North American Premiere
Angola, 1995: At the height of the civil war, Nayola scours combat zones and treks through perilous terrain in search of her husband, who has gone missing in battle. Sixteen years later, in the aftermath of the war, Nayola’s daughter Yara has grown up parentless. Now a politically conscious rap artist striving for social change, she circulates her own music illegally, in defiance of censorship. Wary of the police’s raids, her grandmother, Lelena, does her best to keep Yara hidden. One night, an encounter with a masked intruder pulls their family history—and the scars of war—into stark relief.
Featuring outstanding vocal performances from spoken word artist Elis Rita and rap artist Meduza, Nayola deftly incorporates a variety of stunning animation styles—ranging from realistic to impressionistic—to shift fluidly between dreams, reality, past, and present.
Like the striking and vivid graphic style of the animation, Nayola is bold and thrilling storytelling which combines its forceful message about the legacy of living through war with an almost mythic quality.”—Wendy Ide, Screen Daily
Elisângela Rita, Vitória Soares, Feliciana Délcia Guia, Marinela Furtado, José Adelino Barceló de Carvalho
Portugal/Belgium/France/Netherlands
2022
In Portuguese and Kimbundu with English subtitles
Violence; coarse language
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
Coffee House Folk + Inside Llewyn Davis
The Coens' catty portrait of the 60s Greenwich Village scene is the best movie about folk music, bar none. Before the movie, enjoy solo sets from four local singer-songwriters: Rodney DeCroo, Tim Readman, LJ Mounteney and Andy Hillhouse.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
Credits
Producer
Ana Carina Estróia, Geert Van Goethem, Linda Stercks, Camille Raulo, Jean-François Bigot, Arnoud Rijken, Michiel Snijders, Serge Kestemont, Tomás Oom Martins, Jorge António
Screenwriter
Virgílio Almeida
ANIM
Elie Klimis, Hugo Santos, João Monteiro, João Silva, Johanna Bessiere, Lisandro Schurjin, Luís Vital, Patrick Raats
Editor
Job Ter Burg, Ewin Ryckaert
Original Music
Alex Debicki
Art Director
José Miguel Ribeiro
Director
José Miguel Ribeiro
José Miguel Ribeiro graduated in Visual Arts at the Fine Art School in Lisbon and did further studies in drawing and animation. His film O Banquete da Rainha (1994) was awarded at the Cinanima International Animation Festival. He directed A Suspeita (2000), which won the Cartoon D’Or at the Cartoon Forum and more than 25 international awards. In 2004, he directed the series Home Things, where the protagonists are house objects: the mop, the toothbrush, the glasses, the vacuum cleaner, among others. The series was honoured with several international awards.