World Premiere
In February 2020, Angels’ Atlas premiered onstage to rapturous reviews, but it soon became the National Ballet of Canada’s final show before the pandemic shutdown; fittingly, when the company returned in November 2021, this ballet was the first that was performed. Crystal Pite: Angels’ Atlas brilliantly captures crucial moments of the ballet’s rebirth, from tentative disbelief, to the joy of reunion, to intense rehearsal and refinement. The documentary is a remarkable record of the creative process; in the retrospective context of global loss, the project acquires a ghostly, prophetic quality. What occurs on stage is nothing short of extraordinary—the unearthly lighting, the evocative music, and especially the bodies of the dancers, straining and stricken in sorrow. In a bold decision, the performance of Angels’ Atlas is shown in its entirety in the second half of the film. Sublime, moving, cathartic in its pulsing grief and meditation on mortality and transience, this documentary is one of the most moving pieces of art to ever be captured on film.
Q&A Oct 2
Community Partner
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
A Sad and Beautiful World
This Lebanese love story chronicles the romance between a level-headed businesswoman and a romantic restauranteur across several decades in wartorn Beirut. It's funny, charming, melancholy and you'll feel it all.
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Edie Arnold is a Loser + Q&A
Loaded with breakneck gags in the spirit of Scott Pilgrim, but with a distinctly female-centered point of view, Megan Rico and Kade Atwood's hilarious teen comedy hits VIFF Centre on its 16 city whistlestop North American tour. Filmmaker Q&A.
The Sun Never Sets
At the suggestion of her much older (divorced) boyfriend, Wendy (Dakota Fanning) takes a summer to reevaluate her life and date other people. She's reluctant at first, but then reconnects with an old flame... A gentle indie comedy from Joe Swanberg.
Hanging by a Wire
The Himalayas, Aug 22, 2023: a cable car bearing 8 passengers (six of them schoolkids) is left dangling 900 feet above the ground when two out of three cables snap. This nailbiting documentary recounts the increasingly frantic rescue attempts.
Credits
Executive Producer
Barry Hughson, Karen Kain, Hope Muir
Producer
Sean O’Neill
Cinematography
Maya Bankovic
Editor
Lindsay Allikas
Director
Photo by Luis Mora
Chelsea McMullan
Chelsea McMullan (they/their) is one of Canada’s leading filmmakers. They make documentary, experimental narrative, and hybrid films that explore the work of leading international artists. McMullan’s features, including My Prairie Home (2013), a musical documentary about the pioneering transgender musician Rae Spoon, have premiered at Sundance, Toronto, True/False, and other leading international festivals. They have directed episodes of the documentary series This is Pop (Netflix/Crave) and In the Making (CBC). McMullan has also made numerous short films about and in collaboration with international artists such as Eileen Myles, Zhang Huan, Isabelle Marant, and Ken Lum.
Filmography: My Prairie Home (2013); Michael Shannon Michael Shannon John (2015)