World Premiere
In February 2020, Angels’ Atlas premiered onstage to rapturous reviews, but it soon became the National Ballet of Canada’s final show before the pandemic shutdown; fittingly, when the company returned in November 2021, this ballet was the first that was performed. Crystal Pite: Angels’ Atlas brilliantly captures crucial moments of the ballet’s rebirth, from tentative disbelief, to the joy of reunion, to intense rehearsal and refinement. The documentary is a remarkable record of the creative process; in the retrospective context of global loss, the project acquires a ghostly, prophetic quality. What occurs on stage is nothing short of extraordinary—the unearthly lighting, the evocative music, and especially the bodies of the dancers, straining and stricken in sorrow. In a bold decision, the performance of Angels’ Atlas is shown in its entirety in the second half of the film. Sublime, moving, cathartic in its pulsing grief and meditation on mortality and transience, this documentary is one of the most moving pieces of art to ever be captured on film.
Q&A Oct 2
Community Partner
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Cutting Through Rocks
Winner of Sundance's World Cinema Documentary Grand Jury Prize, Cutting Through Rocks follows Sara Shahverdi — motorcyclist, midwife, and first-ever councilwoman elected in her Iranian village. A vérité triumph by Sara Khaki & Mohammadreza Eyni.
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
The Nutcracker at Wethersfield
Back in the long, dark Covid winter of 2020, there was no way the New York City Ballet could mount their traditional Christmas production of Tchaikovsky's fairytale. But choreographer Troy Schumacher had a dream to save the show -- reimagining a classic.
Pictures of Ghosts
A companion piece to Mendonça Filho's The Secret Agent, Pictures of Ghosts is a lovely, relaxed, ruminative riff on movies, memory, the imaginative space conferred by that place we call Cinema, seasoned with love and boundless anecdotes.
North of Ourselves
In the depths of winter, two adventurers set out to cross Quebec from one end to the other on bike and skis, exploring its staggering geography and meeting its inhabitants (human and otherwise) along the way.
Credits
Executive Producer
Barry Hughson, Karen Kain, Hope Muir
Producer
Sean O’Neill
Cinematography
Maya Bankovic
Editor
Lindsay Allikas
Director
Photo by Luis Mora
Chelsea McMullan
Chelsea McMullan (they/their) is one of Canada’s leading filmmakers. They make documentary, experimental narrative, and hybrid films that explore the work of leading international artists. McMullan’s features, including My Prairie Home (2013), a musical documentary about the pioneering transgender musician Rae Spoon, have premiered at Sundance, Toronto, True/False, and other leading international festivals. They have directed episodes of the documentary series This is Pop (Netflix/Crave) and In the Making (CBC). McMullan has also made numerous short films about and in collaboration with international artists such as Eileen Myles, Zhang Huan, Isabelle Marant, and Ken Lum.
Filmography: My Prairie Home (2013); Michael Shannon Michael Shannon John (2015)