Set in the fringes of 1980s Montréal, Rosie is an open-hearted love letter to misfits and an ode to found families. Orphaned and alone, Rosie (Keris Hope Hill), a precocious English-speaking Indigenous girl, is unceremoniously deposited at the doorstep of her Francophone Aunty Fred (Mélanie Bray) by child services. A foul-mouthed, underemployed outsider artist, Fred is facing eviction and not exactly in the market for added responsibility. However, she’s powerless to resist Rosie’s practically paranormal positivity as the girl sees the upside of sleeping in a scrapyard and warmly embraces Fred’s street-working non-binary best friends (Constant Bernard and Alex Trahan). Much like Fred creates art from other’s trash, this band of sequined outsiders finds beauty and magic amidst their trying circumstances.
Drawing from her lived experience as a queer Cree/Métis woman, Gail Maurice brings a singular sensibility to her first feature. Her film’s buoyant charm and humour only make its passionate appeal for acceptance all the more persuasive. We’d all do well to take a page from Rosie.
Q&A Oct 2 & Oct 4
Presented by
Media Partner
Community Partner
Mélanie Bray, Keris Hope Hill, Constant Bernard, Alex Trahan, Josée Young, Jocelyne Zucco, Arlen Aguayo Stewart
Canada
2022
In English, French, and Cree with English subtitles
Coarse language
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Election
Tracy Flick (Reece Witherspoon) is running for Student President, but Mr. McAllister (Matthew Broderick) has other ideas... This remarkably sour millennial comedy from Alexander Payne (The Holdovers; Sideways; The Descendents) hits twice as hard today.
90s Surprise Film
The 90s movie we have all been missing... Join us for a celebratory wake for this year's 90s, Baby series! What you will be seeing is top secret (no, not Top Secret!, that was 1984) but it will be at least 26 years old and it will be new to this series.
The Wind Will Carry Us
Kiarostami's dry comic masterpiece follows a Tehrani film team's thwarted attempts to document a traditional Kurdish funeral... Trouble being, there's no one to bury, and, worse, virtually no cell service...
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Credits
Executive Producer
Mark Slone
Producer
Gail Maurice, Jamie Manning
Screenwriter
Gail Maurice
Cinematography
Celiana Cárdenas
Editor
Shaun Rykiss
Production Design
Joshua Turpin
Art Director
Somerville Black
Director
Gail Maurice
Gail Maurice is a Cree/Michif-speaking actor and an award-winning independent filmmaker. She is a recipient of the Hnatyshyn Foundation Indigenous Award for Excellence in the Arts, the Chalmers Arts Fellowship, and was selected for the 2020 Netflix-Banff Diversity of Voices Initiative. Her films have screened at Sundance, the Smithsonian Institute, ImagineNATIVE, and have also aired on CBC, APTN, and Air Canada’s Enroute. Rosie, her feature debut, was supported by ImagineNATIVE’s inaugural screenwriting lab.