North American Premiere
Ilya is a normal, healthy four-and-a-half year-old boy. He goes to daycare and enjoys playing. He comes from a stable background with loving parents. But for reasons known only to himself, he has stopped talking. Contrary to what you might expect, Dornaz Hajiha’s superbly acted film zeroes in on the boy’s mom and dad, Haleh and Amir (Sepidar Tari and Shahdiyar Shakiba). In the first scene, a pyschologist probes their relationship and recommends that they reverse roles, that is, Amir should take over responsibility for getting Ilya dressed, feeding him, and the thousand other little things that his wife routinely does for their son. He grudgingly agrees. But it’s Haleh who really struggles with the new arrangement. She feels helpless and redundant. And Ilya still isn’t talking.
In her spare, empathetic first feature film, Hajiha establishes such authenticity, it’s almost as if we are watching an observational documentary. As the distressed parents consult one specialist after another, all to no avail, their own mental health suffers and the marriage cracks apart, leading to a devastating climax.
A transfixing and brooding, unafraid film where there are no winners. But there are truths to be had.”—Robert Daniels, RogerEbert.com
Q&A Oct 2 & Oct 4
Media Partner
Sepidar Tari, Shahdiyar Shakiba, Ali Ahmadi
Iran
2022
In Farsi with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
The Skeleton of Mrs Morales
In this delightful black comedy, an avuncular taxidermist (our old amigo Arturo de Córdova) is beloved by many but not his wife (Amparo Rivelles), a religious fanatic who can't bear to be touched. One day she pushes him too far...
The Eyes of Ghana
In his debut feature doc Ben Proudfoot unearths the story — and the images — of Chris Hesse, personal cameraman to Ghana's revolutionary leader, Kwame Nkrumah, who was deposed in a coup in 1966. This is a fascinating history reclaimed from the archives.
Credits
Producer
Ehsan Rasoulof
Screenwriter
Dornaz Hajiha
Cinematography
Alireza Barazande
Editor
Ashkan Mehri
Director
Dornaz Hajiha
Dornaz Hajiha received her Bachelor of Arts in Graphic Design from Alzahra University, Tehran, and graduated with an MA in Film Production from the London Film School in 2015. She has written and directed several short films and documentaries, including Marlon (2017) and Marziyeh (2017). Like a Fish on the Moon is her debut feature. Hajiha is currently developing her second feature, Diaphanous.
