
Something of a forgotten film despite the high-powered pairing of Gene Hackman and Al Pacino and winning the top prize at Cannes, this bittersweet, touching buddy movie casts the former as a volatile tramp, Max, an ex-con who dreams of opening a car wash, and the latter as “Lion”, a drifter now set on returning to the wife and kid he abandoned years ago. The ravishing cinematography is by the great Vilmos Zsigmond. For a long time Hackman singled this one out as his personal favourite (and his striptease scene is one for the ages).
Director Jerry Schatzberg is still with us, at 97. A great still photographer, he shot the Bob Dylan album cover, Blonde on Blonde and iconic images of Faye Dunaway, Jane Fonda, Fidel Castro and many others.
Aug 8: Intro by Marc Staehling, broadcaster
The passing years have proven Scarecrow’s continuing appeal as a low-key character study, a downbeat ode to the downtrodden, an elegy for the American dream gone sour. Schatzberg and DP Vilmos Zsigmond craft a visually rich and evocative film as attuned to the rhapsodic vistas of the American pastoral as it is to the squalid dive bars and inhumane work farms that provide the grungy backdrop for screenwriter Garry Michael White’s loose-limbed drama… Both actors deliver career-defining performances.
Budd Wilkins, Slant magazine
Scarecrow is simply a masterpiece of the American new wave, a rangy, freewheeling tragi-comedy in which Hackman and Pacino give effortlessly charismatic performances. The guys ride the boxcars; they get drunk and laid and into trouble. They even wind up in prison – briefly. And their chaotic, fragile friendship is all that they have. This is a jewel of American cinema.
Peter Bradshaw, The Guardian
Hollywood movies have rarely spoken such tough and tender truths.
Keith Uhlich, Time Out
Jerry Schatzberg
Al Pacino, Gene Hackman, Dorothy Tristan, Ann Wedgeworth, Eileen Brennan, Richard Lynch
USA
1973
English
Grand Prix (Palme d’Or), Cannes Film Festival
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Garry Michael White
Cinematography
Vilmos Zsigmond
Editor
Evan A. Lottman
Original Music
Fred Myrow
Production Design
Albert Brenner
Also in This Series
Getting Real charts the evolution of screen acting in American film from 1945-1980, diving into the psychological realism which took audiences somewhere deeper and more authentic than ever before.
In the Heat of the Night
Sidney Poitier in an indelible role a Philadelphia police detective Virgil Tibbs, pulled in as a murder suspect when changing trains in Mississippi. He allies with bigoted local sheriff (Rod Steiger) to solve the case.
Rachel, Rachel
The story of a shy schoolteacher whose sexual awakening in her mid-30s leads to a deeper re-evaluation of her life, the film is sensitive and sympathetic, as well as a surprising directorial debut from Paul Newman.
The Chase
Bubba Reeves (Robert Redford) escapes from prison and the south Texas town where his wife (Jane Fonda) is carrying on with his best friend (James Fox) is in uproar. Sheriff Marlon Brando tries and fails to keep a lid on the unpleasantness.
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Wanda
Barbara Loden's vérité feminist masterpiece, a landmark in the history of women filmmakers -- and "the anti-Bonnie & Clyde". "Writer-director-actor Barbara Loden's 1970 feature has a wonderful, hard-won sense of everyday rapture," Chuck Bowen, Slant
They Shoot Horses, Don't They?
Horace McCoy's existential Great Depression novel is the basis for a brutally compelling movie, and the first performance where Jane Fonda could show her chops. She's one of many desperate souls competing in a dance marathon that lasts for days and weeks.