Fire

In the realm of cinema, few films have dared to tackle the intricacies of desire within the constraints of tradition quite like Deepa Mehta’s Fire. Released in 1996, this groundbreaking film marked a significant moment in Indian cinema, offering a poignant exploration of queer identities against the backdrop of a traditional Indian household.

Fire centers around two women, Sadiya and Radha, played with nuance and depth, who find solace and love in each other amidst the oppressive patriarchal confines of their lives. The film’s presentation of their emotional and sexual awakening is both tender and tumultuous, confronting societal norms that dictate their existence. Mehta’s direction creates an intimate atmosphere, allowing viewers to traverse the complexities of queer desire through the eyes of her characters.

The cinematography stands out as a crucial element, capturing both the oppressive nature of the household and the magical moments of connection between the protagonists. The use of fire as a motif symbolizes both the destructive and transformative power of love, illuminating the characters’ internal struggles and the societal pressures they confront.

Fire is not merely a film about love; it is a bold statement on the ways desire can challenge and disrupt the status quo. Mehta’s artistry shines through in every frame, making Fire a must-watch for anyone interested in the intersections of culture, identity, and love.

— Fay Nass, Queering Cinema curator

Jun 5: Intro by curator Fay Nass

Funny, poignant, and sensual, Fire is a beautiful, painful experience.

Guinevere Turner, The Advocate

Community Partner