Sex Education discovery Emma Mackey makes a sensational big screen debut as Emily Brontë in this imaginative biopic from writer-director Frances O’Connor (best known for acting in Mansfield Park and Spielberg’s A.I.). Readers have always been fascinated by how the shy, demure Yorkshire preacher’s daughter could have created something as wildly, dangerously romantic as Wuthering Heights. It’s an open question because most of the relatively little that we know about the writer comes filtered through what her sister Charlotte considered appropriate to share.
O’Connor suggests a sibling rivalry at work, and conceives of a secret liaison with a curate, Weightman, in the employ of the sisters’ father, and even a semblance of a love triangle with Emily’s brother, Branwell. That may sound scurrilous, but this serious, well-directed movie doesn’t lack for nuance or sensitivity; it has smart things to say about how a mixture of conviction, self-belief and mortification can feed creativity, and how Emily’s horizons weren’t curtailed by her remote, rural homestead. In fact, these things may have liberated her.
Emma Mackey, Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling, Adrian Dunbar, Amelia Gething, Gemma Jones
UK/USA
2022
English
Book Tickets
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The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.
The Python Hunt
Strange but true: the Florida Everglades are overrun with unwanted visitors. Not tourists, but invasive Burmese pythons decimating the local critters. The state's solution: an annual contest: $10 000 to whomever bags the most snakes in ten days.
Departures
Two lads meet at an airport gate and begin monthly trips to Amsterdam together. Their chemistry is off the charts, but it's Jake who's calls the shots while Benji is the one who's emotionally invested. Comparisons to Pillion and Trainspotting are on mark.
Credits
Executive Producer
Robert Patterson, Jo Bamford, Abel Korzeniowski, Tim Haslam, Hugo Grumbar, Peter Touche, Jamie Jessop, Andrea Scarso, Michael Reuter, Sebastian Barker, Oliver Parker
Producer
Piers Tempest, Robert Connolly, David Barron
Screenwriter
Frances O’Connor
Cinematography
Nanu Segal
Editor
Sam Sneade
Production Design
Steve Summersgill
Original Music
Abel Korzeniowski
Director
Frances O'Connor
Frances O’Connor is an Australian-English actress living in London, best known for her roles in the films Mansfield Park and The Importance of Being Earnest, and the TV series Madame Bovary and The Missing, with the latter two earning her Best Actress nominations at the Golden Globes. Her other film credits include Thank God He Met Lizzie, Bedazzled, and the leading role of Monica Swinton in Steven Spielberg’s A.I. Artificial Intelligence. O’Connor will be next seen in Sky Drama’s ten-part series, The End. Emily is her directorial feature debut.