
Sex Education discovery Emma Mackey makes a sensational big screen debut as Emily Brontë in this imaginative biopic from writer-director Frances O’Connor (best known for acting in Mansfield Park and Spielberg’s A.I.). Readers have always been fascinated by how the shy, demure Yorkshire preacher’s daughter could have created something as wildly, dangerously romantic as Wuthering Heights. It’s an open question because most of the relatively little that we know about the writer comes filtered through what her sister Charlotte considered appropriate to share.
O’Connor suggests a sibling rivalry at work, and conceives of a secret liaison with a curate, Weightman, in the employ of the sisters’ father, and even a semblance of a love triangle with Emily’s brother, Branwell. That may sound scurrilous, but this serious, well-directed movie doesn’t lack for nuance or sensitivity; it has smart things to say about how a mixture of conviction, self-belief and mortification can feed creativity, and how Emily’s horizons weren’t curtailed by her remote, rural homestead. In fact, these things may have liberated her.
Emma Mackey, Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling, Adrian Dunbar, Amelia Gething, Gemma Jones
UK/USA
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.
Credits
Executive Producer
Robert Patterson, Jo Bamford, Abel Korzeniowski, Tim Haslam, Hugo Grumbar, Peter Touche, Jamie Jessop, Andrea Scarso, Michael Reuter, Sebastian Barker, Oliver Parker
Producer
Piers Tempest, Robert Connolly, David Barron
Screenwriter
Frances O’Connor
Cinematography
Nanu Segal
Editor
Sam Sneade
Production Design
Steve Summersgill
Original Music
Abel Korzeniowski
Director

Frances O'Connor
Frances O’Connor is an Australian-English actress living in London, best known for her roles in the films Mansfield Park and The Importance of Being Earnest, and the TV series Madame Bovary and The Missing, with the latter two earning her Best Actress nominations at the Golden Globes. Her other film credits include Thank God He Met Lizzie, Bedazzled, and the leading role of Monica Swinton in Steven Spielberg’s A.I. Artificial Intelligence. O’Connor will be next seen in Sky Drama’s ten-part series, The End. Emily is her directorial feature debut.