North American Premiere
Naoko Ogigami, director of VIFF 2017 favorite Close-Knit, returns to the festival with a gentle comedy/drama about second chances and the transformative power of friendship.
Riverside Mukolitta stars Kenichi Matsuyama as Yamada, an ex-con trying to come to terms with the death of his estranged father. In an attempt to make a fresh start, Yamada moves to a small fishing town and finds work processing dried squid. Helping him get back on his feet, Yamada’s manager finds him a place to live in an old apartment building populated by a motley group of misfits. Holding this community together is Shiori (Hikari Mitsushima), the landlady harbouring her own tragic past. How can healing happen in such an odd place?
Based on Ogigami’s own 2019 novel, Riverside Mukolitta approaches the topic of mortality with reassuring simplicity and a dry, quirky sense of humor, taking the audience along with Yamada as he discovers that life’s sorrows and burdens are easier to bear with kindred spirits to help you bear them.
Media Partner
Kenichi Matsuyama, Tsuyoshi Muro, Hikari Mitsushima, Noriko Eguchi, Daisuke Kuroda, Toshiaki Chiku
Japan
2021
In Japanese with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
Laura Crema Sings Lorenz Hart
For this unique show, leading jazz vocalist Laura Crema has put together a set of some of Lorenz Hart's most memorable songs. Afterwards, enjoy Ethan Hawke's portrait of the legendary lyricist in Richard Linklater's new movie, Blue Moon.
Islands
In this sly, engrossing mystery, a dissolute English tennis coach in a Canary Islands holiday resort falls under suspicion when the husband of a beautiful guest disappears after a night of heavy drinking...
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Credits
Executive Producer
Daiji Horiuchi, Tsuyoshi Goroh, Shinichi Tago, Kazuo Nakanishi, Yumiko Masuda, Nobuo Kameyama, Riki Takeuchi, Junji Igarashi, Takayuki Suzuki, Misaki Kawamura,Osamu Nakanishi, Nobuo Komazawa
Producer
Ryoko Nozoe, Takuro Nagai, Shintaro Hori
Screenwriter
Naoko Ogigami
Cinematography
Hiroki Ando
Editor
Shinichi Fushima
Original Music
PASCALS
Art Director
Mayumi Tomita
Director
Naoko Ogigami
Naoko Ogigami was born in Japan and studied film at the University of Southern California. Her directorial debut, Yoshino’s Barber Shop (2004), received a Special Mention at the Kinderfilmfest at the Berlin International Film Festival. Her fourth film, Glasses (2007), received the Manfred Salzgeber Award, also at the Berlinale. Her 2017 film Close-Knit received awards at different film festivals, including the Teddy Jury Award at the Berlinale. She wrote for the stop-motion animation series Rilakkuma and Kaoru, which premiered on Netflix in 2019.
Filmography: Yoshino’s Barber Shop (2003); Glasses (2007); Rent-a-Cat (2012); Close-Knit (2017)

