Albert Serra casts his eye on the tropics with this beguiling, satirical film. Benoît Magimel plays De Roller, the High Commissioner of French Polynesia, who has a problem on his hands: the French Marines have arrived on the islands, and their presence coincides with rumours that nuclear testing is soon to commence. De Roller sets out to investigate, but he’s repeatedly stalled and stymied. As the threats to his power grow, so does his pique, and soon he’s lost in a miasma of suspicion and resentment.
Shooting in widescreen, VIFF alumnus Serra conveys the lushness and languor of the tropics. From the menace of a darkened nightclub to the of the vastness of the Pacific waters, he conjures a milieu that is equally intoxicating and mysterious. An added delight is the colourful cast of characters: the beautiful, demure Shannah (Pahoa Mahagafanau); the drug-addled Admiral (Marc Susini); and the menacing Portuguese (Alexandre Melo). Pacifiction is moody, mellow, and (as storytelling) very murky, but it casts a haunting spell.
Supported by
Benoît Magimel, Pahoa Mahagafanau, Marc Susini, Matahi Pambrun, Alexandre Melo, Sergi López
France/Spain/Germany/Portugal
2022
In French and English with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Producer
Pierre-Olivier Bardet, Albert Serra, Montse Triola, Dirk Decker, Andrea Schutte, Joaquim Sapinho, Marta Alves, Laurent Jacquemin
Screenwriter
Albert Serra
Cinematography
Artur Tort
Editor
Albert Serra, Artur Tort, Ariadna Ribas
Original Music
Marc Verdaguer, Joe Robinson
Director
Albert Serra
Born in Banyoles, Spain in 1975, Albert Serra is a Catalan artist and director. His first feature, Honor of the Knights, was presented at Cannes’ Directors’ Fortnight in 2006. In 2013, he received the Golden Leopard at Locarno Film Festival for Story of My Death, a film inspired by Casanova’s memoirs. The Death of Louis XIV, starring Jean-Pierre Léaud as the Sun King, was an official selection for Cannes in 2016. Liberté won the Special Jury Prize at the 2019 Un Certain Regard section in Cannes.
Filmography: Honor of the Knights (2006); Story of My Death (2013); The Death of Louis XIV (2016); Liberté (2019)
