Based on Arthur C Clarke’s short story ’The Sentinel’, 2001: A Space Odyssey redefined the sci-fi genre. With its radical structure (a single cut elides 4 million years), scant dialogue and oblique narrative this was the first movie to emulate the philosophical seriousness of writers like Clarke and Philip K Dick, and the first to see that special effects could become an integral component in the art-form.
The film’s pacing is deeply unfashionable (except in the art-house) but seen on the big screen it still holds up as a spellbindingly immersive experience. Made at the height of excitement around the space age – just a year before the first Moon landing – the movie combines a typically cold Kubrickian rationalism with a genuine sense of awe, mystery, and (often overlooked), beauty.
2001 came in at #6 in the 2022 Sight & Sound poll of critics and academics, but topped the list voted by film directors.
Sunday’s screening in our PANTHEON series will feature free refreshments and a short introduction by an expert in the field.
Jul 16: Introduced by Steven Malcic, Lecturer, School of Communication, Simon Fraser University
Presented by
Stanley Kubrick
Keir Dullea, Gary Lockwood
UK/USA
1968
English
Book Tickets
Indigenous & Community Access
Credits
Producer
Stanley Kubrick
Screenwriter
Stanley Kubrick, Arthur C. Clarke
Cinematography
Geoffrey Unsworth
Editor
Ray Lovejoy
Also in This Series
Les Enfants du Paradis (Children of Paradise)
The crowning glory of classical French cinema, this sumptuous melodrama brings to life the early 19th century Boulevard du Crime in Paris, where popular audiences for mime shows and carnival rub shoulders with wealthy patrons of classical theatre.
The Wild Bunch (Director's Cut)
The Mexico/Texas borderlands, 1913: Pike (William Holden) leads his gang of aging outlaws on a foray south for one last hurrah. Peckinpah's masterpiece, a savage lament for men who believe in nothing but find respect by dying in vain.
The Ascent
During the darkest winter of WWII, two Soviet partisans venture through the backwoods of Belarus in search of food, always at risk of falling into enemy hands. In her masterpiece Larisa Shepitko zeroes in on profound spiritual and philosophical themes.
Portrait of a Lady on Fire
Céline Sciamma's queer costume drama -- about a painter covertly studying a young noblewoman who refuses to sit for her portrait -- was voted 30th Greatest Film Ever Made in a 2022 poll, the highest ranking film of the past decade.
I Am Cuba
Infused with a palpable love for the country and a righteous anger at the injustices of the Batista era, I Am Cuba features some of the jaw-dropping camerawork ever filmed. A euphoric celebration of Cuba, the Revolution, and revolutionary cinema.
The Colour of Pomegranates + The House Is Black
This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.
Fantasia
Walt Disney pushed the boundaries of animation and sound recording when he put together a movie concert: eight classical pieces by Bach, Beethoven, Stravinski et al, each animated in a different style. It's playful, sometimes cute, other times inspired.
Image: © Disney, 1940