ingrid Bergman is pimped out by US agent Cary Grant to Nazi-sympathizer Claude Rains (ironically the most likeable character in the film). Hitchcock's thriller is a prime example of classic Hollywood star power.

"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.

A young couple accept an invitation for a nightcap with history professor George (Richard Burton) and his wife Martha (Elizabeth Taylor). At first it's fun and games. But what passes for caustic wit soon degenerates into vicious mind games.

This acclaimed paranoia thriller stars Jane Fonda as Bree Daniel, a New York City call girl who becomes enmeshed in an investigation into the disappearance of a business executive. It's a role that won Fonda the Academy Award.

With 26 actors getting more-or-less equal screen time and half of them singing their own tunes, Robert Altman's state-of-the-nation satire on bicentennial USA is a movie that repays multiple views.

In the throes of a near-fatal drug problem Martin Scorsese made what he believed could be his last movie. Its subject: the Bronx Bull, Jake La Motta, a graceless but indomitable boxer who never quits beating himself up. De Niro has never dug deeper.

When a stranger rents a room from model Daisy and her mum and dad, her policeman boyfriend becomes suspicious... Presented with an original live score by Chris Gestrin, the first signature Hitchcock movie is loosely based on the Jack The Ripper murders.

Jeffery's Chen Baker band is back (and bigger than ever) to present a set of city pop and jazzy J-pop by the likes of Miki Matsubara, Taeko Ohnuki, Lamp, before the screening of Masayuki Suô's hilarious underdog comedy Sumo Do, Sumo Don't (1992).

Using a violin, viola and miscellaneous electronics, and incorporating multiple sounds and techniques that relate to his work as a film composer, Jesse Zubot promises a unique and thrilling concert, followed by a preview of the the new BC film Inedia.

The Julian Borkowski Quintet pays tribute to the emergence of bebop, in many ways a parallel artistic innovation to Method acting. A set of bebop classics will be followed by a screening of Marlon Brando in The Wild One.