Aisha (Anna Diop), an undocumented Senegalese immigrant, is hired as a nanny by an affluent, self-absorbed Manhattan couple (Michelle Monaghan and Morgan Spector). Recognizing that this may be her best opportunity to bring her son to America, this stranger in a strange land is willing to deflect the upper crust’s micro-aggressions, objectifications, and inept attempts at wokeness. What she’s less equipped to deal with are the predatory mermaids and trickster spirits that have manifested in both her dreams and waking world.
Equally inspired by West African folklore and North American socioeconomics, Nikyatu Jusu’s beguiling psychological drama ensnares you in its uncanny atmosphere, much like a spider might entrap a fly. Jusu’s deftness as a director is complemented by Diop, who evinces Aisha’s fierce survival instincts while also lending her a compelling vulnerability. The film’s ethereal elements are undeniably haunting, but it’s Nanny’s depictions of immigration’s dark realities that chill you to the bone.
U.S. Grand Jury Prize: Dramatic, Sundance 2022
Anna Diop, Michelle Monaghan, Sinqua Walls, Morgan Spector, Rose Decker, Leslie Uggams
USA
2022
In English and Wolof with English subtitles
At SFU Woodward’s
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
Joan Crawford in... Letty Lynton
This would be your first chance to see one of Joan Crawford's prime pre-Code films since 1936, a salacious melodrama about a socialite (Joan Crawford) accused of poisoning her ex lover.
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Credits
Executive Producer
Maria Zuckerman, Ryan Heller, Michael Bloom, Jason Blum, Rebecca Cammarata, Bill Benenson, Nnamdi Asomugha, Laurie Benenson, Grace Lay, Sumalee Montano, Nikyatu Jusu, Chris McCumber, Jeremy Gold
Producer
Nikkia Moulterie, Daniela Taplin Lundberg
Screenwriter
Nikyatu Jusu
Cinematography
Rina Yang
Editor
Robert Mead
Original Music
Tanerélle, Bartek Gliniak
Director
Nikyatu Jusu
Writer/Director Nikyatu Jusu’s short film Suicide by Sunlight made its debut at the 2019 Sundance Film Festival, garnering a prolific festival run. Nanny is Jusu’s feature film debut and won the Dramatic Grand Jury Prize at the 2022 Sundance Film Festival. Additionally, Nanny was one of 35 projects selected for the 2020 Creative Capital Awards, and shortlisted for The Black List 2020. In addition to filmmaking, Jusu is an Assistant Professor teaching directing and screenwriting.