Aisha (Anna Diop), an undocumented Senegalese immigrant, is hired as a nanny by an affluent, self-absorbed Manhattan couple (Michelle Monaghan and Morgan Spector). Recognizing that this may be her best opportunity to bring her son to America, this stranger in a strange land is willing to deflect the upper crust’s micro-aggressions, objectifications, and inept attempts at wokeness. What she’s less equipped to deal with are the predatory mermaids and trickster spirits that have manifested in both her dreams and waking world.
Equally inspired by West African folklore and North American socioeconomics, Nikyatu Jusu’s beguiling psychological drama ensnares you in its uncanny atmosphere, much like a spider might entrap a fly. Jusu’s deftness as a director is complemented by Diop, who evinces Aisha’s fierce survival instincts while also lending her a compelling vulnerability. The film’s ethereal elements are undeniably haunting, but it’s Nanny’s depictions of immigration’s dark realities that chill you to the bone.
U.S. Grand Jury Prize: Dramatic, Sundance 2022
Anna Diop, Michelle Monaghan, Sinqua Walls, Morgan Spector, Rose Decker, Leslie Uggams
USA
2022
In English and Wolof with English subtitles
At SFU Woodward’s
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Colour of Pomegranates + The House Is Black
This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Dawn Pemberton Sings Aretha + Amazing Grace Film Screening
These dates are going to knock your socks off: one of the all-time great concert films, Aretha Franklin performing at the New Bethel Baptist Church in 1972, and Canada's own Queen of Soul, Dawn Pemberton, performing live in Aretha's honour.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
Credits
Executive Producer
Maria Zuckerman, Ryan Heller, Michael Bloom, Jason Blum, Rebecca Cammarata, Bill Benenson, Nnamdi Asomugha, Laurie Benenson, Grace Lay, Sumalee Montano, Nikyatu Jusu, Chris McCumber, Jeremy Gold
Producer
Nikkia Moulterie, Daniela Taplin Lundberg
Screenwriter
Nikyatu Jusu
Cinematography
Rina Yang
Editor
Robert Mead
Original Music
Tanerélle, Bartek Gliniak
Director
Nikyatu Jusu
Writer/Director Nikyatu Jusu’s short film Suicide by Sunlight made its debut at the 2019 Sundance Film Festival, garnering a prolific festival run. Nanny is Jusu’s feature film debut and won the Dramatic Grand Jury Prize at the 2022 Sundance Film Festival. Additionally, Nanny was one of 35 projects selected for the 2020 Creative Capital Awards, and shortlisted for The Black List 2020. In addition to filmmaking, Jusu is an Assistant Professor teaching directing and screenwriting.