A limited number of chairs are available at this performance. Mats on the floor will also be available, along with space for standing.
In this immersive audio-visual performance screening, artificial intelligence meets virtual consciousness and together, we see humanity through non-human A.I. eyes. Using music, imagery, and light design, Machine Folklore is a glimpse into the infinite possibilities of the future of digital culture and virtual technology in this hypnotic audio-visual work.
Software2050 and NAXS FUTURE are interdisciplinary new media art collectives from Taiwan. Their practice focuses on experimental creations that take audiences into the metaverse, exploring the forefront of the digital world and the infinite possibilities of future aesthetics.
NAXS FUTURE is a creative studio evolved from NAXS CORP, which is committed to creating online experiences, VR theater and audiovisual performances.
The team focused on the accelerated transformation of human experiences. NAXS investigates the dialectic relation between posthuman mythology, animism ritual practices, creating its fictional framework for the internet society. Each of NAXS’s work is an unique attempt exploring the boundary of embodied experiences along with the digital migration.
They have been awarded the first prize in the Digital Art Performance Award with the VR theater production “Render Ghost”, and presented the piece at Ars Electronica in Austria and Times Art Museum in Beijing. Based on the self-developed multi-player experiment framework, NAXS has released a series of game-style online experimental performances at UNSOUND, LEV, Rewire, Soft Centre and Now or Never Festival since 2020.
Machine Folklore introduces Vancouver audiences and industry innovators to Taiwan’s vibrant (and deeply experimental) interdisciplinary arts scene.
Norman Armour, VIFF Guest Live Curator
Media Partner
Community Partner
Oct 1
7:00-8:00 pm
Roundhouse Community Centre
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Guests
Software2050
“Software2050” is the pseudonym for the personal creative project of Taipei-based new media artist HY Feng, aiming to explore the concept of “non-human perspectives”. Drawing inspiration from technology, animals, civilizations, and human memes, the project takes the perspective of fictional artificial intelligence as its starting point. It portrays imaginings of memory and evolution, as well as allegories of symbiotic relationships between human and non-human life. The project encompasses various forms of presentation, including live audio-visual performances, curated social media content, multiplayer online game and digital sculptures. HY Feng is the co-founder and director of the art studio NAXS FUTURE. The studio has continued to publish a variety of experimental artworks including VR immersive theater, audio-visual performances, and game-style multiplayer online experiences. The works have been published in ARS ELECTRONICA festival, Rewire festival, Unsound festival, LEV festival, CTM festival and so on.
NAXS FUTURE
NAXS FUTURE is a creative studio evolved from NAXS CORP, which is committed to creating online experiences, VR theater and audiovisual performances.
The team focused on the accelerated transformation of human experiences. NAXS investigates the dialectic relation between posthuman mythology, animism ritual practices, creating its fictional framework for the internet society. Each of NAXS’s work is an unique attempt exploring the boundary of embodied experiences along with the digital migration.
They have been awarded the first prize in the Digital Art Performance Award with the VR theater production “Render Ghost”, and presented the piece at Ars Electronica in Austria and Times Art Museum in Beijing. Based on the self-developed multi-player experiment framework, NAXS has released a series of game-style online experimental performances at UNSOUND, LEV, Rewire, Soft Centre and Now or Never Festival since 2020.
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Israel Palestine on Swedish TV 1958-1989
Drawing on 30 years of television archives, Göran Hugo Olsson relates the early history of the state of Israel, as reported by Swedish filmmakers, politicians and journalists. "An astonishing, invaluable document." William Mullally, The National
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.