Aisha (Anna Diop), an undocumented Senegalese immigrant, is hired as a nanny by an affluent, self-absorbed Manhattan couple (Michelle Monaghan and Morgan Spector). Recognizing that this may be her best opportunity to bring her son to America, this stranger in a strange land is willing to deflect the upper crust’s micro-aggressions, objectifications, and inept attempts at wokeness. What she’s less equipped to deal with are the predatory mermaids and trickster spirits that have manifested in both her dreams and waking world.
Equally inspired by West African folklore and North American socioeconomics, Nikyatu Jusu’s beguiling psychological drama ensnares you in its uncanny atmosphere, much like a spider might entrap a fly. Jusu’s deftness as a director is complemented by Diop, who evinces Aisha’s fierce survival instincts while also lending her a compelling vulnerability. The film’s ethereal elements are undeniably haunting, but it’s Nanny’s depictions of immigration’s dark realities that chill you to the bone.
U.S. Grand Jury Prize: Dramatic, Sundance 2022
Anna Diop, Michelle Monaghan, Sinqua Walls, Morgan Spector, Rose Decker, Leslie Uggams
USA
2022
In English and Wolof with English subtitles
At SFU Woodward’s
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Art of Adventure
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Chasing Ice
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Dead Lover
A foul-smelling gravedigger's romance ends in tragedy, spurring her to attempt a resurrection through a madcap series of science experiments. Grace Glowicki and Ben Petrie’s film is a zany DIY horror that zaps fresh life into Mary Shelley's classic.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Sansho the Bailiff
The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.
Credits
Executive Producer
Maria Zuckerman, Ryan Heller, Michael Bloom, Jason Blum, Rebecca Cammarata, Bill Benenson, Nnamdi Asomugha, Laurie Benenson, Grace Lay, Sumalee Montano, Nikyatu Jusu, Chris McCumber, Jeremy Gold
Producer
Nikkia Moulterie, Daniela Taplin Lundberg
Screenwriter
Nikyatu Jusu
Cinematography
Rina Yang
Editor
Robert Mead
Original Music
Tanerélle, Bartek Gliniak
Director
Nikyatu Jusu
Writer/Director Nikyatu Jusu’s short film Suicide by Sunlight made its debut at the 2019 Sundance Film Festival, garnering a prolific festival run. Nanny is Jusu’s feature film debut and won the Dramatic Grand Jury Prize at the 2022 Sundance Film Festival. Additionally, Nanny was one of 35 projects selected for the 2020 Creative Capital Awards, and shortlisted for The Black List 2020. In addition to filmmaking, Jusu is an Assistant Professor teaching directing and screenwriting.