Audience Choice: The Best Film of the 21st Century

Wong Kar-wai's most acclaimed and popular film is a love story about two neighbours (Tony Leung and Maggie Cheung) who are drawn together by the long absences of their respective spouses + a newly released short companion piece from 2001.

A device capable of transmitting dreams falls into the wrong hands in this dazzling anime meta-movie from visionary filmmaker Satoshi Kon. The imagery here is never less than overwhelming; it's probably the greatest scifi movie of our times.

Seventeen-year-old Lisa is rocked with guilt after a woman is killed in a traffic accident. But that’s only one thread in a teeming social tapestry this intense, passionate teen must negotiate as she comes of age in a time of contradiction and confusion.

Spare, incisive portraits of four Montana women (Laura Dern, Michelle Williams, Kristen Stewart and Lily Gladstone) brushing up against the everyday wears and tears of difficult men, their own circumstances, and the desire for something better.

This hilarious and acerbic comedy follows a retiree as he stages a series of outrageous pranks to disrupt his executive daughter's latest business deal.

A Palme d'or winner in 2018, Shoplifters is both a hard-edged and heartwarming drama about a makeshift family of impoverished urchins and orphans in contemporary Tokyo.

Lars von Trier squares up to the end times with this grandly luxuriant but surprisingly punky sci-fi, set in an imposing country mansion house, where Justine (Kirsten Dunst) blows up what's supposed to be the happiest day of her life.

Moonlight is many things -- a portrait of a young black man coming of age in Miami in the 1980s, a film about fathers and sons, about mentorship and about the scourge of drugs -- but it is also one of the most piercing movie romances of the last decade.

Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time.

Greta Gerwig's first film as writer-director is a delightful, painful comedy about "Lady Bird" McPherson (Saoirse Ronan), a Sacramento teen on the point of swapping high school for college, and her hard-working mom, Marion (Laurie Metcalf).

This sober, probing examination of faith, ego, cruelty and compassion is the most underrated film from the often under-valued latter half of Martin Scorsese's brilliant career; a passion project, about Catholic missionaries in 17th Century Japan.

A film of luxuriant and sinister beauty, Tarantino's last movie to date is a rich and lovely immersion in the dying days of Old Hollywood, LA, 1969.

This "small" film from the director of Portrait of a Lady on Fire speaks volumes. It's a poetical modern fairy tale about an 8-year-old girl who meets a new friend her own age in the woods behind her late grandmother's house.

Charlie Kaufman wrote Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind -- all great, all successful -- then turned director with Synecdoche, which is a masterpiece and which basically went unseen. It's overdue rediscovery.