Mark Mangini has made it his life’s work to create the unimagined worlds and fabricated sonic realities of the most epic films you can imagine. Known for films including Blade Runner 2049, Star Trek I, IV and V, The Fifth Element, and Gremlins, Mark is a six-time Oscar nominated sound designer, winning twice for Dune and Mad Max Fury Road.
Join us to go behind-the-scenes as Mark shares the secrets behind creating the most memorable sound art of these monumental films.
Supported by
Media Partner
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Guest
Mark Mangini
Sound Designer
Mark Mangini is a two-time Oscar-winning (Dune, Mad Max Fury Road) and six-time Oscar-nominated Sound Designer known for films including Blade Runner 2049, Star Treks I, IV & V, The Fifth Element, and Gremlins. He has spent his 46-year career in Hollywood imagining and composing altered sonic realities for motion pictures. He is a frequent lecturer, an outspoken proponent for sound as art and a guitarist/songwriter with compositions in sex, lies and videotape, Star Trek IV, Picard , and others. He is a member of SAG, SMPTE, and ASCAP.
A Boston native, Mark attended Holy Cross College as a foreign language major but could not ignore his love of film and filmmaking. He moved to Los Angeles in 1976 and landed his first job in the entertainment industry in the sound department of Hanna Barbera Studios making funny noises for children’s cartoons at the age of 19. He founded and ran Weddington Productions, a successful Hollywood post-production sound company, for 25 years. Today he works at Formosa Group in Hollywood, California continuing his work as a Supervising Sound Editor, Sound Designer and Re-recording mixer.
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring