North American Premiere
Ilya is a normal, healthy four-and-a-half year-old boy. He goes to daycare and enjoys playing. He comes from a stable background with loving parents. But for reasons known only to himself, he has stopped talking. Contrary to what you might expect, Dornaz Hajiha’s superbly acted film zeroes in on the boy’s mom and dad, Haleh and Amir (Sepidar Tari and Shahdiyar Shakiba). In the first scene, a pyschologist probes their relationship and recommends that they reverse roles, that is, Amir should take over responsibility for getting Ilya dressed, feeding him, and the thousand other little things that his wife routinely does for their son. He grudgingly agrees. But it’s Haleh who really struggles with the new arrangement. She feels helpless and redundant. And Ilya still isn’t talking.
In her spare, empathetic first feature film, Hajiha establishes such authenticity, it’s almost as if we are watching an observational documentary. As the distressed parents consult one specialist after another, all to no avail, their own mental health suffers and the marriage cracks apart, leading to a devastating climax.
A transfixing and brooding, unafraid film where there are no winners. But there are truths to be had.”—Robert Daniels, RogerEbert.com
Q&A Oct 2 & Oct 4
Media Partner
Sepidar Tari, Shahdiyar Shakiba, Ali Ahmadi
Iran
2022
In Farsi with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Streetwalker
Middle class and married, Elena (Miroslava Stern) has been seduced by an unscrupulous swindler, who turns out to be the pimp of Maria (Elda Peralta), a prostitute and Elena's estranged sister. But are they really so different under the skin?
A Magnificent Life
Animator Sylvain Chomet (The Triplets of Belleville; The Illusionist) crafts a loving biopic of the revered French writer, playwright and filmmaker Marcel Pagnol (Jean de Florette; My Father's Glory)
Victims of Sin
This movie is a hot scramble of piety and passion, sentimentality and sleaze. Ninón Sevilla plays Violeta, a rumba sensation who oversteps when she rescues a newborn from the trash. This gets her fired and wins the enmity of the pimp who fathered the kid.
Salón México + Midnight Boogaloo Live!
To celebrate our Mexico Noir series we invited Midnight Boogaloo to get the party going with a mix of salsa, boogaloo and rock & roll. After their set enjoy the seminal dancehall melodrama Salón México, a classic from the Golden Age of Mexican Cinema.
Nika & Madison
Two young Indigenous women become fugitives following an act of self-defence and are forced to flee into the wilderness. Inspired by Thelma and Louise, this compelling story of unbreakable friendship sheds light on systemic injustices.
Credits
Producer
Ehsan Rasoulof
Screenwriter
Dornaz Hajiha
Cinematography
Alireza Barazande
Editor
Ashkan Mehri
Director
Dornaz Hajiha
Dornaz Hajiha received her Bachelor of Arts in Graphic Design from Alzahra University, Tehran, and graduated with an MA in Film Production from the London Film School in 2015. She has written and directed several short films and documentaries, including Marlon (2017) and Marziyeh (2017). Like a Fish on the Moon is her debut feature. Hajiha is currently developing her second feature, Diaphanous.