
In 2015 journalism grad Shiori Ito accepted an invitation for a drink with veteran TV correspondent Noriyuki Yamaguchi. He claimed what happened next was consensual. But the testimony of the driver who dropped them off at Yamaguchi’s apartment backed up Ito’s story, and security footage from the building showed she needed to be carried out of the car. Proving rape — against a respected, national figure, a personal friend of the Prime Minister — meant opening herself up to public contempt and years of legal proceedings. Yet Ito persisted. And as she did so, she recorded her struggle for justice, both in words and on camera.
The embodiment of Japan’s own #MeToo movement, Ito led a courageous campaign to reform laws and traditions deeply rooted in patriarchy. Black Box Diaries plays as a first person true crime thriller, with the young journalist taking on establishment corruption and cover-up with the unwitting aid of a sympathetic cop, who had no idea his candid conversations with Ito were being recorded. Ito’s path is a difficult one, but ultimately this is an inspiring film about perseverance and social change.
An anguished and urgent personal documentary—a film of investigation, confrontation, and action.
Richard Brody, New Yorker
A pulverising illustration of truth and its consequences.
Fionnuala Halligan, Screen International
Shiori Itō changed the world. And Black Box Diaries is a monument to her determination and sacrifice, as well as one of the best documentaries you’ll see all year.
Marlow Stern, Rolling Stone
Shiori Ito
Japan/UK/USA
2024
In English and Japanese with English subtitles
Human Rights Award, CPH:Dox; Best Documentary Feature, San Francisco FF; Audience Award, New Zealand Film Festival
Nominated: Best Documentary Feature, Academy Awards
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Mitsunobu Kawmura
Producer
Eric Nyari, Hanna Aqvilin, Shiori Ito
Editor
Ema Ryan Yamazaki
Also Playing
April
A doggedly mysterious and haunting account of an investigation into the professionalism of a Georgian Ob-Gyn, Nina, accused of negligance, Dea Kulumbegashvili's film has been compared to the work of masters like Haneke, Glazer and Reygadas.
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).