North American Premiere
Naoko Ogigami, director of VIFF 2017 favorite Close-Knit, returns to the festival with a gentle comedy/drama about second chances and the transformative power of friendship.
Riverside Mukolitta stars Kenichi Matsuyama as Yamada, an ex-con trying to come to terms with the death of his estranged father. In an attempt to make a fresh start, Yamada moves to a small fishing town and finds work processing dried squid. Helping him get back on his feet, Yamada’s manager finds him a place to live in an old apartment building populated by a motley group of misfits. Holding this community together is Shiori (Hikari Mitsushima), the landlady harbouring her own tragic past. How can healing happen in such an odd place?
Based on Ogigami’s own 2019 novel, Riverside Mukolitta approaches the topic of mortality with reassuring simplicity and a dry, quirky sense of humor, taking the audience along with Yamada as he discovers that life’s sorrows and burdens are easier to bear with kindred spirits to help you bear them.
Media Partner
Kenichi Matsuyama, Tsuyoshi Muro, Hikari Mitsushima, Noriko Eguchi, Daisuke Kuroda, Toshiaki Chiku
Japan
2021
In Japanese with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Memory of Princess Mumbi
In 2093, a filmmaker arrives in the African village of Umata, where he meets Princess Mumbi, a woman torn between love, legacy, and the future of storytelling. It's a fabulous genre-blending fable about memory, invention and cinematic resistance.
Joan Crawford in... Letty Lynton
This would be your first chance to see one of Joan Crawford's prime pre-Code films since 1936, a salacious melodrama about a socialite (Joan Crawford) accused of poisoning her ex lover.
Jack Johnson: Surfilmusic
This new documentary chronicles Jack Johnson's evolution from surfer to filmmaker to world-renowned musician. The film traces how Jack's early years making surf films with close friends became a foundation for a much broader creative life.
Credits
Executive Producer
Daiji Horiuchi, Tsuyoshi Goroh, Shinichi Tago, Kazuo Nakanishi, Yumiko Masuda, Nobuo Kameyama, Riki Takeuchi, Junji Igarashi, Takayuki Suzuki, Misaki Kawamura,Osamu Nakanishi, Nobuo Komazawa
Producer
Ryoko Nozoe, Takuro Nagai, Shintaro Hori
Screenwriter
Naoko Ogigami
Cinematography
Hiroki Ando
Editor
Shinichi Fushima
Original Music
PASCALS
Art Director
Mayumi Tomita
Director
Naoko Ogigami
Naoko Ogigami was born in Japan and studied film at the University of Southern California. Her directorial debut, Yoshino’s Barber Shop (2004), received a Special Mention at the Kinderfilmfest at the Berlin International Film Festival. Her fourth film, Glasses (2007), received the Manfred Salzgeber Award, also at the Berlinale. Her 2017 film Close-Knit received awards at different film festivals, including the Teddy Jury Award at the Berlinale. She wrote for the stop-motion animation series Rilakkuma and Kaoru, which premiered on Netflix in 2019.
Filmography: Yoshino’s Barber Shop (2003); Glasses (2007); Rent-a-Cat (2012); Close-Knit (2017)