Canadian Premiere
Updating Denis Johnson’s Nicaragua-set novel from the Revolution to the present-day and working in English and Spanish, French auteur Claire Denis is venturing into Graham Greene territory here—espionage and dirty deeds in the tropics. It’s worth remembering that she herself grew up in French colonial West Africa; westerners getting hot and bothered in foreign climes pop up in Beau Travail, White Material, L’intrus, and her first film, Chocolat.
The focus here is on a young American, Trish (Margaret Qualley), a freelance journalist who has gotten in over her head and whose passport has been seized after she embarrassed the authorities. Marooned indefinitely in an unnamed Managua, Trish is forced to trade sex for protection and rum money. She tries to put on a tough and cynical front, but secretly she’s desperate. Then she meets Daniel (Joe Alwyn), a dashing English businessman. At first, she thinks he could be her ticket out of here. Gradually she realizes he’s in worse trouble than she is.
Too languid and languorous to be described as a thriller, but more plot-driven than most Denis films, Stars at Noon is a moody, almost malevolent romance, a tropical neo-noir; love and disillusion in the time of COVID.
Grand Prix (tied), Cannes 2022
Supported by
Claire Denis
Margaret Qualley, Joe Alwyn, Danny Ramirez, Benny Safdie, Nick Romano, Stephan Proaño, Monica Bartholomew, Carlos Bennett
France
2022
In English and Spanish with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
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The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Credits
Executive Producer
Christine De Jekel, Olivier Gauriat, Pituka Ortega Heilbron, Marcela Heilbron
Producer
Olivier Delbosc
Screenwriter
Claire Denis, Léa Mysius, Andrew Litvack
Cinematography
Eric Gautier
Editor
Guy Lecorne
Production Design
Arnaud De Moléron
Original Music
tindersticks