Rungano Nyoni crafts a satiric feminist fairy-tale set in present-day Zambia. When 9-year old orphan Shula is accused of witchcraft, she is exiled to a witch camp run by Mr. Banda, a corrupt and inept government official. Tied to the ground by a white ribbon, Shula is told that she will turn into a goat if she tries to escape. As the only child witch, Shula quickly becomes a local star and the adults around her exploit her supposed powers for financial gain. Soon she is forced to make a difficult decision – whether to resign herself to life in the camp, or take a risk for freedom.
May 29: Intro by curator Fegor Obuwoma
Accused of witchcraft and cast out of her village, Shula is thrust into a satirical journey that acts as a critique of capitalist exploitation and the co-opting of traditional practices and ways of being as a tool for its enforcement. Community acts as a space for freedom and also the origin of neglect, and Shula is thrust into these ongoing shifts, forced to deal with sexism, child abuse, and manipulation inflicted on her by those who are supposed to protect her.
Fegor Obuwoma, …to glimpse: African Cinema Now! curator
Possibly the year’s most audacious film debut, I Am Not A Witch has won numerous awards, including Britain’s BAFTA for best first feature, and to see it is to understand why… Written and directed by Zambian-born, Wales-raised Rungano Nyoni, this smart and savage satire is impressive for the way it joins a dramatically involving story with a Swiftian tale of human society in general and Africa culture and customs in particular… Beguiling… wickedly smart.
Kenneth Turan, Los Angeles Times
For all its factual grounding, I Am Not a Witch is also a work of fairytale invention, unravelling the threads of its quasi-mythical narrative with anarchic aplomb… Margaret Mulubwa is a mesmerising screen presence, her stoical countenance broken occasionally by a radiant smile that lights up the landscape.
Peter Bradshaw, The Guardian
Beautiful and unsettling…It is a remarkable, strange and politically potent first film.
Michael O’Sullivan, The Washington Post
Media Partner
Community Partner
Rungano Nyoni
Maggie Mulubwa, Henry B.J. Phiri, Nancy Mulilo, Margaret Sipaneia, Gloria Huwiler
UK/France/Germany/Zambia
2017
In English, Bemba, Chewa and Tonga with English subtitles
Outstanding Debut, BAFTA
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Rungano Nyoni
Cinematography
David Gallego
Editor
George Cragg
Art Director
Malin Lindholm
Also Playing
Apocalypse in the Tropics
An Academy Award nominee for Edge of Democracy, Petra Costa returns with a fascinating take on how the Evangelical movement has taken Brazil by storm and worked with the right to undermine the constitutional separation of Church and State.
Ghosts of the Sea
Imagine an especially poetic true crime podcast about a sailor who built his own sailboat and lived on the high seas, but lost not one, but two wives along the way... Now imagine it told from the vantage point of his daughter: Ghosts of the Sea.
In the Mood for Love
Wong Kar-wai's most acclaimed and popular film is a love story about two neighbours (Tony Leung and Maggie Cheung) who are drawn together by the long absences of their respective spouses + a newly released short companion piece from 2001.
