World Premiere
In February 2020, Angels’ Atlas premiered onstage to rapturous reviews, but it soon became the National Ballet of Canada’s final show before the pandemic shutdown; fittingly, when the company returned in November 2021, this ballet was the first that was performed. Crystal Pite: Angels’ Atlas brilliantly captures crucial moments of the ballet’s rebirth, from tentative disbelief, to the joy of reunion, to intense rehearsal and refinement. The documentary is a remarkable record of the creative process; in the retrospective context of global loss, the project acquires a ghostly, prophetic quality. What occurs on stage is nothing short of extraordinary—the unearthly lighting, the evocative music, and especially the bodies of the dancers, straining and stricken in sorrow. In a bold decision, the performance of Angels’ Atlas is shown in its entirety in the second half of the film. Sublime, moving, cathartic in its pulsing grief and meditation on mortality and transience, this documentary is one of the most moving pieces of art to ever be captured on film.
Q&A Oct 2
Community Partner
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
Laura Crema Sings Lorenz Hart
For this unique show, leading jazz vocalist Laura Crema has put together a set of some of Lorenz Hart's most memorable songs. Afterwards, enjoy Ethan Hawke's portrait of the legendary lyricist in Richard Linklater's new movie, Blue Moon.
Islands
In this sly, engrossing mystery, a dissolute English tennis coach in a Canary Islands holiday resort falls under suspicion when the husband of a beautiful guest disappears after a night of heavy drinking...
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Credits
Executive Producer
Barry Hughson, Karen Kain, Hope Muir
Producer
Sean O’Neill
Cinematography
Maya Bankovic
Editor
Lindsay Allikas
Director
Photo by Luis Mora
Chelsea McMullan
Chelsea McMullan (they/their) is one of Canada’s leading filmmakers. They make documentary, experimental narrative, and hybrid films that explore the work of leading international artists. McMullan’s features, including My Prairie Home (2013), a musical documentary about the pioneering transgender musician Rae Spoon, have premiered at Sundance, Toronto, True/False, and other leading international festivals. They have directed episodes of the documentary series This is Pop (Netflix/Crave) and In the Making (CBC). McMullan has also made numerous short films about and in collaboration with international artists such as Eileen Myles, Zhang Huan, Isabelle Marant, and Ken Lum.
Filmography: My Prairie Home (2013); Michael Shannon Michael Shannon John (2015)