
The Coen brothers’ best movie is a painfully funny comedy about a physics professor, Larry Gopnik (Michael Stuhlberg), benumbed but bewildered by his wife’s announcement that she’s fallen in love with their neighbour Sy Abelman (the unctuous Fred Melamed) and she wants a get (a divorce). Professionally, too, things take a turn for the worse when a failing student tries to bribe and blackmail Larry for a passing grade. Indeed, things get so dark that the professor is moved to consult with a rabbi…
The Coens — cultural magpies whose movies are often inspired by literature and other films — drew on their experience of growing up in a Jewish suburb of Minneapolis in the late 1960s for what is, probably, their most personal film. It’s also, one should add, their most “serious”, an intellectually rigorous existential inquiry into faith, and, for some of us, their funniest.
This is the first Coens’ film to address religion head-on, and a fat lot of good it does Larry, who stumbles from one crisis to the next, never resolves anything and only pleads helplessly that he “hasn’t done anything.”
As funny, heartbreaking, questioning, trying, exasperating and sincerely inquisitive a portrait of the human condition as you’ll find on screen.
Sean Axmaker
A philosophical and painfully relatable tale that contends with big questions… the most blisteringly honest in the Coen catalogue.
IndieWire
The scariest comedy ever made.
Sean Fennessy, The Ringer
Joel Coen & Ethan Coen
Michael Stuhlberg, Richard Kind, Fred Melamed, Sari Lennick
USA
2009
English
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Credits
Screenwriter
Joel Coen, Ethan Coen
Cinematography
Roger Deakins
Editor
Ethan Coen, Joel Coen
Original Music
Carter Burwell
Production Design
Jess Gonchor
Art Director
Deborah Jensen
Also in This Series
These movies speak to our times and push the boundaries of the art form — the true modern classics we’re confident will withstand the test of time.
In the Mood for Love
Wong Kar-wai's most acclaimed and popular film is a love story about two neighbours (Tony Leung and Maggie Cheung) who are drawn together by the long absences of their respective spouses + a newly released short companion piece from 2001.
Oldboy
The second movie in Park's Vengeance Trilogy. Choi Min-sik stars as Dae Su, inexplicably held captive by he-knows-not-who for 15 years, and then, just as inexplicably, released. Not surprisingly, after all this time, he has only one thing on his mind...
Children of Men
2027: 18 years since the last baby was born, disillusioned Englishman Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.
A Serious Man
The Coen brothers' best movie is a painfully funny existentialist comedy about a physics professor, Larry Gopnik (Michael Stuhlberg), benumbed but bewildered by his wife's announcement that she wants a divorce. That's only the start of his troubles.
Paprika
A device capable of transmitting dreams falls into the wrong hands in this dazzling anime meta-movie from visionary filmmaker Satoshi Kon. The imagery here is never less than overwhelming; it's probably the greatest scifi movie of our times.
Under the Skin
Between Birth and the death camps of Zone of Interest, Jonathan Glazer gave us sex, with Scarlett Johansson, picking up and disposing with interchangeable men. It's a bleakly unforgettable movie, with a mesmeric Mica Levi score.
It's Not Me
“Where are you at, Leos Carax?” To this question, the French filmmaker assembles an unpredictable essay-film made in the spirit of the late Jean-Luc Godard — an endlessly inventive self-portrait of an artist reflecting on his place in cinema history.
Holy Motors
Carax's film a dazzler, a requiem for cinema that somehow breathes new life and new hope into the form. Denis Lavant (Beau Travail) plays 11 roles and the accordion. Absurdist, surreal, poignant and unforgettable, this is truly one of a kind.
Enter the Void
Venturing where angels fear to tread, virtuoso filmmaker Gaspar Noé (Vortex) creates a dazzling journey into the Tokyo night, a mind-bending exploration of the outer reaches of human experience inspired by the Tibetan Book of the Dead.
Margaret
Seventeen-year-old Lisa is rocked with guilt after a woman is killed in a traffic accident. But that’s only one thread in a teeming social tapestry this intense, passionate teen must negotiate as she comes of age in a time of contradiction and confusion.
Certain Women
Spare, incisive portraits of four Montana women (Laura Dern, Michelle Williams, Kristen Stewart and Lily Gladstone) brushing up against the everyday wears and tears of difficult men, their own circumstances, and the desire for something better.
Moonlight
Moonlight is many things -- a portrait of a young black man coming of age in Miami in the 1980s, a film about fathers and sons, about mentorship and about the scourge of drugs -- but it is also one of the most piercing movie romances of the last decade.
Lady Bird
Greta Gerwig's first film as writer-director is a delightful, painful comedy about "Lady Bird" McPherson (Saoirse Ronan), a Sacramento teen on the point of swapping high school for college, and her hard-working mom, Marion (Laurie Metcalf).
Silence
This sober, probing examination of faith, ego, cruelty and compassion is the most underrated film from the often under-valued latter half of Martin Scorsese's brilliant career; a passion project, about Catholic missionaries in 17th Century Japan.
Synecdoche, New York
Charlie Kaufman wrote Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind -- all great, all successful -- then turned director with Synecdoche, which is a masterpiece and which basically went unseen. It's overdue rediscovery.