
In preparation for Hlynur Pálmason’s new film, The Love That Remains, showing in VIFF, check out his impressive second film, an intense psychological drama (showing in tandem with his follow up, the epic Godland).
Ingimundur (Ingvar Sigurðsson, deeply unsettling) is a former police chief in an isolated Icelandic community tormented by his wife’s car-accident death. As he sublimates his anguish by pointlessly renovating his home, that torment evolves into suspicion that she was cheating on him with a younger colleague. And that suspicion, in turn, evolves into obsession…
Pálmason has the rare ability to evoke the psychological by finding objective correlatives in his mise en scène, whether its by showing Ingimundur inadvertently frightening his granddaughter with a morbid fairy tale, or his acting out his grief and suspicion by overaggressive play on the sporting pitch. Pálmason’s control and unnerving insight are really something to marvel at.
Visually arresting and emotionally rewarding… Ingimundur is a fascinating character, splendidly portrayed.
Lisa Nesselson, Screen
Brings to mind a cinematic version of Edvard Munch’s famous painting The Scream…. Bracing… grimly hypnotic… powerful and freshly thought out.
Todd McCarthy, Hollywood Reporter
Hlynur Pálmason
Ingvar Sigurðsson, Ída Mekkín Hlynsdóttir, Hilmir Snær Guðnason, Björn Ingi Hilmarsson, Elma Stefanía Ágústsdóttir, Sara Dögg Ásgeirsdóttir
Iceland/Denmark/Sweden
2019
In Icelandic with English subtitles
Book Tickets
Friday September 05
Saturday September 06
Monday September 08
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Guðmundur Arnar Guðmundsson, Hlynur Pálmason, Ingvar Sigurdsson
Producer
Anton Máni Svansson
Screenwriter
Hlynur Pálmason
Cinematography
Maria von Hausswolff
Editor
Julius Krebs Damsbo
Original Music
Edmund Finnis
Production Design
Hulda Helgadóttir
Also Playing
The Love That Remains
Anna and Magnús have separated, leaving her to raise their three children as he spends long stretches at sea, working as a fisherman. As the seasons pass, their emotions ebb and flow. A richly conceived story with unexpected delight and humour.
Image: © Hlynur Pálmason
Godland
In the late 19th century, a Danish Lutheran priest is dispatched to a far corner of Iceland where a devout farmer has seen fit to build a church. The physical journey is arduous. His spriitual journey, more taxing still.
Boyhood
A dozen years in the making, Richard Linklater's masterpiece chronicles the evolution of a boy into a young man, from six to 18. It is the ultimate coming-of-age movie, and one of the most audacious cinematic feats of the decade.
School of Rock
With not one, but two new Richard Linklater movies at VIFF this year (Nouvelle Vague and Blue Moon), we thought it would be fun to revisit a choice cut from his rich back catalogue: the best Black and White movie ever made, School of Rock.
Old Joy
Kelly Reichardt's moving and exquisite debut feature stars Will Oldham and Daniel London as old friends who reunite for a weekend camping trip in the Cascades outside of Portland. Reichardt's new movie, The Mastermind, screens at VIFF.