Set in the fringes of 1980s Montréal, Rosie is an open-hearted love letter to misfits and an ode to found families. Orphaned and alone, Rosie (Keris Hope Hill), a precocious English-speaking Indigenous girl, is unceremoniously deposited at the doorstep of her Francophone Aunty Fred (Mélanie Bray) by child services. A foul-mouthed, underemployed outsider artist, Fred is facing eviction and not exactly in the market for added responsibility. However, she’s powerless to resist Rosie’s practically paranormal positivity as the girl sees the upside of sleeping in a scrapyard and warmly embraces Fred’s street-working non-binary best friends (Constant Bernard and Alex Trahan). Much like Fred creates art from other’s trash, this band of sequined outsiders finds beauty and magic amidst their trying circumstances.
Drawing from her lived experience as a queer Cree/Métis woman, Gail Maurice brings a singular sensibility to her first feature. Her film’s buoyant charm and humour only make its passionate appeal for acceptance all the more persuasive. We’d all do well to take a page from Rosie.
Q&A Oct 2 & Oct 4
Presented by
Media Partner
Community Partner
Mélanie Bray, Keris Hope Hill, Constant Bernard, Alex Trahan, Josée Young, Jocelyne Zucco, Arlen Aguayo Stewart
Canada
2022
In English, French, and Cree with English subtitles
Coarse language
Open to youth!
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Executive Producer
Mark Slone
Producer
Gail Maurice, Jamie Manning
Screenwriter
Gail Maurice
Cinematography
Celiana Cárdenas
Editor
Shaun Rykiss
Production Design
Joshua Turpin
Art Director
Somerville Black
Director
Gail Maurice
Gail Maurice is a Cree/Michif-speaking actor and an award-winning independent filmmaker. She is a recipient of the Hnatyshyn Foundation Indigenous Award for Excellence in the Arts, the Chalmers Arts Fellowship, and was selected for the 2020 Netflix-Banff Diversity of Voices Initiative. Her films have screened at Sundance, the Smithsonian Institute, ImagineNATIVE, and have also aired on CBC, APTN, and Air Canada’s Enroute. Rosie, her feature debut, was supported by ImagineNATIVE’s inaugural screenwriting lab.