Aisha (Anna Diop), an undocumented Senegalese immigrant, is hired as a nanny by an affluent, self-absorbed Manhattan couple (Michelle Monaghan and Morgan Spector). Recognizing that this may be her best opportunity to bring her son to America, this stranger in a strange land is willing to deflect the upper crust’s micro-aggressions, objectifications, and inept attempts at wokeness. What she’s less equipped to deal with are the predatory mermaids and trickster spirits that have manifested in both her dreams and waking world.
Equally inspired by West African folklore and North American socioeconomics, Nikyatu Jusu’s beguiling psychological drama ensnares you in its uncanny atmosphere, much like a spider might entrap a fly. Jusu’s deftness as a director is complemented by Diop, who evinces Aisha’s fierce survival instincts while also lending her a compelling vulnerability. The film’s ethereal elements are undeniably haunting, but it’s Nanny’s depictions of immigration’s dark realities that chill you to the bone.
U.S. Grand Jury Prize: Dramatic, Sundance 2022
Anna Diop, Michelle Monaghan, Sinqua Walls, Morgan Spector, Rose Decker, Leslie Uggams
USA
2022
In English and Wolof with English subtitles
At SFU Woodward’s
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Tree of Life
The Tree of Life follows Jack as he reflects on his 1950s Texas childhood and the death of his younger brother. Deeply spiritual and poetic, Malick’s film moves through grief, memory, time, and space. And there are dinosaurs.
Sometimes, I Imagine Them All at a Party
Fourteen years ago, Daniela Magnani Hüller survived an attempted femicide by a schoolmate. Now a filmmaker, she revisits the events surrounding that fateful incident, creating a moving collage of interviews, personal recollections, and archival material.
Image: © Bildersturm
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring
The Story of Documentary Film – The 2000s
The Story of Documentary Film – The 2000s enters a decade shaped by 9/11, war, fear, and politics. Through films such as The Cove and Grizzly Man, these chapters trace the documentary medium's encounter with modernity as it begins to unravel.
Image: © Iraq in Fragments, 2006, dir. James Longley, USA, Daylight Factory Typecast-Pictures
Credits
Executive Producer
Maria Zuckerman, Ryan Heller, Michael Bloom, Jason Blum, Rebecca Cammarata, Bill Benenson, Nnamdi Asomugha, Laurie Benenson, Grace Lay, Sumalee Montano, Nikyatu Jusu, Chris McCumber, Jeremy Gold
Producer
Nikkia Moulterie, Daniela Taplin Lundberg
Screenwriter
Nikyatu Jusu
Cinematography
Rina Yang
Editor
Robert Mead
Original Music
Tanerélle, Bartek Gliniak
Director
Nikyatu Jusu
Writer/Director Nikyatu Jusu’s short film Suicide by Sunlight made its debut at the 2019 Sundance Film Festival, garnering a prolific festival run. Nanny is Jusu’s feature film debut and won the Dramatic Grand Jury Prize at the 2022 Sundance Film Festival. Additionally, Nanny was one of 35 projects selected for the 2020 Creative Capital Awards, and shortlisted for The Black List 2020. In addition to filmmaking, Jusu is an Assistant Professor teaching directing and screenwriting.