Albert Serra casts his eye on the tropics with this beguiling, satirical film. Benoît Magimel plays De Roller, the High Commissioner of French Polynesia, who has a problem on his hands: the French Marines have arrived on the islands, and their presence coincides with rumours that nuclear testing is soon to commence. De Roller sets out to investigate, but he’s repeatedly stalled and stymied. As the threats to his power grow, so does his pique, and soon he’s lost in a miasma of suspicion and resentment.
Shooting in widescreen, VIFF alumnus Serra conveys the lushness and languor of the tropics. From the menace of a darkened nightclub to the of the vastness of the Pacific waters, he conjures a milieu that is equally intoxicating and mysterious. An added delight is the colourful cast of characters: the beautiful, demure Shannah (Pahoa Mahagafanau); the drug-addled Admiral (Marc Susini); and the menacing Portuguese (Alexandre Melo). Pacifiction is moody, mellow, and (as storytelling) very murky, but it casts a haunting spell.
Supported by
Benoît Magimel, Pahoa Mahagafanau, Marc Susini, Matahi Pambrun, Alexandre Melo, Sergi López
France/Spain/Germany/Portugal
2022
In French and English with English subtitles
Book Tickets
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Minotaur
Russia, 2022. While contending with the fallout of the Russian invasion of Ukraine, a corporate executive tries to insulate his home life from the consequences of the war. But when he discovers that his wife has been unfaithful, things start to implode.
The Story of Documentary Film – The 2010s & 2020s
In The Story of Documentary Film – The 2010s & 2020s, Mark Cousins follows nonfiction into phones, GoPros, YouTube, TikTok, live streams, and feeds to look at bodily autonomy, surveillance, racism, borders, and truth after vérité.
Image: © Fire of Love, 2022, dir. Sara Dosa, Canada, USA, Sandbox Films, Cottage M, Intuitive Pictures, National Geographic Documentary Films
Tangles
Based on the graphic memoir by Vancouver artist Sarah Leavitt, Tangles is a stunning, hand-drawn animated feature about a cartoonist coming to terms with her mom’s early-onset Alzheimer’s diagnosis. Nominated for the Caméra d’Or at Cannes 2026.
How We Stand
How We Stand follows three Indigenous sisters separated after their family relocates to Los Angeles under Native American Relocation Program in the 1950s. Twenty years later, they navigate identity, trauma, and very different lives.
Afterpiece
This wry, twisty theatrical farce stars Stephen Fung as a playwright, actor, and director who writes a play based on his own past. His rich ex-lover wants to co-star, but our hero has found a sexy new actress, and he’s got a plan to get her the part…
Credits
Producer
Pierre-Olivier Bardet, Albert Serra, Montse Triola, Dirk Decker, Andrea Schutte, Joaquim Sapinho, Marta Alves, Laurent Jacquemin
Screenwriter
Albert Serra
Cinematography
Artur Tort
Editor
Albert Serra, Artur Tort, Ariadna Ribas
Original Music
Marc Verdaguer, Joe Robinson
Director
Albert Serra
Born in Banyoles, Spain in 1975, Albert Serra is a Catalan artist and director. His first feature, Honor of the Knights, was presented at Cannes’ Directors’ Fortnight in 2006. In 2013, he received the Golden Leopard at Locarno Film Festival for Story of My Death, a film inspired by Casanova’s memoirs. The Death of Louis XIV, starring Jean-Pierre Léaud as the Sun King, was an official selection for Cannes in 2016. Liberté won the Special Jury Prize at the 2019 Un Certain Regard section in Cannes.
Filmography: Honor of the Knights (2006); Story of My Death (2013); The Death of Louis XIV (2016); Liberté (2019)