
Art imitates life in this quietly devastating masterpiece from Hong Sangsoo. Kim Minhee (The Handmaiden, Right Now, Wrong Then) — in the role that won her the Silver Bear for best actress in Berlin — plays Younghee, an actress reeling in the aftermath of an affair with a married film director. Younghee visits Hamburg then returns to Korea, but as she meets with friends and has her fair share to drink, increasingly startling confessions emerge.
No stranger to mining his own experience for his films, Hong, whose real-life affair with Kim stirred up a media frenzy in Korea, here confronts his personal life with a newfound emotional directness. With an incredibly raw and vulnerable performance from Kim at its center, On the Beach at Night Alone is one of the most dynamic collaborations between director and performer in contemporary cinema.
See Hong’s latest in VIFF: What Does That Nature Say To You
There’s a dark romanticism powering Hong Sangsoo’s furious, tautly controlled, yet coolly comedic drama.
Richard Brody, The New Yorker
As gut-wrenching, funny, and formally freewheeling as anything in recent cinema.
Dan Sullivan, Film Comment
Touchingly direct…The beauty of Hong’s latest lies in how piercingly affecting it feels even if one isn’t aware of the personal circumstances surrounding it.
Kenji Fujishima, Slant
Hong Sang-soo
Kim Min-hee, Seo Young-hwa, Jeong Jae-yeong
South Korea
2017
In Korean, English and German with English subtitles
Best Actress, Berlin Film Festival
Book Tickets
Friday September 12
Saturday September 13
Monday September 22
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Hong Sangsoo
Cinematography
Kim Hyungkoo, Park Hongyeol
Editor
Hahm Sungwon
Also Playing
What Does That Nature Say to You
VIFF mainstay Hong Sangsoo returns with another winner: a symmetrically designed, deceptively casual delight. An extended, drunken encounter between a poet and his girlfriend’s family progresses toward revelation — with many amusing stops along the way.
Right Now, Wrong Then
A visiting filmmaker arrives a day early for a festival screening. He meets and courts a painter (Kim Minhee) and spends the evening with her. Halfway through, the movie starts over: Same people, same places, significantly different outcomes.
Boyhood
A dozen years in the making, Richard Linklater's masterpiece chronicles the evolution of a boy into a young man, from six to 18. It is the ultimate coming-of-age movie, and one of the most audacious cinematic feats of the decade.
School of Rock
With not one, but two new Richard Linklater movies at VIFF this year (Nouvelle Vague and Blue Moon), we thought it would be fun to revisit a choice cut from his rich back catalogue: the best Black and White movie ever made, School of Rock.