Skip to main content
East of Eden film image; man leaning over with two people in the background

This overwrought domestic drama is based on the last 80 pages of John Steinbeck’s novel, set in Salinas, 1917. Cal Trask’s forlorn attempts to win the affection of his self-righteous father (Raymond Massey) represented James Dean’s first leading role in the cinema, and his emotionally raw performance ennobled misunderstood youth everywhere. Julie Harris was top-billed as Abra, the girl who comes between Cal and his brother, Aron.

Writing to Steinbeck, Kazan told him: “I looked thru a lot of kids before settling on this Jimmy Dean. He hasn’t Brando’s stature, but he’s a good deal younger and is very interesting, has balls and eccentricity and a “real problem” somewhere in his guts, I don’t know what or where. He’s a little bit of a bum, but he’s a real good actor and I think he’s the best of a poor field. Most kids who become actors at nineteen or twenty or twenty-one are very callow and strictly from NY Professional school. Dean has got a real mean streak and a real sweet streak. Dean has the advantage of never having been seen on the screen.”

The young actor died in an auto accident two months after the film was released, with two more films in the can: Giant and Rebel Without a Cause.

An amazingly high-strung, feverishly poetic movie about Cain and Abel as American brothers… Dean seems to go just about as far as anybody can in acting misunderstood.

Pauline Kael

Director

Elia Kazan

Cast

James Dean, Julie Harris, Raymond Massey, Jo Van Fleet

Credits
Country of Origin

USA

Year

1955

Language

English

Awards

Best Supporting Actress (Jo Van Fleet), Academy Awards

G

Open to youth!
$10 youth tickets available

115 min

Book Tickets

This event has passed.

Credits

Screenwriter

Paul Osborn

Cinematography

Ted D. McCord

Editor

Owen Marks

Original Music

Leonard Rosenman

Also in This Series

Getting Real charts the evolution of screen acting in American film from 1945-1980, diving into the psychological realism which took audiences somewhere deeper and more authentic than ever before.

The China Syndrome

Dir. James L Bridges
122 min

Jane Fonda is a lightweight local news anchor sent to film a puff piece about clean, limitless energy at a nuclear power plant with cameraman Michael Douglas. As luck would have it, they witness chaos in the control room and an emergency shutdown.

VIFF Centre - Lochmaddy Studio Theatre

Little Big Man

Dir. Arthur Penn
139 min

Dustin Hoffman ages a century in Arthur Penn's epic picaresque anti-western, the tall tale of 121-year-old Jack Crabb, a white man rescued and raised by the Cheyenne, a one-time snake-oil salesman, gunslinger, and mule skinner under General George Custer.

VIFF Centre - VIFF Cinema

Husbands

Dir. John Cassavetes
142 min

Men behaving badly: reeling from the death of a friend, three middle-aged buddies go on an epic drinking binge. It's not enough. They roll home, collect their passports, and take off for a weekend of gambling, women and booze in London.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre
Nashville
Nashville film image; large group of people posing by a podium

Nashville

Dir. Robert Altman
159 min

With 26 actors getting more-or-less equal screen time and half of them singing their own tunes, Robert Altman's state-of-the-nation satire on bicentennial USA is a movie that repays multiple views.

VIFF Centre - VIFF Cinema

Scarecrow

Dir. Jerry Schatzberg
112 min

A bittersweet, touching buddy movie with Gene Hackman as a volatile tramp, Max, and Al Pacino as "Lion", a drifter now set on returning to the wife and kid he abandoned years ago. Hackman's favourite of his own movies.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

The Missouri Breaks

Dir. Arthur Penn
126 min

This exuberant, wild and wooly western from Arthur Penn features a brazenly transgressive performance from Marlon Brando, while Jack Nicholson underplays masterfully as the cattle rustler he's been hired to eliminate.

VIFF Centre - VIFF Cinema

Raging Bull

Dir. Martin Scorsese
129 min

In the throes of a near-fatal drug problem Martin Scorsese made what he believed could be his last movie. Its subject: the Bronx Bull, Jake La Motta, a graceless but indomitable boxer who never quits beating himself up. De Niro has never dug deeper.

VIFF Centre - VIFF Cinema