Set in the fringes of 1980s Montréal, Rosie is an open-hearted love letter to misfits and an ode to found families. Orphaned and alone, Rosie (Keris Hope Hill), a precocious English-speaking Indigenous girl, is unceremoniously deposited at the doorstep of her Francophone Aunty Fred (Mélanie Bray) by child services. A foul-mouthed, underemployed outsider artist, Fred is facing eviction and not exactly in the market for added responsibility. However, she’s powerless to resist Rosie’s practically paranormal positivity as the girl sees the upside of sleeping in a scrapyard and warmly embraces Fred’s street-working non-binary best friends (Constant Bernard and Alex Trahan). Much like Fred creates art from other’s trash, this band of sequined outsiders finds beauty and magic amidst their trying circumstances.
Drawing from her lived experience as a queer Cree/Métis woman, Gail Maurice brings a singular sensibility to her first feature. Her film’s buoyant charm and humour only make its passionate appeal for acceptance all the more persuasive. We’d all do well to take a page from Rosie.
Q&A Oct 2 & Oct 4
Presented by
Media Partner
Community Partner
Mélanie Bray, Keris Hope Hill, Constant Bernard, Alex Trahan, Josée Young, Jocelyne Zucco, Arlen Aguayo Stewart
Canada
2022
In English, French, and Cree with English subtitles
Coarse language
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Film Studies: The Making of a Monster: James Whale's Frankenstein & Universal Horror
Classic film scholar Michael van den Bos dissects and examines director James Whale's highly influential first sound version of Frankenstein, starring Boris Karloff and Colin Clive. After his illustrated lecture we'll watch the movie together.
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Bride of Frankenstein
Funnier, more outrageous, and just as goth as the 1931 hit, this is a black comedy about mad scientists playing god, the monstrous craving for a mate, about the ultimate male-order bride, and her indelible response to being married off to a mouldier man.
Fréwaka
A Dublin nurse is sent to a remote Irish village to care for a reclusive woman. Haunted by a dark past, her night terrors invade her reality. Aislinn Clarke delivers a chilling, feminist folk horror that favours atmosphere over jump scares.
Credits
Executive Producer
Mark Slone
Producer
Gail Maurice, Jamie Manning
Screenwriter
Gail Maurice
Cinematography
Celiana Cárdenas
Editor
Shaun Rykiss
Production Design
Joshua Turpin
Art Director
Somerville Black
Director
Gail Maurice
Gail Maurice is a Cree/Michif-speaking actor and an award-winning independent filmmaker. She is a recipient of the Hnatyshyn Foundation Indigenous Award for Excellence in the Arts, the Chalmers Arts Fellowship, and was selected for the 2020 Netflix-Banff Diversity of Voices Initiative. Her films have screened at Sundance, the Smithsonian Institute, ImagineNATIVE, and have also aired on CBC, APTN, and Air Canada’s Enroute. Rosie, her feature debut, was supported by ImagineNATIVE’s inaugural screenwriting lab.