World Premiere
Short of hanging the painting on your living room wall, Phil Grabsky’s popular Exhibition on Screen series may be the best way to spend quality time with a favourite artist. At least, that’s what it feels like as we’re immersed in the infinitely evocative oils of Edward Hopper, a poet with a paintbrush.
Although Hopper’s work seems straightforward—he’s an American realist after all—it’s also rich in paradox. If he seems to distill a certain sense of the American Century, particularly the urban environment, he also ignores great swathes of it; his cities are lonely places, scarcely populated. He’s a suggestive storyteller (we might think of Raymond Carver or Hemingway) but also a cryptic one, inviting us to fill in the blanks (no wonder he’s always been such a popular artist with filmmakers). As for his own life, he was impatient with attempts to psychoanalyze his work, but as Grabsky discovers, this consummate craftsman owed a great deal to the artist Josephine Nivison, who would become his wife and who sacrificed her own career to manage his.
The film draws on leading experts and curators, Hopper’s diaries and letters, but of course, the best reason to watch it is to bathe in close-ups of superb art.
Q&A Oct 5 & Oct 7
Presented by
Media Partner
UK/USA
2022
English
Book Tickets
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The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Executive Producer
Phil Grabsky, Amanda Wilkie
Producer
Michael Cascio, Cynthia Weber Cascio, Phil Grabsky, Amanda Wilkie
Screenwriter
Phil Grabsky
Cinematography
Shane Alcock, Robert Burnett, Joshua Csehak, Phil Grabsky
Editor
Clive Mattock
Original Music
Simon Farmer
Director
Phil Grabsky
Phil Grabsky is a filmmaker who has won multiple awards for his directing, writing, producing, and cinematography. He and his company Seventh Art Productions are behind films such as Muhammad Ali – Through the Eyes of the World (2001), In Search of Beethoven (2009), and The Boy Mir – Ten Years in Afghanistan (2011).
Grabsky has written four history books including the best-seller The Great Commanders. He has been a judge for the Emmy, BAFTA, Grierson, and One World awards, and has won Best Director and Services to Television awards at the Royal Television Society.
Filmography: In Search of Beethoven (2009); The Boy Mir – Ten Years in Afghanistan (2011); Exhibition on Screen: Raphael Revealed (2020); My Childhood, My Country: 20 Years in Afghanistan (2021)

