North American Premiere
Naoko Ogigami, director of VIFF 2017 favorite Close-Knit, returns to the festival with a gentle comedy/drama about second chances and the transformative power of friendship.
Riverside Mukolitta stars Kenichi Matsuyama as Yamada, an ex-con trying to come to terms with the death of his estranged father. In an attempt to make a fresh start, Yamada moves to a small fishing town and finds work processing dried squid. Helping him get back on his feet, Yamada’s manager finds him a place to live in an old apartment building populated by a motley group of misfits. Holding this community together is Shiori (Hikari Mitsushima), the landlady harbouring her own tragic past. How can healing happen in such an odd place?
Based on Ogigami’s own 2019 novel, Riverside Mukolitta approaches the topic of mortality with reassuring simplicity and a dry, quirky sense of humor, taking the audience along with Yamada as he discovers that life’s sorrows and burdens are easier to bear with kindred spirits to help you bear them.
Media Partner
Kenichi Matsuyama, Tsuyoshi Muro, Hikari Mitsushima, Noriko Eguchi, Daisuke Kuroda, Toshiaki Chiku
Japan
2021
In Japanese with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
Little Amelie or the Character of Rain
Baby Amelie believes herself to be a god. Her parents (Belgian diplomats in 60s Japan) can barely cope -- but find the perfect nanny to restore order in this delightful animated feature.
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Credits
Executive Producer
Daiji Horiuchi, Tsuyoshi Goroh, Shinichi Tago, Kazuo Nakanishi, Yumiko Masuda, Nobuo Kameyama, Riki Takeuchi, Junji Igarashi, Takayuki Suzuki, Misaki Kawamura,Osamu Nakanishi, Nobuo Komazawa
Producer
Ryoko Nozoe, Takuro Nagai, Shintaro Hori
Screenwriter
Naoko Ogigami
Cinematography
Hiroki Ando
Editor
Shinichi Fushima
Original Music
PASCALS
Art Director
Mayumi Tomita
Director
Naoko Ogigami
Naoko Ogigami was born in Japan and studied film at the University of Southern California. Her directorial debut, Yoshino’s Barber Shop (2004), received a Special Mention at the Kinderfilmfest at the Berlin International Film Festival. Her fourth film, Glasses (2007), received the Manfred Salzgeber Award, also at the Berlinale. Her 2017 film Close-Knit received awards at different film festivals, including the Teddy Jury Award at the Berlinale. She wrote for the stop-motion animation series Rilakkuma and Kaoru, which premiered on Netflix in 2019.
Filmography: Yoshino’s Barber Shop (2003); Glasses (2007); Rent-a-Cat (2012); Close-Knit (2017)