Brunette Rita (Laura Elena Harring) wanders Mulholland Drive, dazed and confused after an auto accident. She finds refuge with Betty (Naomi Watts), an aspiring blonde actress who has arrived from Deep River, Ontario, with her innocence intact. The two work together to try to piece together Rita’s story… But nothing is quite what it seems in this rich, disturbing neo-noir from David Lynch, an enigmatic mystery which invites multiple interpretations but which seems to imply these two women are in some ways mirror images… Indeed as the film goes on, it becomes its own mirror.
Films about filmmaking figure prominently in Sight & Sound magazine’s list of the Greatest Films Ever Made: Singin’ in the Rain (#10), Man with a Movie Camera (#9) and Mulholland Dr. (#8) all qualify (as do 8½ and Close-Up). Lynch’s title echoes Billy Wilder’s Hollywood black comedy Sunset Blvd, and his view of the movie business is equally acidic, with Justin Theroux’s auteur losing control of the film within the film to shady power brokers, and Betty’s “innocence” ultimately exposed as either a nostalgic memory or pure fantasy.
Released in 2001, Mulholland Dr was instantly hailed as a classic, and twenty years later it’s the most recent film in Sight & Sound’s top 20.
Sunday’s screening in our PANTHEON series will feature free refreshments and a short introduction by an expert in the field.
September 17: Introduced by Steven Malcic, Media and Culture Lecturer in the School of Communication at Simon Fraser University
David Lynch
Naomi Watts, Laura Harring, Justin Theroux, Ann Miller, Robert Forster
USA/France
2001
English
Award for Best Director (tied) , Cannes 2001
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Mary Sweeney, Alain Sarde, Neal Edelstein, Michael Polaire, Tony Krantz
Screenwriter
David Lynch
Cinematography
Peter Deming
Editor
Mary Sweeney
Original Music
Angelo Badalamenti
Also in This Series
The greatest films of all time.
Fantasia
Walt Disney pushed the boundaries of animation and sound recording when he put together a movie concert: eight classical pieces by Bach, Beethoven, Stravinski et al, each animated in a different style. It's playful, sometimes cute, other times inspired.
Image: © Disney, 1940
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
Antonia's Line
This month's Pantheon selection spotlights the first woman to win the Academy Award for Best Foreign Language Film, the Dutch feminist filmmaker Marleen Gorris, and her charming, vibrant tale of an emancipated farmer who refuses to conform.
Sansho the Bailiff
The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.
The Leopard
Lampedusa's elegiac account of a 19th century Sicilian aristocrat, Prince Salina, fading into history is one of the pinnacles of Italian cinema, an epic which influenced the tempo and gravitas of The Godfather, Age of Innocence and The Deer Hunter.
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Day of Wrath
Anna, the young second wife of a well-respected but much older pastor, falls in love with her stepson when he returns to their small seventeenth-century village. Stepping outside the bounds of the village's harsh moral code has disastrous results.