The biggest hit of the 1960s, The Sound of Music is basically Jane Eyre crossed with Snow White: Julie Andrews is the novice nun Maria sent to mind seven little von Trapps and falling in love with their forbidding father, widower Captain von Trapp (Christopher Plummer). The Evil Queen, in this case, would be (an unseen) Adolf Hitler, because we are in Austria, 1938. The Rogers and Hammerstein tunes include Maria, Do-Re-Mi, Climb Every Mountain, Edelweiss and My Favourite Things.
Media Partner
Robert Wise
Julie Andrews, Christopher Plummer, Eleanor Parker
USA
1965
English
Open to youth!
$10 tickets available
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Ernest Lehman
Cinematography
Ted D. McCord
Editor
William Reynolds
Production Design
Boris Leven
Also Playing
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).
Sex
Two chimney sweeps living in heterosexual marriages find their views on sexuality and gender challenged by a series of unexpected events. In a set of sharply scripted conversations, both men confront heretofore unexplored aspects of their identity.
3 Faces
Iranian filmmaker Panahi and actress Behnaz Jafari, both playing themselves, receive a video in which a distraught teenaged girl, whose acting dreams have been quashed appears to kill herself. Panahi and Jafari decide to investigate...