North American Premiere
Ilya is a normal, healthy four-and-a-half year-old boy. He goes to daycare and enjoys playing. He comes from a stable background with loving parents. But for reasons known only to himself, he has stopped talking. Contrary to what you might expect, Dornaz Hajiha’s superbly acted film zeroes in on the boy’s mom and dad, Haleh and Amir (Sepidar Tari and Shahdiyar Shakiba). In the first scene, a pyschologist probes their relationship and recommends that they reverse roles, that is, Amir should take over responsibility for getting Ilya dressed, feeding him, and the thousand other little things that his wife routinely does for their son. He grudgingly agrees. But it’s Haleh who really struggles with the new arrangement. She feels helpless and redundant. And Ilya still isn’t talking.
In her spare, empathetic first feature film, Hajiha establishes such authenticity, it’s almost as if we are watching an observational documentary. As the distressed parents consult one specialist after another, all to no avail, their own mental health suffers and the marriage cracks apart, leading to a devastating climax.
A transfixing and brooding, unafraid film where there are no winners. But there are truths to be had.”—Robert Daniels, RogerEbert.com
Q&A Oct 2 & Oct 4
Media Partner
Sepidar Tari, Shahdiyar Shakiba, Ali Ahmadi
Iran
2022
In Farsi with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
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Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Standby tickets will be available at the door for this event.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.
Credits
Producer
Ehsan Rasoulof
Screenwriter
Dornaz Hajiha
Cinematography
Alireza Barazande
Editor
Ashkan Mehri
Director
Dornaz Hajiha
Dornaz Hajiha received her Bachelor of Arts in Graphic Design from Alzahra University, Tehran, and graduated with an MA in Film Production from the London Film School in 2015. She has written and directed several short films and documentaries, including Marlon (2017) and Marziyeh (2017). Like a Fish on the Moon is her debut feature. Hajiha is currently developing her second feature, Diaphanous.