World Premiere
In February 2020, Angels’ Atlas premiered onstage to rapturous reviews, but it soon became the National Ballet of Canada’s final show before the pandemic shutdown; fittingly, when the company returned in November 2021, this ballet was the first that was performed. Crystal Pite: Angels’ Atlas brilliantly captures crucial moments of the ballet’s rebirth, from tentative disbelief, to the joy of reunion, to intense rehearsal and refinement. The documentary is a remarkable record of the creative process; in the retrospective context of global loss, the project acquires a ghostly, prophetic quality. What occurs on stage is nothing short of extraordinary—the unearthly lighting, the evocative music, and especially the bodies of the dancers, straining and stricken in sorrow. In a bold decision, the performance of Angels’ Atlas is shown in its entirety in the second half of the film. Sublime, moving, cathartic in its pulsing grief and meditation on mortality and transience, this documentary is one of the most moving pieces of art to ever be captured on film.
Q&A Oct 2
Community Partner
Canada
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
It's a Wonderful Life
Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about. Rated: G
Wallace & Gromit: Vengeance Most Fowl
Aardman Animation's handcrafted mix of dad jokes, slapstick, mock dramatics and understated emotion makes this return for the claymation odd couple a constant delight. The villainous Feathers McGraw is back to no good, commandeering Norbot the robot. Rated: G
The Count of Monte Cristo
You can't beat this evergreen Alexandre Dumas tale for adventure, intrigue and romance. This lavish French blockbuster from the writers of the recent Three Musketeers movies pulls you in from the first scene and doesn't let off for the next three hours. Rated: PG
Flow
In this wordless and gorgeously atmospheric animated feature, a solitary black cat survives a tsunami and must confront his fear of water whilst sailing through a flooded world with a group of misfit animals. An enchanting adventure film for all ages. Rated: G
The Holdovers
Destined to become a seasonal staple, this bittersweet comedy reunites Sideways director and star Alexander Payne and Paul Giamatti in the portrait of a surly classics teacher forced to babysit five "orphans" at boarding school over the holidays.
Who by Fire
Jeff, a 17-year-old aspiring filmmaker, goes on vacation with his friend Max and his family to an isolated lodge. Philippe Lesage’s film is a tense, mesmerizing tour de force that is both agonizing and cathartic. A Berlinale award winner.
Credits
Executive Producer
Barry Hughson, Karen Kain, Hope Muir
Producer
Sean O’Neill
Cinematography
Maya Bankovic
Editor
Lindsay Allikas
Director
Photo by Luis Mora
Chelsea McMullan
Chelsea McMullan (they/their) is one of Canada’s leading filmmakers. They make documentary, experimental narrative, and hybrid films that explore the work of leading international artists. McMullan’s features, including My Prairie Home (2013), a musical documentary about the pioneering transgender musician Rae Spoon, have premiered at Sundance, Toronto, True/False, and other leading international festivals. They have directed episodes of the documentary series This is Pop (Netflix/Crave) and In the Making (CBC). McMullan has also made numerous short films about and in collaboration with international artists such as Eileen Myles, Zhang Huan, Isabelle Marant, and Ken Lum.
Filmography: My Prairie Home (2013); Michael Shannon Michael Shannon John (2015)