After working as a tree planter for ten years, Jean-Philippe Marquis decided to make a film about the intersection of forests, man and industry in his BC-shot feature debut. All the film’s interview subjects work in forestry, as loggers, sawyers, or planters (Marquis also brings in Indigenous views on stewardship of remaining Old Growth). Although they have varying degrees of respect for the trees (“Eventually everything in the forest will have a price tag on it,” says one), they all share the knowledge that they are cutting the ground out from underneath their own way of life. But this is much more than just a series of talking heads: Marquis immerses us in the forest to create something atmospheric and alive. There are no easy answers, but there is a long view in which, yes, you can see the woods for the trees, and in reminding us of this home truth Marquis has made one of the definitive BC movies of recent times.
Apr 22, 4:00 pm screening: Q&A with filmmaker Jean-Philippe Marquis & David Quigg (Sierra Club BC); moderated by Priyanka Dasai
Apr 22, 8:45 pm screening: Q&A with filmmaker Jean-Philippe Marquis
Apr 23: Q&A with filmmaker Jean-Philippe Marquis & Todd DeVries
Apr 25: Q&A with filmmaker Jean-Philippe Marquis, Todd DeVries & CPAWs representative
Director Bio
Jean-Philippe Marquis is a documentary filmmaker and director of photography based in Bella Coola, British Columbia. He has ten years of cinematography experience on documentaries and television series. As a director, his documentary work is often non-linear, and dwells on themes of contested geographies and resource extraction. He has made short films in Palestine, Congo-Kinshasa, and Cameroon, and has filmed extensively throughout Yukon and Western Canada.
At once stunning and sobering… An artfully engaged work […] that tackles the issues of deforestation through an unexpected lens… The growing desire to preserve the last of these elder giants is the beating heart of the film.
Madeline Lines, POV magazine
Co-Presented by
Doc Night Presented by
Jean-Philippe Marquis
Canada
2023
English
John Kastner Award, Hot Docs 2023; Best Canadian Feature Film at Planet in Focus 2023
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Cinematography
Jean-Philippe Marquis
Editor
Jean-Philippe Marquis, Emmet Walsh
Original Music
Samuel Laflamme
Also Playing
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
The Colour of Pomegranates + The House Is Black
This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.



