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Enter the Void film image; two people walking through a room filled with multi-coloured lights

Venturing where angels fear to tread, virtuoso filmmaker Gaspar Noé (Vortex) creates a dazzling journey into the Tokyo night, a mind-bending exploration of the outer reaches of human experience inspired by the Tibetan Book of the Dead.

This day-glo nocturne is told through the eyes of an American dope-dealer, Oscar (Nathaniel Brown), tripping on a powerful hallucinogen. That is, until Oscar is shot in a nightclub, when the film takes on the aspect of an out of body experience.

Content consideration: Not for the squeamish, this includes explicit sex and gore.

Haunted by incest, shaded by hard-core sex, and travelling through an alternately beautiful and louche drug dream, Enter the Void is like nothing you’ve ever seen before. […] This is a work of uncensored genius, so even its faults are part of its success. A capital M masterpiece.

Mark Harris, Georgia Straight

With beauty, mild and sharp jolts, and mesmerizing camerawork [Noé] tries to open the doors of perception.

Manohla Dargis, New York Times

Enter The Void is a trance-like experience, feeding the shimmering neon of Tokyo at night into a spectacular hallucinogenic head-trip, an experiential marvel, wired to paralyze the brain through a full-on assault on the senses.

Scott Tobias, AV Club

Director

Gaspar Noé

Cast

Nathaniel Brown, Paz de la Huerta, Cyril Roy, Emily Alyn Lind, Jesse Kuhn, Olly Alexander

Credits
Country of Origin

France

Year

2009

Language

In English and Japanese with English subtitles

19+
161 min
Wild Bunch, Fidélité Films, Buf compagnie, Les Cinémas de la Zone

Book Tickets

Friday August 01

8:30 pm
Hearing Assistance Subtitles
VIFF Centre - VIFF Cinema
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Saturday August 02

9:15 pm
Hearing Assistance Subtitles
VIFF Centre - VIFF Cinema
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Credits

Producer

Brahim Chioua, Vincent Maraval, Olivier Delbosc, Marc Missonnier, Pierre Buffin, Gaspar Noé

Screenwriter

Gaspar Noé

Cinematography

Benoît Debie

Editor

Gaspar Noé, Marc Boucrot, Jérôme Pesnel

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