Filmed across the Okanagan before, during and after several devastating fires by veteran non-fiction filmmakers Nova Ami and Velcrow Ripper (Metamorphosis; ScaredSacred), Incandescence is a mesmerizing cinematic contemplation of the power of wildfires, and also a philosophical rumination on loss and regeneration.
Avoiding talking heads, the film marries stunning nature imagery with a chorus of disparate voices, including fire fighters, evacuees, burned out farmers and home-owners. While much of the film is chastening, there’s hope here too, in the relatively recent acknowledgment that Indigenous practices of controlled burns are a smarter strategy than full-on fire suppression. Extraordinary footage relays the survival instincts of animals caught up in the inferno, too, including that beloved Canadian mascot, the beaver. In BC we know very well the dangers that wildfires pose. In ways both practical and more mysterious, Incandescence holds out a sliver of solace.
As visually striking as it is thought-provoking, offering a compelling blend of education, storytelling, and immersive filmmaking.
Chris Jones, Overly Honest Reviews
Nova Ami & Velcrow Ripper
Canada
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Shirley Vercruysse
Screenwriter
Nova Ami, Velcrow Ripper
Cinematography
Vince Arvidson
Editor
Hart Snider
Also Playing
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.