Sook-Yin Lee adapts a graphic novel by her ex-boyfriend, cartoonist Chester Brown, about the end of their relationship and Brown’s decision to start paying for sex. Paying For It has an amiable, mellow tone but is bracing in its willingness to explore sexuality in all its complexity. Dan Beirne plays Brown as a calm, curious adventurer who’s unembarrassed by the messy truths of adult life, while Emily Lê shines as Lee stand-in Sonny and Andrea Werhun gives a wonderful turn as an ingratiating sex worker.
Q&A with writer-director Sook-Yin Lee
A filmmaker’s first film, though rough and ready, is often where the DNA lies. My latest movie, Paying for It, is an adaptation of cartoonist Chester Brown’s comic book memoir that takes place in the late 90s, when we decided to open up our romantic relationship. Chester and I were a couple back then. Jump forward to 2024: While making the movie, intergenerational bands — Vancouver’s Pointed Sticks, cub, and Gob; Halifax’s Thrush Hermit; O.G. Toronto rappers Ghetto Concept; psych band Vypers; and V.I.P., Canada’s only independent boy band — let me feature their songs and period-specific music videos. Filming in my home in Kensington Market, where the real events occurred and where I still live today, was cost-effective and already production designed. I also shot in a friend’s apartment, along with punk dives, galleries, and restaurants in my neighbourhood. I recently realized that it was the SAME approach I took when making my first short film, Escapades of the One Particular Mr. Noodle, in Vancouver many years ago. We filmed in the Chinatown row house I was living in, my friends played all 50 character roles, and my neighbour Nona sewed the ten-foot-tall Mr. Noodle costume (which reappears in Paying for It!). The community-oriented filmmaking process I adopted as an emerging filmmaker is the SAME one I returned to when making Paying for It!
Sook-Yin Lee, Paying for It director, DIY: Making Movies curator
Sook-Yin Lee
Daniel Beirne, Emily Lê, Andrea Werhun, Noah Lamanna
Canada
2024
English
Book Tickets
Friday April 17
Indigenous & Community Access
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Credits
Executive Producer
Dan Beirne, John Cameron Mitchell
Producer
Matt Code, Sonya Di Rienzo, Aeschylus Poulos
Screenwriter
Sook-Yin Lee, Joanne Sarazen
Cinematography
Gayle Ye
Editor
Anna Catley
Original Music
Dylan Gamble, Sook-Yin Lee
Production Design
Olivia D’Oliveira
Canadian Film Showcase
Canadian Film Showcase features returning festival favourites, brand-new premieres, free screenings on National Canadian Film Day (April 15), and a specially curated program by Sook-Yin Lee (Paying for It).
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
The Art of Adventure
The unbelievable adventure story of how painter Robert Bateman and ecologist Bristol Foster drove a Land Rover from Africa to Australia in 1957, developing a love of nature to last a lifetime. An inspirational love letter to the adventure of life itself.
Follies
After two kids and 16 years of marriage, François and Julie decide to open up their relationship in a bid to rekindle their dwindling sex life. A painfully hilarious and brutally honest depiction of love, sex, and intimacy in the age of the internet.
Castration Movie Anthology 1: Traps
Louise Weard's underground movie is a talk-a-thon in two chapters and four hours: a sex worker contemplates having her testicles removed, and a movie production assistant pitches himself right out of a job, and other misadventures in Vancouver life.
Modern Whore
In director Nicole Bazuin's cheeky, stylized documentary, Modern Whore-memoirist Andrea Werhun (Paying for It) recounts her experiences as an escort and stripper in Toronto, debunking misconceptions about the world’s oldest profession.
Intimate Moments: Short Films by Brendan Prost
Vignettes of loneliness, desire and fleeting connection, immerse yourself in the short, bittersweet films of Brendan Prost — who will also be filming proceedings for potential inclusion in his self-reflexive doc, The Performance of a Lifetime.
Winter Kept Us Warm
Often described as the first LGBTQ+ film ever to screen at the Cannes Film Festival, David Secter's lovingly observed portrait of a burgeoning queer romance came at a time when homosexuality was still illegal in the country
Last Wedding: Jubilee Screening with Bruce Sweeney
Named the Best Canadian film of 2001 by the Vancouver and Toronto Film Critics, Bruce Sweeney's third feature took a wry look at contemporary relationships through the experiences of three thirtysomething couples whose relationships are about to implode.
4 or 5 Things I Want You to Know About Me (An Essay)
Carl Bessai's playful Godardian riff on actors and acting gives us a portfolio of dramatic portraits and monologues focused on half a dozen female performers at different points in their journey. It's a grab-bag of a film, sparky and specific.
Paying for It
Talk about a hall of mirrors! Sook-Yin Lee wittily adapts the graphic novel of the same name by her ex-boyfriend, Canadian cartoonist Chester Brown, about the end of their relationship and Brown's subsequent decision to start paying for sex.
Dead Lover
A foul-smelling gravedigger's romance ends in tragedy, spurring her to attempt a resurrection through a madcap series of science experiments. Grace Glowicki and Ben Petrie’s film is a zany DIY horror that zaps fresh life into Mary Shelley's classic.
Atanarjuat: The Fast Runner
When Atanarjuat displaces Oki, the Chief's son, by winning the hand of the beautiful Atuat, his brother Amaqjuaq pays the ultimate price. This cautionary tale showcases the consequences of putting personal desires ahead of community needs.
Parsley Days
Kate is ambivalent about her relationship with Ollie. While he's undeniably a great guy, she's curious about what else the world might hold. But when she discovers she's pregnant, breaking up becomes a little more complicated. A magical realist delight!
Outrageous!
Two misfits find love and support in this cult classic and landmark for Canadian queer cinema. Determined to retain her freedom after being treated for schizophrenia, Liza grows equally committed to seeing Robin realize his potential as a drag performer.
Love & Independence
A program of shorts that introduces daring new voices in Canadian cinema. Personal, playful, provocative, and self-financed, these films offer the freedom to express boldly through practices rooted in filmmaking among friends.
Endless Cookie
Are you ready for the most Canadian comedy of recent years? It's a documentary about half-siblings sharing stories, but it's mostly about interruptions, digressions, diversions, and free pizza. It's also animated, but you probably already noticed that.