Canadian Premiere
“Sometimes the most horrific things are aesthetic,” says Micha Bar-Am, one of Israel’s most important photojournalists. Warfare, atrocities, and the quotidian are hauntingly juxtaposed in his photo reels, chronicling over five decades of Israel’s history, alongside intimate snapshots of his own domestic life. Composed of stills and contact sheets selected from Bar-Am’s archive of over 500,000 masterful photos, 1341 Frames of Love and War provides a deep focus on the beauty and horror of humanity as captured through the photographer’s lens.
Through recorded conversations, Bar-Am and Orna, his wife and archivist, reflect on the archive’s most impactful and troubling photos. Now 91 years old, Bar-Am is left to ponder how the photographic image supersedes memory, and how, tragically, “no photograph would avert the next war.” Director Ran Tal’s sobering, intelligent, and skillfully edited film unveils the steep personal cost of documenting and bearing witness to brutality.
Best Director and Best Editor Awards, Docaviv 2022
Q&A Oct 8 & 9
Media Partner
Micha Bar-Am
Israel/UK/USA
2022
In Hebrew and German with English subtitles
Graphic Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Köln 75
The true story behind the greatest solo concert in jazz history, this is Keith Jarrett's legendary 1975 Köln Concert — as organized by 18-year-old rebel music promoter Vera Brandes. Fun, inventive and feminist, it's the Bend It Like Beckham of jazz films.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Credits
Executive Producer
Yael Melamede, Nancy Pomagrin, Guy Lavie, Keren Gleicher, Danna Stern
Producer
Ran Tal, Sarig Peker
Screenwriter
Ran Tal
Editor
Nili Feller
Director
Photo by Uriel Sinai
Ran Tal
Ran Tal, born in 1963, graduated from the Tel Aviv University’s Department of Film in 1994. He directs diverse television projects and is the editor of Takriv, an online magazine for discussion and critique of documentary film. Tal is the recipient of the Ophir Prize, the Jerusalem Film Festival Volgin Award, several awards at the DocAviv Film Festival, among others. Tal teaches cinema in the Film Departments at Sapir College and Tel Aviv University.
Filmography: Skin Deep (1996); Children of the Sun (2007); The Garden of Eden (2012); The Museum (2017)
