North American Premiere
Angola, 1995: At the height of the civil war, Nayola scours combat zones and treks through perilous terrain in search of her husband, who has gone missing in battle. Sixteen years later, in the aftermath of the war, Nayola’s daughter Yara has grown up parentless. Now a politically conscious rap artist striving for social change, she circulates her own music illegally, in defiance of censorship. Wary of the police’s raids, her grandmother, Lelena, does her best to keep Yara hidden. One night, an encounter with a masked intruder pulls their family history—and the scars of war—into stark relief.
Featuring outstanding vocal performances from spoken word artist Elis Rita and rap artist Meduza, Nayola deftly incorporates a variety of stunning animation styles—ranging from realistic to impressionistic—to shift fluidly between dreams, reality, past, and present.
Like the striking and vivid graphic style of the animation, Nayola is bold and thrilling storytelling which combines its forceful message about the legacy of living through war with an almost mythic quality.”—Wendy Ide, Screen Daily
Elisângela Rita, Vitória Soares, Feliciana Délcia Guia, Marinela Furtado, José Adelino Barceló de Carvalho
Portugal/Belgium/France/Netherlands
2022
In Portuguese and Kimbundu with English subtitles
Violence; coarse language
Open to youth!
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Cure
This month's VIFF Premium member selection is a spellbinding thriller from Kiyoshi Kurosawa. Detective Kenichi Takabe (Koji Yakusho) is faced with a string of apparently unmotivated murders committed by different people, but bearing the same signature.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
Credits
Producer
Ana Carina Estróia, Geert Van Goethem, Linda Stercks, Camille Raulo, Jean-François Bigot, Arnoud Rijken, Michiel Snijders, Serge Kestemont, Tomás Oom Martins, Jorge António
Screenwriter
Virgílio Almeida
ANIM
Elie Klimis, Hugo Santos, João Monteiro, João Silva, Johanna Bessiere, Lisandro Schurjin, Luís Vital, Patrick Raats
Editor
Job Ter Burg, Ewin Ryckaert
Original Music
Alex Debicki
Art Director
José Miguel Ribeiro
Director
José Miguel Ribeiro
José Miguel Ribeiro graduated in Visual Arts at the Fine Art School in Lisbon and did further studies in drawing and animation. His film O Banquete da Rainha (1994) was awarded at the Cinanima International Animation Festival. He directed A Suspeita (2000), which won the Cartoon D’Or at the Cartoon Forum and more than 25 international awards. In 2004, he directed the series Home Things, where the protagonists are house objects: the mop, the toothbrush, the glasses, the vacuum cleaner, among others. The series was honoured with several international awards.