In the aftermath of a young woman’s bloody murder in Paris—her identity shrouded in mystery—detective Jules Maigret begins to unravel the strange details surrounding her life and death. In this elegant adaptation of Georges Simenon’s Maigret et la Jeune Morte, Gérard Depardieu inhabits the broad, world-weary frame of the eponymous detective, pairing his natural charisma with a melancholic edge that perfectly captures Maigret’s character. With a brooding, compassionate air, Maigret follows a trail of clues and forgotten details of the unassuming, anonymous victim, searching for her identity and humanity with a compassionate grace, in sharp contrast to the seeming indifference of those around him. Writer/director Patrice Leconte situates the tale in a 1953 Paris still recovering from WWII, contrasting a dark, sombre atmosphere of everyday people in the city with the sparkling opulence of glamorous socialites and aristocrats, crafting a thoughtful—yet thrilling—spin on the classic detective story.
Supported by
Patrice Leconte
Gérard Depardieu, Jade Labeste, Mélanie Bernier, Aurore Clément, André Wilms, Hervé Pierre
France/Belgium
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Producer
Jean-Louis Livi
Screenwriter
Jérôme Tonnerre, Patrice Leconte
Cinematography
Yves Angelo
Editor
Joëlle Hache
Production Design
Loïc Chavanon
Original Music
Bruno Coulais