Albert Serra casts his eye on the tropics with this beguiling, satirical film. Benoît Magimel plays De Roller, the High Commissioner of French Polynesia, who has a problem on his hands: the French Marines have arrived on the islands, and their presence coincides with rumours that nuclear testing is soon to commence. De Roller sets out to investigate, but he’s repeatedly stalled and stymied. As the threats to his power grow, so does his pique, and soon he’s lost in a miasma of suspicion and resentment.
Shooting in widescreen, VIFF alumnus Serra conveys the lushness and languor of the tropics. From the menace of a darkened nightclub to the of the vastness of the Pacific waters, he conjures a milieu that is equally intoxicating and mysterious. An added delight is the colourful cast of characters: the beautiful, demure Shannah (Pahoa Mahagafanau); the drug-addled Admiral (Marc Susini); and the menacing Portuguese (Alexandre Melo). Pacifiction is moody, mellow, and (as storytelling) very murky, but it casts a haunting spell.
Supported by
Benoît Magimel, Pahoa Mahagafanau, Marc Susini, Matahi Pambrun, Alexandre Melo, Sergi López
France/Spain/Germany/Portugal
2022
In French and English with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Farruquito: a Flamenco Dynasty
Legendary flamenco dancer Farruquito struggles to reconcile his past with his family legacy. Revelling in the artistry of Romani music and dance, Farruquito: A Flamenco Dynasty explores family dynamics and the pursuit of greatness.
Linka Linka
Kangdrun's feature debut depicts a twentysomething filmmaker coming to grips with a shameful act she committed in childhood. Moving between past and present, with each main character played by two actors, this is a provocative and challenging work.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
La Gradiva
Winner of the Grand Prize at Cannes’ Critics’ Week, Marine Atlan's feature debut follows a class of French high-school students on a trip to Naples. While learning about the ruins of Pompeii by day, a different kind of education takes place at night.
Image: © Films du poisson, Bibi Film TV, Arte France Cinema
Fugs Film!
Originating as a group of New York beatniks, The Fugs' taboo-embracing contempt for social norms made them one of the strangest bands of the 1960s. Fugs Film! is a raucous, irreverent celebration of rebellion, poetry, and counterculture legacy.
Whispers in May
Whispers in May follows Qihuo and her friends in China’s Liangshan Mountains as childhood gives way to womanhood. It blends close observation and scenes of the girls' search with animated fragments of Yi oral myth to create a hypnotic coming-of-age film.
Credits
Producer
Pierre-Olivier Bardet, Albert Serra, Montse Triola, Dirk Decker, Andrea Schutte, Joaquim Sapinho, Marta Alves, Laurent Jacquemin
Screenwriter
Albert Serra
Cinematography
Artur Tort
Editor
Albert Serra, Artur Tort, Ariadna Ribas
Original Music
Marc Verdaguer, Joe Robinson
Director
Albert Serra
Born in Banyoles, Spain in 1975, Albert Serra is a Catalan artist and director. His first feature, Honor of the Knights, was presented at Cannes’ Directors’ Fortnight in 2006. In 2013, he received the Golden Leopard at Locarno Film Festival for Story of My Death, a film inspired by Casanova’s memoirs. The Death of Louis XIV, starring Jean-Pierre Léaud as the Sun King, was an official selection for Cannes in 2016. Liberté won the Special Jury Prize at the 2019 Un Certain Regard section in Cannes.
Filmography: Honor of the Knights (2006); Story of My Death (2013); The Death of Louis XIV (2016); Liberté (2019)