The spirit of the late Jean-Luc Godard lives on in It’s Not Me, French iconoclast Leos Carax’s latest unclassifiable whatsit — a film that, its title notwithstanding, is all about the director himself. Originally assembled for an exhibition in the Centre Pompidou, one that never ended up taking place, the film is ostensibly an answer to a simple question: “Where are you at, Leos Carax?” Running just 40 minutes long, Carax’s response is an anarchic, essayistic foray into the process of artistic creation itself, featuring the music of Ravel and David Bowie, the films of artists like Jean Vigo and FW Murnau, not to mention footage from his own iconic filmography (Holy Motors, Lovers on the Bridge, et al)
Endlessly inventive, rhythmically precise, and tonally unpredictable, It’s Not Me is as invigorating a cinematic experience as one is likely to encounter this year. No mere victory lap, it is a self-portrait of an artist confronting his place in movie history — a film that pays tribute to cinema’s past in order to make way for its future.
Pure cinema!
Nicholas Rapold, New York Times
Profound, self-reflective insights about what it means to make moving images in the 21st century.
David Jenkins, Little White Lies
Leos Carax
Denis Lavant, Katerina Yuspina, Nastya Golubeva Carax, Loreta Juodkaite, Anna-Isabel Siefken, Petr Anevskii
France
2024
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Charles Gillibert, Leos Carax
Cinematography
Caroline Champetier
Editor
Leos Carax
Production Design
Florian Sanson
Also in This Series
These movies speak to our times and push the boundaries of the art form — the true modern classics we’re confident will withstand the test of time.
Lady Bird
Greta Gerwig's first film as writer-director is a delightful, painful comedy about "Lady Bird" McPherson (Saoirse Ronan), a Sacramento teen on the point of swapping high school for college, and her hard-working mom, Marion (Laurie Metcalf).
Synecdoche, New York
Charlie Kaufman wrote Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind -- all great, all successful -- then turned director with Synecdoche, which is a masterpiece and which basically went unseen. It's overdue rediscovery.
