World Premiere
Short of hanging the painting on your living room wall, Phil Grabsky’s popular Exhibition on Screen series may be the best way to spend quality time with a favourite artist. At least, that’s what it feels like as we’re immersed in the infinitely evocative oils of Edward Hopper, a poet with a paintbrush.
Although Hopper’s work seems straightforward—he’s an American realist after all—it’s also rich in paradox. If he seems to distill a certain sense of the American Century, particularly the urban environment, he also ignores great swathes of it; his cities are lonely places, scarcely populated. He’s a suggestive storyteller (we might think of Raymond Carver or Hemingway) but also a cryptic one, inviting us to fill in the blanks (no wonder he’s always been such a popular artist with filmmakers). As for his own life, he was impatient with attempts to psychoanalyze his work, but as Grabsky discovers, this consummate craftsman owed a great deal to the artist Josephine Nivison, who would become his wife and who sacrificed her own career to manage his.
The film draws on leading experts and curators, Hopper’s diaries and letters, but of course, the best reason to watch it is to bathe in close-ups of superb art.
Q&A Oct 5 & Oct 7
Presented by
Media Partner
UK/USA
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Afternoons of Solitude
Pacification director Albert Serra turns his unflinching gaze on the subject of bullfighting, and in particular the famous young matador Andrés Roca Rey. The film challenges us to look its subject square in the eye and draw our own conclusions.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Executioner
Regularly cited as the greatest Spanish film ever made, Berlanga's masterpiece is a pitch black comedy about an undertaker lined up by the state executioner to marry his beautiful daughter -- but he'll also have to inherit the old man's job.
8
The always stylish, idiosyncratic Basque auteur Julio Medem is back with one of his most ambitious films (and our closing night gala), a sweeping historical romance in eight chapters, spanning eight decades in Spanish history from the 1930s to the present day.
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...
Credits
Executive Producer
Phil Grabsky, Amanda Wilkie
Producer
Michael Cascio, Cynthia Weber Cascio, Phil Grabsky, Amanda Wilkie
Screenwriter
Phil Grabsky
Cinematography
Shane Alcock, Robert Burnett, Joshua Csehak, Phil Grabsky
Editor
Clive Mattock
Original Music
Simon Farmer
Director
Phil Grabsky
Phil Grabsky is a filmmaker who has won multiple awards for his directing, writing, producing, and cinematography. He and his company Seventh Art Productions are behind films such as Muhammad Ali – Through the Eyes of the World (2001), In Search of Beethoven (2009), and The Boy Mir – Ten Years in Afghanistan (2011).
Grabsky has written four history books including the best-seller The Great Commanders. He has been a judge for the Emmy, BAFTA, Grierson, and One World awards, and has won Best Director and Services to Television awards at the Royal Television Society.
Filmography: In Search of Beethoven (2009); The Boy Mir – Ten Years in Afghanistan (2011); Exhibition on Screen: Raphael Revealed (2020); My Childhood, My Country: 20 Years in Afghanistan (2021)