Skip to main content

VIFF Tickets on sale now for VIFF+ members. Log in to purchase. Not a member? Join Now!

Stop Making Sense film image; man in 80s-style suit holds microphone

Stop Making Sense

This event has passed

Each month we showcase a movie selected by one of our VIFF+ Premium members. This month, Adam PW Smith shares a personal favourite. Universally acclaimed as one of the greatest concert films ever made, Stop Making Sense documents the groundbreaking Talking Heads at their peak.

This film is constantly running in my head whenever I am called on to photograph or film a musical performance. It feels like a perfect combination of two of my favourite things — documentary and live music. For years it was a visual treat, and now with the lovingly remixed Atmos soundtrack, it sounds like one too. I was astonished when I watched it at the renovated VIFF theatre — I heard things that in 40 years of repeated listening I had never heard before. This is a masterclass in live performances, filmmaking, and audio production.

Adam PW Smith


Over the course of three nights at Hollywood’s Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with cinematographer Jordan Cronenweth and Talking Heads… and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone’s blues, it’s a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.

The staging — and Demme’s filming of it — builds toward an orgasmic release of music, rising from the bare-stage simplicity of Byrne, accompanied only by a boom box on “Psycho Killer,” to the ecstatic crescendo of “Burning Down the House,” by which time the Heads and additional personnel have all arrived on stage for a performance that seems channeled from heaven for the purpose of universal uplift. (God bless Demme for avoiding shots of the luckiest audience in ’80s pop history; its presence is acknowledged, but not at the viewer’s expense.) With the deliriously eccentric Byrne as ringleader (pausing mid-concert to emerge in his now-legendary oversized suit), this circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

Jeff Shannon

One of the most exciting concert films ever.

David Ansen, Newsweek

The overwhelming impression throughout Stop Making Sense is of enormous energy, of life being lived at a joyous high.

Roger Ebert

Director

Jonathan Demme

Featuring

Talking Heads

Credits
Country of Origin

USA

Year

1984

Language

English

Focus
19+
88 min

Book Tickets

This event has passed.

Credits

Cinematography

Jordan Cronenweth

Editor

Lisa Day

Original Music

Talking Heads

Also Playing

Souleymane's Story

Dir. Boris Lojkine
92 min

Exhausted by the grueling grind of the Parisian gig economy and hopping between homeless shelters, Guinean immigrant Souleymane races against time to prepare for his asylum interview. An angry, tender film which is as gripping as any thriller.

VIFF Centre - VIFF Cinema

The Last Class

Dir. Elliot Kirschner
72 min

Economist and former US Secretary of Labor Robert Reich embarks on what will be his last year teaching at Berkeley. What can he impart to the latest generation to inspire and empower them for the grievous challenges ahead?

VIFF Centre - Lochmaddy Studio Theatre

Once Upon a Time... In Hollywood

Dir. Quentin Tarantino
160 min

A film of luxuriant and sinister beauty, Tarantino's last movie to date is a rich and lovely immersion in the dying days of Old Hollywood, LA, 1969.

VIFF Centre - VIFF Cinema

Last Breath

Dir. Costa-Gavras
100 min

At the age of 91 the revered filmmaker Costa-Gavras (Z) has made a gentle, curious, hopeful film about life on a palliative ward.

VIFF Centre - Lochmaddy Studio Theatre