North American Premiere
Ilya is a normal, healthy four-and-a-half year-old boy. He goes to daycare and enjoys playing. He comes from a stable background with loving parents. But for reasons known only to himself, he has stopped talking. Contrary to what you might expect, Dornaz Hajiha’s superbly acted film zeroes in on the boy’s mom and dad, Haleh and Amir (Sepidar Tari and Shahdiyar Shakiba). In the first scene, a pyschologist probes their relationship and recommends that they reverse roles, that is, Amir should take over responsibility for getting Ilya dressed, feeding him, and the thousand other little things that his wife routinely does for their son. He grudgingly agrees. But it’s Haleh who really struggles with the new arrangement. She feels helpless and redundant. And Ilya still isn’t talking.
In her spare, empathetic first feature film, Hajiha establishes such authenticity, it’s almost as if we are watching an observational documentary. As the distressed parents consult one specialist after another, all to no avail, their own mental health suffers and the marriage cracks apart, leading to a devastating climax.
A transfixing and brooding, unafraid film where there are no winners. But there are truths to be had.”—Robert Daniels, RogerEbert.com
Q&A Oct 2 & Oct 4
Media Partner
Sepidar Tari, Shahdiyar Shakiba, Ali Ahmadi
Iran
2022
In Farsi with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Producer
Ehsan Rasoulof
Screenwriter
Dornaz Hajiha
Cinematography
Alireza Barazande
Editor
Ashkan Mehri
Director
Dornaz Hajiha
Dornaz Hajiha received her Bachelor of Arts in Graphic Design from Alzahra University, Tehran, and graduated with an MA in Film Production from the London Film School in 2015. She has written and directed several short films and documentaries, including Marlon (2017) and Marziyeh (2017). Like a Fish on the Moon is her debut feature. Hajiha is currently developing her second feature, Diaphanous.