World Premiere
In February 2020, Angels’ Atlas premiered onstage to rapturous reviews, but it soon became the National Ballet of Canada’s final show before the pandemic shutdown; fittingly, when the company returned in November 2021, this ballet was the first that was performed. Crystal Pite: Angels’ Atlas brilliantly captures crucial moments of the ballet’s rebirth, from tentative disbelief, to the joy of reunion, to intense rehearsal and refinement. The documentary is a remarkable record of the creative process; in the retrospective context of global loss, the project acquires a ghostly, prophetic quality. What occurs on stage is nothing short of extraordinary—the unearthly lighting, the evocative music, and especially the bodies of the dancers, straining and stricken in sorrow. In a bold decision, the performance of Angels’ Atlas is shown in its entirety in the second half of the film. Sublime, moving, cathartic in its pulsing grief and meditation on mortality and transience, this documentary is one of the most moving pieces of art to ever be captured on film.
Q&A Oct 2
Community Partner
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Democracy Under Siege
As the USA turns 250, Oscar-nominated director Laura Nix considers the roots of the current political crisis with commentary from historian Heather Cox Richardson, progressive politician Jamie Raskin, and cartoonist Ann Telnaes, among others.
Malcolm X
In an indelible role, Denzel Washington give us a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America head-on. Along with Do the Right Thing, this is Spike Lee's greatest film.
Peter Asher: Everywhere Man
A chart topping pop star as one half of Peter and Gordon, Peter Asher was brother to Jane, brother in law to Paul McCartney, ran the Beatles' Apple, produced and managed James Taylor, Linda Ronstadt, and 10,000 Maniacs, to name just a few. He did it all.
Unforgiven
Bill Munny (Clint Eastwood) is face down in pig shit when we first see him. He's a bad farmer, but has a natural facility for killing people – a vocation to which he returns in a quest that combines both profit and justice. Or so he chooses to believe.
Credits
Executive Producer
Barry Hughson, Karen Kain, Hope Muir
Producer
Sean O’Neill
Cinematography
Maya Bankovic
Editor
Lindsay Allikas
Director
Photo by Luis Mora
Chelsea McMullan
Chelsea McMullan (they/their) is one of Canada’s leading filmmakers. They make documentary, experimental narrative, and hybrid films that explore the work of leading international artists. McMullan’s features, including My Prairie Home (2013), a musical documentary about the pioneering transgender musician Rae Spoon, have premiered at Sundance, Toronto, True/False, and other leading international festivals. They have directed episodes of the documentary series This is Pop (Netflix/Crave) and In the Making (CBC). McMullan has also made numerous short films about and in collaboration with international artists such as Eileen Myles, Zhang Huan, Isabelle Marant, and Ken Lum.
Filmography: My Prairie Home (2013); Michael Shannon Michael Shannon John (2015)