Skip to main content
Phantom Thread film image; man looking over his glasses at someone

Phantom Thread

This event has passed

1950s London: renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutantes and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

Every bit as transgressive as Punch-Drunk Love, Phantom Thread is a battle of the sexes comedy (and a black comedy at that) dressed up as a prestige picture.

The world of Reynolds Woodcock — its silky elegance, focused discipline and fetishistic attention to sartorial and ritualistic detail — is captured behind a scrim of nostalgia and romance by Anderson, who invites viewers to luxuriate in the creamy interiors of Woodcock’s townhouse and atelier, the dreamy mood heightened by Jonny Greenwood’s jazz-inflected musical score. Although Woodcock has disposed of his latest romantic liaison as Phantom Thread opens, his next conquest presents herself when he stops for a meal in the country and orders a ploughman’s breakfast from a bright-eyed waitress named Alma (Vicky Krieps). By the time he’s completed his compulsively specific order, the mutual seduction is complete, and the stylish, enigmatic, ultimately perversely playful game is afoot.

What ensues is a delicious slice of teatime gothic reminiscent of Rebecca and Suspicion, wherein love and sexual attraction become vectors for mistrust, battles of wills and power dialectics of Hegelian proportions.

Ann Hornaday, Washington Post

This is a profoundly, intensely, extravagantly personal film.

AO Scott, New York Times

This devilishly funny and luxuriantly sensuous film is so successful as entertainment that it’s hard to stop and notice the extreme degree of craft that went into its construction.

Dana Stevens, Slate

Director

Paul Thomas Anderson

Cast

Daniel Day Lewis, Vicky Krieps, Lesley Manville

Credits
Country of Origin

USA

Year

2017

Language

English

19+
130 min

Book Tickets

This event has passed.

Credits

Executive Producer

Chelsea Barnard, Peter Heslop, Adam Somner

Producer

Paul Thomas Anderson, Megan Ellison, Daniel Lupi, JoAnne Sellar

Screenwriter

Paul Thomas Anderson

Cinematography

Paul Thomas Anderson

Editor

Dylan Tichenor

Original Music

Jonny Greenwood

Production Design

Mark Tildesley

Also in This Series

Paul Thomas Anderson’s is a risky, unorthodox cinema, flexing between grand gestures and hidden depths, but to rewatch his films is always to discover that fleeting, elusive but profound possibility of connection.