World Premiere
In February 2020, Angels’ Atlas premiered onstage to rapturous reviews, but it soon became the National Ballet of Canada’s final show before the pandemic shutdown; fittingly, when the company returned in November 2021, this ballet was the first that was performed. Crystal Pite: Angels’ Atlas brilliantly captures crucial moments of the ballet’s rebirth, from tentative disbelief, to the joy of reunion, to intense rehearsal and refinement. The documentary is a remarkable record of the creative process; in the retrospective context of global loss, the project acquires a ghostly, prophetic quality. What occurs on stage is nothing short of extraordinary—the unearthly lighting, the evocative music, and especially the bodies of the dancers, straining and stricken in sorrow. In a bold decision, the performance of Angels’ Atlas is shown in its entirety in the second half of the film. Sublime, moving, cathartic in its pulsing grief and meditation on mortality and transience, this documentary is one of the most moving pieces of art to ever be captured on film.
Q&A Oct 2
Community Partner
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).
Sex
Two chimney sweeps living in heterosexual marriages find their views on sexuality and gender challenged by a series of unexpected events. In a set of sharply scripted conversations, both men confront heretofore unexplored aspects of their identity.
3 Faces
Iranian filmmaker Panahi and actress Behnaz Jafari, both playing themselves, receive a video in which a distraught teenaged girl, whose acting dreams have been quashed appears to kill herself. Panahi and Jafari decide to investigate...
Dreams
The third installment in the Sex/Dreams/Love trilogy is another rich, absorbing tale. 17-year-old Johanne writes a confessional about her flirtation with a (female) teacher. But the writing is too good to stay private...
Transit
Trust the director of Phoenix and Barbara to re-imagine a WWII romantic intrigue into something unsettlingly contemporary. With occupying forces closing in, a German refugee (Franz Rogowski) assumes a dead writer's identity and flees to Marseille.
Credits
Executive Producer
Barry Hughson, Karen Kain, Hope Muir
Producer
Sean O’Neill
Cinematography
Maya Bankovic
Editor
Lindsay Allikas
Director
Photo by Luis Mora
Chelsea McMullan
Chelsea McMullan (they/their) is one of Canada’s leading filmmakers. They make documentary, experimental narrative, and hybrid films that explore the work of leading international artists. McMullan’s features, including My Prairie Home (2013), a musical documentary about the pioneering transgender musician Rae Spoon, have premiered at Sundance, Toronto, True/False, and other leading international festivals. They have directed episodes of the documentary series This is Pop (Netflix/Crave) and In the Making (CBC). McMullan has also made numerous short films about and in collaboration with international artists such as Eileen Myles, Zhang Huan, Isabelle Marant, and Ken Lum.
Filmography: My Prairie Home (2013); Michael Shannon Michael Shannon John (2015)