Canadian Premiere
“Sometimes the most horrific things are aesthetic,” says Micha Bar-Am, one of Israel’s most important photojournalists. Warfare, atrocities, and the quotidian are hauntingly juxtaposed in his photo reels, chronicling over five decades of Israel’s history, alongside intimate snapshots of his own domestic life. Composed of stills and contact sheets selected from Bar-Am’s archive of over 500,000 masterful photos, 1341 Frames of Love and War provides a deep focus on the beauty and horror of humanity as captured through the photographer’s lens.
Through recorded conversations, Bar-Am and Orna, his wife and archivist, reflect on the archive’s most impactful and troubling photos. Now 91 years old, Bar-Am is left to ponder how the photographic image supersedes memory, and how, tragically, “no photograph would avert the next war.” Director Ran Tal’s sobering, intelligent, and skillfully edited film unveils the steep personal cost of documenting and bearing witness to brutality.
Best Director and Best Editor Awards, Docaviv 2022
Q&A Oct 8 & 9
Media Partner
Micha Bar-Am
Israel/UK/USA
2022
In Hebrew and German with English subtitles
Graphic Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Smoke Sauna Sisterhood
Within the confines of a smoke sauna deep in an Estonian forest, groups of women gather to cleanse themselves in both body and soul, sharing in traditional sauna-based rituals, while also revealing their hurts and longings, joys and pains.
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.
Credits
Executive Producer
Yael Melamede, Nancy Pomagrin, Guy Lavie, Keren Gleicher, Danna Stern
Producer
Ran Tal, Sarig Peker
Screenwriter
Ran Tal
Editor
Nili Feller
Director
Photo by Uriel Sinai
Ran Tal
Ran Tal, born in 1963, graduated from the Tel Aviv University’s Department of Film in 1994. He directs diverse television projects and is the editor of Takriv, an online magazine for discussion and critique of documentary film. Tal is the recipient of the Ophir Prize, the Jerusalem Film Festival Volgin Award, several awards at the DocAviv Film Festival, among others. Tal teaches cinema in the Film Departments at Sapir College and Tel Aviv University.
Filmography: Skin Deep (1996); Children of the Sun (2007); The Garden of Eden (2012); The Museum (2017)