World Premiere
Short of hanging the painting on your living room wall, Phil Grabsky’s popular Exhibition on Screen series may be the best way to spend quality time with a favourite artist. At least, that’s what it feels like as we’re immersed in the infinitely evocative oils of Edward Hopper, a poet with a paintbrush.
Although Hopper’s work seems straightforward—he’s an American realist after all—it’s also rich in paradox. If he seems to distill a certain sense of the American Century, particularly the urban environment, he also ignores great swathes of it; his cities are lonely places, scarcely populated. He’s a suggestive storyteller (we might think of Raymond Carver or Hemingway) but also a cryptic one, inviting us to fill in the blanks (no wonder he’s always been such a popular artist with filmmakers). As for his own life, he was impatient with attempts to psychoanalyze his work, but as Grabsky discovers, this consummate craftsman owed a great deal to the artist Josephine Nivison, who would become his wife and who sacrificed her own career to manage his.
The film draws on leading experts and curators, Hopper’s diaries and letters, but of course, the best reason to watch it is to bathe in close-ups of superb art.
Q&A Oct 5 & Oct 7
Presented by
Media Partner
UK/USA
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.
E.T. the Extra-Terrestrial
One of only a handful of live action children's films to capture the imaginations of generations, E.T. has a luminous warmth; it's a suburban symphony of emotion, and it's fascinating to revisit it in the light of The Fabelmans.
The President's Cake
Nine year old Lamia and her friend Saeed venture into the city to scrounge ingredients for a cake to celebrate Sadaam Hussein's birthday — a quest fraught with real peril in precarious times. Winner, Camera d'Or, Cannes.
Antonia's Line
This month's Pantheon selection spotlights the first woman to win the Academy Award for Best Foreign Language Film, the Dutch feminist filmmaker Marleen Gorris, and her charming, vibrant tale of an emancipated farmer who refuses to conform.
Credits
Executive Producer
Phil Grabsky, Amanda Wilkie
Producer
Michael Cascio, Cynthia Weber Cascio, Phil Grabsky, Amanda Wilkie
Screenwriter
Phil Grabsky
Cinematography
Shane Alcock, Robert Burnett, Joshua Csehak, Phil Grabsky
Editor
Clive Mattock
Original Music
Simon Farmer
Director
Phil Grabsky
Phil Grabsky is a filmmaker who has won multiple awards for his directing, writing, producing, and cinematography. He and his company Seventh Art Productions are behind films such as Muhammad Ali – Through the Eyes of the World (2001), In Search of Beethoven (2009), and The Boy Mir – Ten Years in Afghanistan (2011).
Grabsky has written four history books including the best-seller The Great Commanders. He has been a judge for the Emmy, BAFTA, Grierson, and One World awards, and has won Best Director and Services to Television awards at the Royal Television Society.
Filmography: In Search of Beethoven (2009); The Boy Mir – Ten Years in Afghanistan (2011); Exhibition on Screen: Raphael Revealed (2020); My Childhood, My Country: 20 Years in Afghanistan (2021)