The films in this shorts program are all about connections. People connecting with one another, dealing with change, or rediscovering a part of themselves and their past.
Q&A Oct 2 & Oct 4
This short film program includes the following films:
Bye Bye
Amélie Bonnin, France (25 min)
A man who left his native Normandy to build a bigger life for himself in Paris returns to his hometown, where he runs into an old flame.
A Different Place
Sophie Black, UK (14 min)
On a clandestine date, a 40-something woman battling with her identity embarks on a journey of rediscovery that she cannot ignore nor fully encompass.
Island of Freedom
Petr Januschka, Czech Republic (27 min)
It’s 1981 in Czechoslovakia, and a young man surprisingly reunites with his teen love on board a charter flight to Cuba.
The Ceremony
Lisle Turner, UK (10 min)
Written by Iman Qureshi, The Ceremony is a searingly honest take on non-binary marriage, with a twist.
The Cormorant
Lubna Playoust, France (23 min)
A mother and son live in a secluded house on an isolated island, where memory merges with the present, intertwining two moments of their lives—youth and maturity.
Magnified City
Isaku Kaneko, Japan (12 min)
In a ruined city, a wandering Magnifying Glass Human encounters a secret society of Projector Humans with grand plans to reconnect to the past in a surviving mountaintop theatre.
Community Partner
Various
Various
2021-2022
Various with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.
