The future is now in Chie Hayakawa’s Plan 75. With 30% of Japan’s population over the age of 65 and one of the lowest birth rates in the world, the Japanese face a historic economic and healthcare crisis. The film presents a near future in which Japan formulates an utterly clinical solution: citizens aged 75-plus can voluntarily euthanize themselves for the good of society.
The plan seems to work, with government facilities crowded with seniors like Michi (Chieko Baisho), a retired cleaning lady who, for ¥100,000 (roughly $960), will be put to death. Bureaucrats like Hiromu (Hayato Isomura) and Filipino migrant worker Maria (Stefanie Arianne) both benefit professionally from killing the elderly rather than caring for them, but beneath the surface everyone is left questioning the morality of it all.
Hayakawa crafts what Slant Magazine calls “[a] tale of human solitude and social cruelty.” With subtle, heartbreaking performances and an unflinching examination of Japan’s current situation, Plan 75 captured audiences at this year’s Cannes Film Festival, winning a Caméra d’or Special Mention Award.
Special Mention for Camera d’Or, Cannes 2022
Community Partner
Chieko Baisho, Hayato Isomura, Stefanie Arianne, Yuumi Kawai, Taka Takao
Japan/France/Philippines/Qatar
2022
In Japanese with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Nika & Madison
Two young Indigenous women become fugitives following an act of self-defence and are forced to flee into the wilderness. Inspired by Thelma and Louise, this compelling story of unbreakable friendship sheds light on systemic injustices.
A Magnificent Life
Animator Sylvain Chomet (The Triplets of Belleville; The Illusionist) crafts a loving biopic of the revered French writer, playwright and filmmaker Marcel Pagnol (Jean de Florette; My Father's Glory)
Miroirs No. 3
Following a car crash that kills her boyfriend, piano student Laura is physically unhurt but emotionally distraught. A local woman takes her in, but she gradually realizes she's in the midst of an eerie, mysterious family situation.
Image: © Schramm Film A4 Kopie
The Night Falls
An arrogant, womanizing sports star eventually gets his comeuppance in this jet-black crime drama from director Roberto Gavaldón.
Credits
Producer
Eiko Mizuno-Gray, Jason Gray, Frédéric Corvez, Maéva Savinien
Screenwriter
Chie Hayakawa
Cinematography
Hideho Urata
Editor
Anne Klotz
Original Music
Remi Boubal
Director
Chie Hayakawa
Chie Hayakawa was born in Tokyo and studied photography at the School of Visual Arts in New York. Her short Niagara (2013) was selected by Cannes Cinéfondation in 2014, won the FIPRESCI Award at the Vladivostok Pacific Meridian International Film Festival, and Grand Prizes at the International Women’s Film Festival in Seoul and the PIA Film Festival. Her short film version of Plan 75 was part of the anthology Ten Years Japan (2018), which premiered at the Busan International Film Festival, followed by theatrical releases and an international festival tour. Plan 75 marks Hayakawa’s feature film directing debut.